The Gallows starts off with a camcorder video shot of a high school play from 1993 in which a horrible accident occurs. It is immediately followed by video footage from 2013 that is labeled police evidence. That tips us off, if we didn't know, that this is found-footage material. The found footage genre has grown substantially since the phenomenally success of The Blair Witch Project in 1999. One of the reasons that The Blair Witch Project was so successful is that the concept was fresh at the time. It isn't any longer.

I grew up on the horror comics of the 1970's. Eerie and Creepy were two of my favorites. My father would buy them and pass them down to me when he finished reading them. They were black and white so that they could take advantage of a loophole in the Comics Code and often featured lurid and gory stories of horror and depravity. Probably not the most appropriate reading for a young boy, but I ate them up. Before those comics there were the EC horror comics from Bill Gaines in the 1950's. Titles like Tales From The Crypt and The Vault Of Horror called out to readers with gory and hideous covers. But it didn't really start there.

It is upon us now...an old and faceless foe.”

In the second season of Reign, that foreboding statement refers to the plague and ensuing famine that lay siege to the court of King Francis II, Mary Queen of Scots, and their subjects. But in real-life terms, the most dangerous “old and faceless foe” for a promising series entering its second season is the “sophomore slump.” That's why I'm pleased to report the CW's sumptuous period drama was able to maintain the shamelessly soapy momentum from its guilty pleasure first season.

Secrets abound in this horror more akin to The Omen rather than Carrie as I had originally suspected. I tell you, that life lesson about not judging a book by its cover still rings true. On the horror scale it does not really have that bone-chilling effect, but it holds its own, and the young talent does make an impression. Kennedy Brice plays the titular character, a little girl with an active imagination, or at least that’s what the grown-ups tell themselves as strange incidents keep happening around her.

At first, Eaters looks like a pretty fun horror film. The cover depicts a well-dressed figure in a scarecrow-like mask and a bowler hat. Above him in typical horror font, the title is displayed, followed by a tagline that reads: “Prepare to meet a new breed of killer”. First impressions are everything, and this is promising a lot. After watching the film, I’ve come to realize that the title, Eaters, is very misleading. In fact, I’m almost positive that not a single person ate anything in the entire film. The film follows a group of five young adults taking a road trip through the desert. Complications arise at a rest stop, where one of the young women goes missing after running into a gang of drug-smuggling bikers.

If you happen to be a BMX cinema fan you already know who Bill Allen is. He played Clu, the hero in the classic BMX film Rad. It's been a long time since there's been a BMX film out there. Now there's Heroes Of The Dirt and Bill Allen is there. He plays the father of BMX rider Phineas Cooper. While Bill doesn't ride in this film the experience has inspired him to get back out there on a bike. I had a chance to talk with Bill about his role in both films. We talked about the BMX film genre quite a bit. Bang it here to listen in on my chat with Bill Allen. Heroes Of The Dirt will be out this Christmas on home video.

“What an interesting girl.”

Four against one, hardly fair odds. Then again, that is how this group prefers it. Little do they know that their latest prey is much more than she appears. Abigail Breslin is every predator’s nightmare in this action thriller about a group of boys who like to lure unwitting girls into the woods to hunt for sport. This film had style, a bit of noir, making it difficult to the determine the time period it is meant to be portraying, but all the same, this was one of my favorites of movies I’ve reviewed this year.

“They’re hee-eere”

That instantly-iconic horror movie line — delivered in a cheery, chilling, sing-songy voice by the late Heather O’Rourke — signaled the arrival of malevolent spirits in 1982’s Poltergeist. In 2015, “they’re hee-eere” could just as easily refer to the latest glut of horror remakes. (Thankfully, there’s still at least one *sacred* cow.) That list now includes a new version of Poltergeist, which features some solid thrills and (for better and for worse) sticks pretty closely to the original.

"Listen, my friend. This is going to be very hard to comprehend, but none of what you are seeing is real."

Of course it's not real. It's not really that hard to comprehend at all. This is an animated show, after all. And the figures look like cut-out pieces of construction paper. Of course, we're talking about South Park. What is hard to comprehend, however, is that we're talking about the 18th season of South Park. Few television shows last this long, and only The Simpsons has been around longer when it comes to scripted animated shows running today. That's rare air, indeed

At one point or another, every kid dreams of being a superhero. For me, those flights of fancy took place at age 6 or 7, when I'd put on my Batman pajamas — the ones with the detachable velcro cape — and leap off the staircase inside our home. (When I really wanted to give my mom agita, I'd jump off the third step from the bottom.) Miles Scott — a California boy whose evil nemesis is leukemia — got to live out his superhero fantasy on the grandest scale at age 5. Batkid Begins isn't a great documentary by any means, but it's a cheerful, good-hearted (if saccharine) look at the making of a dream.