Posted in: The Reel World by Gino Sassani on February 13th, 2015
"Did you see the movie Trading Places?"
Well, this isn't that movie. It can be as funny as Trading Places, though. There aren't any shades of gray here either. It's good old fashioned “good guys and evil genius” stuff all the way. It's a thrill ride that we won't have to wait in long lines to get on. This is like going to a summer movie and trudging through the snow to get there. Depending on where you live, of course. I'm talking about Kingsmen: The Secret Service.
Posted in: No Huddle Reviews by Brent Lorentson on February 12th, 2015
The days of Lon Chaney and Boris Karloff are long gone, but Hollywood refuses to give up on the classic monsters these men and others once brought to live on the big screen. Despite how many years have passed since these monsters of the night first terrified audiences, filmgoers continue to fork over their cash to see these stories rehashed again and again. In the new release of Frankenstein vs The Mumny, we see the revival of two classic monsters and the opportunity to see them battle head to head. Without the big budget to support this monster smackdown, is it still worth watching, or is this a battle that should have remained dead?
The film dives in on a modern take of the Mary Shelly story we are all more than familiar with. Now Professor Frankenstein (Max Rhyser) spends his days teaching at the local college, while his nights are spent in his lab trying to restore life to the dead. Simultaneously at the same school an Egyptologist is studying the find of her career. After an excavation in Egypt, a newly discovered mummy is brought to the university. This lovely Egyptologist is Naihla (Ashton Leigh), who seems to be also smitten with Professor Frankenstein.
Posted in: Disc Reviews by J C on February 12th, 2015
As far as I’m concerned, a filmmaker has to work pretty hard to screw up a poker game. (And for the record, I feel the same way about cinematic sniper fights and train heists.) It’s an inherently high-stakes situation that is both familiar and unpredictable, and in the hands of the right director a poker game can be either thrilling or funny. At various points, Poker Night manages to be both. But even though I certainly wouldn’t say writer/director Greg Francis screwed up this stylish horror-crime thriller, the movie is flush with flashbacks and subplots that distract from the really good stuff.
“Here's a problem with wisdom: you only get it after you need it.”
Posted in: No Huddle Reviews by Jeremy Butler on February 12th, 2015
This being the first foreign series that I’ve covered for the site, I couldn’t be happier with the results. Knowing nothing about Nicolas Le Floch, I naturally had a few reservations about the series. It wasn’t in English, so how was I intended to comprehend what the characters were saying (knew I should have taken French in college)? Being that I’m ignorant of the laws and traditions of their government, how difficult would it be to follow the storyline? Of course these reservations were in vain as the series proved its worth with great ease, displaying all the great characteristics of the mysteries I love.
Nicolas Le Floch is a charming, charismatic investigator who believes in thorough and complete investigations, as evident in “The Rogue’s Gallery” when his superior wants to announced the death of a wanted criminal without fully confirming the identity of their suspect. This was the episode where Le Floch had to square off against a particularly cunning opponent, a man who not only had a talent for seducing unwitting women but also outwitting key members of nobility as he moved among them without being suspected, that is until Le Floch, who remained the only person with suspicions.
Posted in: Disc Reviews by Athena on February 11th, 2015
Athena here. That’s right, I’m the Siberian Husky that kind of runs things here at Gino’s house. Since I did such a great job doing the review on Snow Dogs, I decided to step in when I saw Gino watching yet another dog film. This time it was Walt Disney’s classic 101 Dalmatians. Naturally the film would have been better if it had been called 101 Siberian Huskies, but unfortunately the film was based on a popular children’s book by Dodie Smith who happened to have Dalmatians herself, so let’s not blame her; she didn’t know any better. Walt Disney himself discovered the story and took a personal interest in having it made into an animated film.
I’ve gotten to see a lot of these Disney classics, and the first thing that I noticed is the film was made in a dramatically different style than the previous Disney projects. The studio decided to abandon its smooth animation with fluid motion in exchange for a far more art-deco look. I don’t know about you humans, but this movie was a little harder on this doggie’s eyeballs. Lines jitter and move in such a way that there is always movement even if everything is standing still. You have to understand that this was not a studio getting cheap or failing in its own quality control. The animation style was a conscious choice by production head Bill Peet. Walt himself was publicly dissatisfied with the style. He was far more attached to the very fluid style his studio had become known for. The look had much to do with a new Xerox process that allowed the original artist drawings to, for the first time, be transferred directly to the transparent cel. This, of course, put a lot of artists out of work who used to do those transfers. The cruder character design was offset by a far more detailed background design. Using actual photographic plates of London locations, the animators created visually detailed backgrounds for the film. The movie is front-loaded with the credits in some clever dog-spot animation. It takes nearly four minutes to get to the story. Your human puppies might get a little impatient. By the way, look for Dodie Smith’s small credit size. It was the only thing she complained about in the film of her book.
