“Seriously, how cliché is this?”

Misunderstood loner: check. Bullies: check. Isolated “camp”: check. Vengeful spirit: check. Looks like we got ourselves a horror movie! Every fan of horror has seen at least some combination of those themes in a film at least once. Now here they are, wrapped up an impressively cohesive package.  Although this film thrived on its use of clichés, it made conscious efforts to incorporate a lot of original ideas. Between the clichés that I am tired of and the original ideas that just didn’t work very well (for me), the film finds a balance that makes it enjoyable.

Dustin P. Anderson

Our story follows Kitch, one of only a few survivors from a deadly outbreak that has devastated much of the world. Kitch makes his living by taking down drones and stripping them for parts. The most valued part is Arcanum pellets, which have taken over as currency in this bleak future. One day, after trying to sell some Arcanum pellets to reclaim a camera that was stolen from him, he meets a drone marked with DR1 . Kitch thinks that this drone will lead him to his father, who was last seen trying to find a cure for the plague that ravaged the world. On his travels to find his father, he is joined by the niece of a gangster who is hunting them. The two search for Kitch’s dad together while trying to avoid her uncle and protecting DR1.

“Sometimes it’s better not to touch your dreams, take it from someone who knows.”

In the first season of Showtime’s Californication, we were introduced to David Duchovny’s character, bitter yet upbeat writer Hank Moody. Hank, after moving to Los Angeles on the heels of his first novel – a critical darling entitled “God Hates Us All” – has recently lost his long-time love and, by extension, his daughter, to a straight-arrow bore who makes his girlfriend Karen (Natascha McElhone) feel safe.

How much can you accomplish in less than ten minutes? In the case of Noel Clarke, you can prevent a global domination plot. OK, to be fair to the rest of civilization, it wasn’t just one ten-minute period, but a series of ten-minute periods. All things being equal, still extremely impressive, no? Noel Clarke is Ryan Dunn, a former soldier who finds that his consciousness is taken over by another, and he only regains control during a system reboot, as it were. In these brief moments of control, he learns of the plot that his operator (as it were) is putting into motion and does what he can to prevent it. However, this brings us back to the original question: how much can one really accomplish in a ten-minute period?

The film has a good opening as the audience is introduced to Ryan (Noel Clarke), who is just as new to what is happening as the rest of us. It’s always good to be on common ground with the protagonist. He wakes up in the back of a van with a young boy who has been abducted. Like any decent human being, he attempts to help the boy. Unfortunately for him, his counterpart is not a decent human being. As mentioned above, Ryan only has partial control during very short windows of time. During each “reboot”, he learns more about what his counterpart is up to in his absence, which includes a plot with global implications. Every time he wakes up, he finds himself in the company of a mysterious stranger (Ian Somerhalder), who is aiding in the plot.

The Horror Network Vol. 1 is an anthology of five short horror films, compiled by Douglas Conner and Brian Dorton. I absolutely love short films: I have created a few of my own, and I have been part of the selection committee for a short film festival. This anthology is fantastic in that it combines my love of short films and my love of the genre of horror. Although most films in this anthology could most certainly be cut for time (as is the case with most independent short films), they do a fantastic job capturing the elements of horror that make your hair stand on end.

The first installment of this anthology is a film called 3 a.m. Looking at the film as a whole, it is certainly a strong opening statement that will keep audiences engaged throughout the entire anthology. While some of the dialog spoken over phones is hard to hear, the rest of the film’s sound design is devoted to creating the horrific atmosphere. The film is essentially about a woman being stalked by an unknown entity. The horror in this film comes from the bloodcurdling howl that echoes across the countryside more than once, something that the main character hears and reacts to. While the source of this sound is never fully seen, the fear the sound evokes is memorable.