Prior to picking up this title from UpcomingDiscs headquarters, The Book of Negroes was a complete unknown to me on several levels. I wasn’t aware of the six-episode miniseries that aired on BET earlier this year, nor had I ever heard of the book of the same name by Canadian novelist Lawrence Hill. Even worse, I was completely unaware of the real-life historical document that served as the inspiration for Hill’s book and this miniseries. So while The Book of Negroes is buoyed by solid storytelling and capable performances, my favorite thing about it is that it shone a light on a part of history that hasn’t totally gotten its due in pop culture.

“I knew from a young age I would be a…storyteller. I would see, and I would remember.”

"When history looks back, I want people to know the Nazis weren’t able to kill millions of people and get away with it."

Those words were spoken by Simon Wiesenthal. Wiesenthal was an architect living in Poland in the 1930's. He was witness to the systematic persecution, isolation and eventual slaughter of the Jewish population of which he was a member when Germany's Nazi troops invaded Poland. He and his family ended up in a concentration camp and into forced labor. When Hitler instituted his "Final Solution" most of his family members were killed. He barely survived after an unsuccessful escape attempt; he would have surely been killed if not for a sudden turn in the Nazi forces. He and his wife managed to survive the Holocaust.

Well, it looks like Comedy Central is still searching for a viable replacement for the loss of The Chappelle Show almost a decade ago. The newest attempt to recapture the former fan base has to be Inside Amy Schumer. I must confess a blissful ignorance to Mrs. Schumer’s rise to fame; I had no knowledge of her existence in recent years, never glimpsing a cameo of her in a television series or movie (or least one that I was aware of), and then all of a sudden it was like she was everywhere. Television, commercials … she even now has made the transition into film with several projects set to be release in the coming year, and my first response to seeing her was, who is Amy Schumer?

More to the point, Inside Amy Schumer is a sketch comedy show geared towards Schumer’s specific brand of comedy, which is, in a word, raunchy. I believe that is the best word to sum up Schumer’s style, as many of the sketches focus on a sexualized point of view; however, in an interesting twist of fate, this time it is the point of view of a woman. I will say that was most likely the most intriguing aspect of the entire series. Her brand of comedy failed to resonate with me; however, I did have an appreciation for the opportunity to peek behind the veil and see an honest female perspective of raunchy ideals. Granted, I’m sure there are plenty of other female comedians out there who could provide the same perspective, but I doubt it would be in the same way as Schumer.

If I were to tell you The Comedian is a dramatic character study, you would expect it to have some comedic elements, right? Unfortunately, that is the exact mindset I entered the film with. While the film does provide characters and concepts, it left me feeling disappointed. Written and directed by Tom Shkolnik, The Comedian tells the story of Ed (Edward Hogg), a middle-aged man who feels himself slipping away at his dead-end job. In order to cope with his unfulfilling lifestyle, he performs stand-up comedy at his local nightclub. One night, Nathan (Nathan Stewart-Jarrett) approaches Ed and praises his performance. The two quickly develop an intimate relationship, livening up Ed’s daily monotony.  Eventually drama unfolds when Ed’s flat-mate Elisa (Elisa Lasowski) confesses her love for him.

Ed is a rather peculiar character. Yes, he has an unfulfilling job, but what really draws you into the character is his standup routine (or lack thereof). You see, Ed seems to be a regular comic at the nightclub, but all he ever does on stage is scream at the top of his lungs. At times people laugh, but more often than not, they stare at him intently, as if listening to a lecturer. That being said, I was looking forward to a character study involving this angry, enigmatic comedian. Unfortunately, the film did not satisfy.

"It's called The Ultron Program."

Remember when you were a kid and one of your friends would come over and ask if you could come out and play? You would head for the door with a grin from ear to ear, because you knew you were about to have a blast. You might not have had any idea what it was you were going to do. Often you made it up as you went along. It didn't matter. You just knew fun times were on the other side of your front door. That's exactly how I felt going to catch The Avengers: Age Of Ultron. It was as if Joss Whedon had come to my house and asked me to come out and play. And it wasn't just Joss. He brought a whole bunch of his cool friends, and they brought a ton of really cool toys. From that point it didn't matter so much to me what was going to happen exactly. Phasers were set to good times, and I knew I was going to have fun. Age Of Ultron did it to me just like the many Marvel films before it. I didn't want it to end. I often joke that the only thing wrong with instant gratification is that it takes too long. Now I have to wait another year before most of these characters will assemble once again in Captain America: Civil War.

“I need to know what you are worth when I leave you nothing.”

These are the parting words that Jim Bennett (Mark Wahlberg) is left with from his dying grandfather.  At first these words may seem a bit harsh, but the more time we spend with Bennett we start to understand the grandfather’s intentions.  The Gambler, a remake of the 1974 film with same title, follows Bennett along his downward spiral as his gambling addiction drags him down to the point where death is imminent, yet death seems to be the escape Bennett so desperately craves.  In other words, this is not exactly the film you watch to get into the holly jolly spirit of the holidays. 