Posted in: No Huddle Reviews by J C on February 11th, 2015
“I see the crime a bit differently.”
American television hasn't quite cornered the worldwide market on unconventional, endearingly quirky investigators. MHz Networks has just released a hearty helping of German cop drama in the form of Marie's Mind for Murder. Despite the violent crimes being investigated, the show would've fit snugly alongside lighthearted whodunnits like USA Network's Monk or Psych. You get to sample plenty of Murder with this DVD set, considering there are 10 episodes that each clock in at a shade under 90 minutes.
Posted in: Podcasts by Gino Sassani on February 10th, 2015
Anchor Bay is releasing Fear Clinic today. It stars Robert Englund and Thomas Dekker. While we didn't get a chance to have an encounter with Freddy Kruger himself, we did catch up with Thomas Dekker. You might remember him as Picard's young son in Star Trek: Generations. I loved him as the iconic John Connor in The Sarah Connor Chronicles television follow-up to the Terminator films. We had a great time talking about all of these cool projects. You won't want to miss Fear Clinic on Blu-ray or DVD, and you sure won't want to miss my conversation with Thomas Dekker. So, bang it here to listen to my chat with Thomas Dekker.
Posted in: No Huddle Reviews by Brent Lorentson on February 10th, 2015
Consider that we are in a golden age of television, where it is just about impossible to keep up with all the good television shows, even with the luxury of DVR. That being said, the notion of taking on watching a show that is broadcast overseas can seem a little daunting (yes, I know there are still legions of loyal Doctor Who and Sherlock fans, just to name a few). When the offer came along to check out a comedy from Germany I was more than a little hesitant, but upon hearing the title Crime Scene Cleaner, well, my interest was piqued.
The show is centered on Heiko “Schotty” Schotte (Bjarne Madel), who is your typical middle-aged single guy, that is, until you discover that he is a crime scene cleaner. In case you were wondering, his job is to come in after the police have completed their investigation of a possible homicide and clean up whatever mess is left behind. Despite the gruesome nature of the job, the show avoids going for cheap gross-out moments and instead focuses on Schotty’s interactions with those connected to the deceased.
Posted in: The Reel World by Brent Lorentson on February 7th, 2015
Riding on the coattails of the success of the The Lord of the Rings films and The Hobbit, studios have attempted to cash in on the revived interest in fantasy films. There have been many flops along the way; Game of Thrones seems to be the only series that has managed to not only be a success but break out as a hit with a legion of loyal fans. Universal now has stepped up to the table to hopefully embark on what they could hope to be a new successful fantasy franchise with Seventh Son. With Oscar-caliber actors headlining the film as well as some tremendous CGI work, is it enough to make this film a smash with audiences? I’m afraid things are not so promising for this film.
Jeff Bridges plays Master Gregory. Gregory is what is called a Spook, basically a knight of sorts that hunts down any and all kinds of supernatural forces that lurk about. Gregory is one of the last of his kind, and after we see his young apprentice get himself killed, Gregory is tasked with finding a new apprentice to help combat the evils that haunt the night. Gregory is older, and his days could be numbered considering the amount of drinking he does, so perhaps it’s because he understands his own mortality that there is little time to waste and that for the next man he is to train, there is no room for mistakes. The method Gregory uses in choosing his apprentice leads us to the title; the chosen one should be the seventh son of the seventh son. I’m not sure about the logic behind this; perhaps in the books we get more of a back story to this process, but logic is the last of this film’s problems.
Posted in: The Reel World by J C on February 6th, 2015
“To live is to consume.”
Sometimes it feels like we've already consumed every conceivable type of Hollywood blockbuster. Besides movies adapted from comic books or, um, older movies, we've gotten mega-budget films based on board games and theme park rides. And that's why I was so excited and intrigued by Jupiter Ascending, especially when The Wachowskis' nutso space opera was slated to hit theaters during what seemed like a particularly sequel-heavy Summer of 2014. The movie, in theory, represented a wholly original vision. Instead, the messy, unnecessarily dense Jupiter Ascending is Star Wars. It's also The Matrix, The Princess Diaries, Flash Gordon and even a little Soylent Green.









