by Dustin P. Anderson

I have never been more confused as to what constitutes a spoiler in a movie. I am going to attempt to give the best synopsis I can here, but just know, I was extremely confused throughout this entire movie. We follow two movie studio workers as they watch one of the movies their studio is set to release. The two add dialog (a la Mystery Science Theater 3000) to the film, and we follow their story as well. I was supremely disappointed when I started watching this movie. There was nothing that led me to believe that this movie was going to be a comedy; I would assume that this “surprise” was the intention of the makers, but it ultimately left me confused throughout the entire movie.

This movie is not on my rewatch list for a number of reasons; however, it all stems from one central reason: the delivery. On the surface, I buy the premise for this movie; a girl attracts an evil spirit and starts to feel like she losing her mind. Her parents don’t believe her, her siblings don’t either, or her friends. The film even provided backstory hint alluding to the reason why the parents are overprotective due to a previous stalker situation that the family still hasn’t gotten over. Nicely done on that score; however, a lot of the allure is lost simply because of the way the information is provided.

The film Mobilize (previously titled Disconnect) is about the potential dangers of cell phones. People have joked about it for years. The AMC series Better Call Saul had a major plot device about a character's aversion to any electronic radiation. The character wound up wearing thermal blankets, not going outside, deactivating electricity in the home, and having all electronic units being stored in an outside mailbox. The show never really explained the source of the character's problem, but it seemed to imply that it was a mental phobia.

Most of us are used to seeing Hollywood movies. That often bleeds over to British and Australian films, but not everyone wants to see films with subtitles. Still, many foreign films have become popular from France, Spain, Japan, Italy, China, India, Denmark, South Africa and Mexico. Obviously almost every country in the world produces films, but most of us never see them. The sheer abundance of films produced in any given year is mind-boggling. Who sees them all? To some degree, films from one part of the world are mostly watched by people from the same place. Turkish films are mostly watched by Turks. 

There are few things that are more bothersome than cheap marketing gimmicks. Private Number is no exception. While sites like IMDb have Tom Sizemore and Judd Nelson as the highest-billed actors in the film, the cover of this DVD is very misleading. Perhaps part of the deal for Nelson and Sizemore was to be featured primarily on the cover, but I really doubt that is the case. The relationship of the DVD’s cover to the film itself feels like producers that have little faith in their project. So instead of promoting the interesting concepts of the film on its cover, they plaster the familiar faces of Nelson and Sizemore onto it, in hopes of making a few extra bucks. So if you are going to watch this movie for those actors, save yourself the trouble: they have a total screen time of 8 minutes. 

by Dustin P. Anderson

The death of the youngest brother in the Burwood family brings together all members in an attempt to see that their brother is laid to rest... OK, here’s the thing. I could tell you all the synopsis as a lead up to this movie review, but I am pretty sure that everyone reading this has seen a movie with a similar synopsis. This movie is basically Sweet Home Alabama, This is Where I Leave You, The Royal Tenenbaums, or many others. It’s been done dozens of times over, and I think what we all really want to know is if this movie differed from the other movies at all.