The Mentalist was once the highest rated drama on television. There was a lot to like here, as I'll discuss throughout this review. But I think most of us had gotten a little sick and tired of the Red John story. The show milked the single case for over five years, and the fan base had dissolved to the point that the once #1 show has been on the bubble for the last two seasons. Fans' patience had worn thin, but at long last the show's producers discovered what we've known since the second season. It was time to get Red John gone and move the show in another direction. If the show was going to survive, it was now or never. What you likely didn't see coming was a two-year jump in time and a retooling in the middle of an ongoing series. Alas, it was not enough, and The Mentalist finished its final season with just a dozen new episodes.

The CBI has been disbanded because of its corrupt leader, and our characters have all gone their separate ways. Rigsby (Yeoman) and Grace (Righetti) are married with kids and running their own security firm. They do return very briefly for the show's finale.

"You do know the combination, don't you?"

It's a Taken film, and the third one in the series. You should have the ingredients down by now. Let's run through the checklist, shall we? You've got your daring escapes, check. You have some awesome car chases with a lot of mashed-up metal, check. You've got some torture, of course. Waterboarding is in these days. You have the standard carnage level, check. And check. It's all there, but credit the folks behind the franchise for finding ways to deliver every last drop of the expected stuff and still turn the third part of a trilogy on its head enough to make it more interesting than the previous two films. Or were you expecting pretty much more of the same?

Inherent Vice is the kind of movie I personally love to watch over and over again, partly because it is always tantalizing you with content that you can't quite get your head wrapped around. Almost anyone would want to see this more than once, even if only to make sure they weren't stupid for not connecting all the dots. The film has a classy, fun pedigree combing the talents of Paul Thomas Anderson and Thomas Pynchon. Paul is the beloved director of modern classics like Boogie Nights, Magnolia, and There Will Be Blood. Thomas is the novelist of unfathomable masterpieces like Gravity's Rainbow and V. Both are titans in the cultural zeitgeist of the academic and the bohemian. They both are supremely confident to put together a plot that flies high above our heads. It is also a detective story, but the gumshoe or private dick in this case is a hippie. The story takes place in 1970 and is immersed in the smoke of the period. It is also immersed in a period authentic string of 70's tunes and wild psychedelic set decoration and groovy duds. It would be pointless to start to outline the plot, partly because the plot is beside the point. The point is to feel the vibe. To settle back, take a deep breath, and hold it in. Hippies are not likely candidates to be private eyes, but it is the perfect way to get a cross section of a time and place. This time and place is as foreign to us today as is Moses in the desert.

If I won't give you a plot, I will give you a cast of characters. Larry “Doc” Sportello (Joaquin Phoenix) gets a visit from his ex, Shasta Fay Hepworth (Katherine Waterson). She wants his help with a problem. Shasta is the mistress of Michael Z. Wolfmann (Eric Roberts) and he seems to be the target of a plot to get his money. Tariq Khahlil (Michael Kenneth Williams) stops by the dentist’s office where Doc works to give him a job, that also ties to Wolfmann. Our unreliable narrator, Sortelege (Joanna Newsome) seems to float through the story as character as much as a ghost. Jade (Hong Chau) is a sweet Asian hooker who helps out when she can, especially when trying to warn him about “The Golden Fang”. Lieutenant detective Christian F. “Bigfoot” Bjornsen (Josh Brolin) has a bit of a man crush on Doc when he isn't slapping him around and kicking his door in. Sauncho Smilex, Esq. (Benicio Del Toro) shows up to “help” Doc (but sometimes you're not so sure). Hope Harlingen (Jena Malone) hires Doc to find her dead husband, Coy (Owen Wilson). They are all mutual acquaintances of Shasta, who has also gone missing, as has Wolfmann. Deputy D.A. Penny Kimball (Reese Witherspoon) is involved because the F.B.I. is involved, but she is also Doc's current squeeze. A little later, we meet Dr. Rudy Blatnoyd, D.D.S. (Martin Short). He is a dentist but also the probable head of a heroine syndicate ensconced in a high rise that looks like a golden fang. Don't think anything I have told you is in any way a summary.

Despite being one of the most successful actresses in Hollywood for the better part of 20 years — Friends premiered in 1994 — it’s been all too easy to dismiss Jennifer Aniston’s big screen resume. Until recent sexpot roles in broad comedies (We’re The Millers, the Horrible Bosses two-logy), most of her hits (Bruce Almighty, Along Came Polly, The Break-Up, Marley and Me) were girlfriend/wife roles that didn’t stray too far from the Rachel Green mold. Cake made less than $2 million at the box office, but it’s also the first movie that made me excited about Aniston’s movie career.

“Are you always such a f---ing shrew?”