"We are assembled here today to pay final respects to our honored dead. And yet it should be noted that in the midst of our sorrow, this death takes place in the shadow of new life, the sunrise of a new world; a world that our beloved comrade gave his life to protect and nourish. He did not feel this sacrifice a vain or empty one, and we will not debate his profound wisdom at these proceedings. Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human."

Many of the headlines read: "Spock is dead". Of course, that's not really true. Spock is a fictional character that will live on likely longer than any of us. But fans of science fiction in general and Star Trek fans in particularly have lost a friend today who was very human. Leonard Nimoy was 83. 

“That’s what you get when you hire a con man.”

As much fun as it is to watch clever, cagey characters try to outsmart one another on screen, the real appeal of movies about con artists is watching filmmakers try to pull the wool over the audience’s eye. It’s an especially tricky proposition when you consider that — thanks to the Internet — moviegoers might be more sophisticated than ever in terms of knowing how movies are supposed to work. (Or at least *thinking* they know how movies are supposed to work.)

Despite being a fan of just about everyone involved with Horrible Bosses, I was more than a little disappointed by the first film.  It wasn’t awful or unwatchable by any stretch of the imagination, but I felt with a cast like Jason Bateman, Charlie Day, and Jason Sudeikis, it just should have been better.  But the movie gods have spoken and decided that the first film performed well enough that it deserved a sequel.  What worked for the first film was the idea behind finally having enough of your bosses and being pushed to the point where murder seems like a viable option.

"There's been some trouble with the women hereabouts...it's bad." 

What exactly is a Western? That's the question that the cast and crew of The Homesman struggle with here. They appear to be divided on the subject, and the same sentiment will likely make this one a little harder to pigeonhole. That's not necessarily important except when it comes to marketing a film. An audience wants some kind of an idea what they're getting when they see it on the shelf of their local video store. Tommy Lee Jones wrote, directed and stared in this period piece, and he'd rather you not call it a Western. Others connected with the film are on board with the genre label.

Zombieworld is like no other zombie film you've ever seen. It's a clever adaptation of independent zombie shorts. It's out now on DVD from Image Entertainment. I got to talk briefly with director Jesse Baget and Producer Steven Barton. These guys were primed and ready for action. Bang it hear to listen to my chat with the guys behind Zombieworld.

Sometimes in film the drama behind the scenes can be more interesting than the actual film we see up on the big screen. For writer/director Paul Schrader, having drama behind the scenes that effects the final project that we get to see is something he is more familiar with than he’d care to admit to.  The firestorm that occurred with the release of 2005’s Dominion: The Prequel to the Exorcist became so intense that the studio insisted upon a new director to come in and do extensive reshoots that subsequently led to the release of a separate film directed by Renny Harlin

What do you do with your life when your Dad is Chucky? You star in your own films. Of course, some of those are going to be of the horror variety. That's the story with Fiona Dourif who stars with Robert Englund and Thomas Dekker in Fear Clinic out from Anchor Bay. I got the chance to talk to her about her new film. Certainly, we had to touch on father Brad Dourif and her experiences in the Chucky franchise. Want to know what she had to say? Of course, you do. Bang it here to listen in on my chat with Fiona Dourif.

When it comes to haunted house films, despite how often the plots seem to be retold time after time, it is still hard for me to say no to giving them a shot. After all, you never know when you may stumble upon a gem.  I wouldn’t go so far as to say Altar is a gem or a groundbreaking entry in the genre, but for some late-night thrills the film has all the ingredients to deliver a case of the late-night creepy crawlies. The Hamilton family arrives at a large country house in Yorkshire, where Meg (Olivia Williams) is tasked with restoring the home to its original condition.

“All men must die.”

The official tagline for Season 4 of HBO’s Game of Thrones also doubles as a helpful reminder of author George R.R. Martin’s no-character-is-safe philosophy. But even plastering that quote all over posters, promos, and the cover of this exemplary-in-every-way Blu-ray set isn’t likely to prepare you for the most devastating and thrilling season of a show that specializes in “devastating and thrilling.”

For as long as I can remember I’ve been in love with film.  Growing up in the 80’s, getting to understand the process of how films were made wasn’t very accessible unless you were lucky to catch a behind-the-scenes special on HBO or Showtime for some big new release.  It wasn’t till laserdisc and eventually DVD where the fans would be able to look beyond the magical curtain of cinema and get to see the process of how a film was made.  I still get giddy with excitement watching some of my favorite directors getting to work their magic behind the scenes.