Posted in: Super Round-Up by Gino Sassani on October 31st, 2014
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
AnchorBay and Scream Factory have tapped into that pure evil. It's the collection we've waited years to see.
Posted in: The Reel World by Brent Lorentson on October 31st, 2014
“On TV it looks so real.”
When I first walked out from the theater after watching Nightcrawler, the thing that stuck with me the most is how great Jake Gyllenhaal was in this film. This isn’t the first performance he’s caught my attention in; he’s an actor who pretty much any time I see him in a film he’s one of the most memorable aspects of the film. Whether it’s his moody performance in Donnie Darko, his offbeat portrayal as a cop in Prisoners, or even him taking a risk as a gay cowboy in Brokeback Mountain, every role he does something more with the character where we can believe he is this person we see on the screen. Nightcrawler is no exception, and in this role Gyllenhaal is simply terrifying as Lou Bloom.
Posted in: The Reel World by Archive Authors on October 31st, 2014
Whiplash has gotten so many raves that I want to make sure I address the things that are bad as well as the things that are good about the film. First thing I will say is that the movie is implausible, and I had a hard time to totally buy into it for different reasons. The film is about a young jazz drummer at a prestigious music academy who gets to play in the band of the top instructor at the school. It becomes apparent early on that the instructor is crazy. He browbeats and actually beats his students into compliance without a hint of mercy. That a teacher of anything aside from martial arts could physically and psychologically brutalize students to this degree is a reverse fantasy projecting deep-seated angst toward authority figures.
Fine, then the film is a fantasy or allegory, because I did not for one minute think it could exist in the real world. Even a drill sergeant at a military boot camp is bound to show more restraint. What is also obvious is that the music instructor shows obvious signs of mental illness with volatile and extreme swings in behavior. That might indicate that he is adept at hiding his behavior in the right company, but, in the real world, it wouldn't fly. The large ensemble have all fallen in line, which allows him to pick on the new kid. The band leader's rationale is that Charlie Parker had a symbol thrown at his head which then forced him to practice much harder and subsequently achieve greatness. But that story is not accurate, because the symbol was thrown at his feet as a mild rebuke, not an act of war. It is also unlikely that he played so hard that his hands were constantly bleeding. It is true that musicians and artists in general can be a crazy lot, but not in an academic setting. There are rules. On some level, the students are a little crazy themselves for pursuing serious jazz when it is so much more difficult and produces less rewards monetarily than other forms in this day and age. Moreover, the young jazz drummer basically loses his mind in an attempt to match the master and beat him at his own game.
Posted in: No Huddle Reviews by Brent Lorentson on October 31st, 2014
Just because an actor shares the same last name of their more popular sibling, the talent doesn’t necessarily carry over as well. In the case of The Reckoning, the Australian thriller has two siblings with much more marketable star power. Jonathan LaPaglia comes into The Reckoning and ripping a few pages from his brother’s acting book in playing a detective whose partner is the victim of a heinous act of “random” violence. Also joining the film with famous siblings is Luke Hemsworth, whose brothers Liam and Chris Americans may be more familiar with. Does the hereditary star power help this little Aussie film, or does it flounder down under?
Detective Green (LaPaglia) comes into a crime scene where his former partner, Detective Pearson (Hemsworth), has been found murdered. What at first looks like a random shooting quickly gets more complicated upon the discovery of a digital drive that sets the stage for a more complicated case to unfold. It is what is on the digital drive that is far more interesting to watch than the investigation that follows. In the video we see Rachel (Hanna Mangan Lawrence) and her boyfriend AJ (Alex Williams) piece together the clues to who is responsible for her sister’s hit-and-run murder a year before. Rachel isn’t just some young girl with a video camera making a documentary; instead, she’s a girl with an illness that she knows is going to kill her, and as we see it makes her a force to not be trifled with.
Rachel is out for blood and wants to avenge her sister; in the process as she comes across the drug dealers and crime bosses responsible for dealing drugs to her sister, a trail of bodies is left behind in her wake.
Posted in: Podcasts by Gino Sassani on October 30th, 2014
Free Fall just out on Blu-ray/DVD from Anchor Bay might be Malek Akkad's first feature film as a director. That doesn't mean he's exactly new to the business. You could say he was born to it. He's been officially part of the Halloween franchise since The Curse Of Michael Myers (Halloween VI). His father was along for the ride from the beginning. I got to talk to Malek about both Free Fall and Halloween. I was a bit envious to hear him talk about "running around the set of Halloween as a child". There's even some news on the next chapter to be found here. If you want to hear all of that, just bang it here to sit in on my chat with Malek Akkad.
Posted in: No Huddle Reviews by John Delia on October 30th, 2014
Well-acted and directed, a surprisingly good action flick Plastic has hit the home video market on DVD. The movie offers its own interpretation of a several million dollar diamond heist that actually took place by a group of men in 1997. The original robbery spanned from Manchester, England to Los Angeles, CA and involving the prestigious Bejon Jewelers on Rodeo Drive. This film’s story adds a little comedy with their creative crime caper and that’s a good thing because if not, it would have been just be another heist movie.
The film opens with a group of college students, Sam (Ed Speleers), Fordy (Poulter), Yates (Alfie Allen) and Rafa (Sebastian De Souza), running a scam by duplicating credit cards using a special reader at a gas station. Using the cards to pay off their debt and live the high life, the guys start to branch out in other schemes. Unfortunately they inadvertently scam Marcel (Thomas Kretschmann) a very brutal mobster by stealing money from his accountant during an extortion caper. Confronting the boys with the theft of his money, Marcel gives them an out; replace all the money they took plus interest of $2 million dollars per month.
Posted in: No Huddle Reviews by J C on October 30th, 2014
“Everyone in this story is guilty of something.”
With the exception of bland do-gooder/ dream girl Nina Pennington (Selena Gomez), all of the characters in Behaving Badly seem desperate to live up to — or rather down to — the movie’s title. The plot revolves around strippers, nuns, dead Latin teachers, and Lithuanian mobsters, so it’s clear the filmmakers were going for mindless raunch. But instead of a gleefully debauched 97 minutes, we get “comedy” that lacks wit and laughs that feel totally uninspired.
Posted in: Disc Reviews by J C on October 29th, 2014
As the spookiest holiday of the year draws closer, we're all probably a little more sensitive to anything that goes bump in the night. Almost every creature associated with Halloween is meant to terrify us, but what if some of those horrific-looking monsters were actually tasked with watching over us? In the Japanese animated drama A Letter to Momo, a young girl encounters a trio of mischievous spirits that only she can see and hear. The monster shenanigans, however, were merely one aspect in what turned out to be one of the more affecting family films I've seen this year.
Momo (voice of Karen Miyama) is a grief-stricken girl who recently lost her father. Her mother Ikuko (Yuka) decides to uproot Momo from their Tokyo home and move to the island of Shio, the sleepy seaside community where Ikuko grew up. In addition to the grief Momo feels over losing her father, she is also overwhelmed by guilt; Momo had been cruel to her father prior to his unexpected death. As a result, Momo clings tightly the last memento her father left behind: an unfinished letter that started with the words, “Dear Momo.”
Posted in: Disc Reviews by Gino Sassani on October 29th, 2014
"It was the gang that ran amok. You have people who were being extorted, who talked of having a shotgun barrel stuck in their mouths or machine guns pointed at their groin. Body bags were shown by Bulger as he shakes them down. It was absolute terror."
It amazes me that I really had very little idea who James J. Bulger was before I watched this film by director Joe Berlinger. How could I have missed this guy? On the run for over 16 years, Bulger was once #2 on the FBI's most wanted list. Who was #1? That was Osama Bin Laden. So who was this man that came in second only to the world's most infamous terrorist? That's what I set out to discover, and Whitey: The United States of America vs. James J. Bulger filled in all of those blanks. When the film is finally over you'll be asking yourself, "How is it possible I didn't know this stuff?" One possible reason and the focus of this documentary lies in the fact that the FBI might not have wanted you to know much about this case. Joe Berlinger corrects that oversight with one of the more compelling documentary films I've seen in years. In the end, it asks as many questions as it answers. But those questions are powerful ones indeed.
Posted in: No Huddle Reviews by Brent Lorentson on October 29th, 2014
For a while now it has been accepted that cartoons are no longer for kids, and it can be argued that most of the popular animated shows now are more geared towards adults rather than kids these days. I’ve grown up with The Simpsons, and I’ve enjoyed the run that Family Guy has had, but really these have been the only animated shows I’d consider myself loyal to. Upon seeing some ads promoting Rick and Morty as well as hearing my friends talk about the show, I couldn’t help but think perhaps this could possibly be a new animated series I could get excited about.
At first glance Rick and Morty seems like the perfected animated blend of Family Guy and The Simpsons, and for the other-worldly locations even Futurama. The comparisons are hard to look past; after all, the family dynamic is just about the same, and the shows both are filled with their pop-culture references throughout, so what is that makes Rick and Morty stand out from the other shows?
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