Posted in: Disc Reviews by John Delia on November 7th, 2014
Flying into home entertainment, the animated comedy adventure Planes: Fire & Rescue delivers a fun film for the whole family. The film features some of the characters from the original and a whole lot of new ones. Brightly animated, having fine direction and with a new storyline, the film has several good values including heroism and friendship. In this episode we find Dusty Crophopper returning from his around-the-world racing tour and about to participate in annual Corn Festival. During a practice run with his flight instructor Skipper, the gearbox in Dusty’s airplane gets damaged. Not having another gearbox because the model is out of production, Dusty finds himself having to slow down. Following a fire he caused, Dusty volunteers as a firefighter.
The film continues showing his training and later his heroism during a huge forest fire that threatens a vacation lodge. Director Roberts Gannaway keeps his film exciting and interesting showing how the different planes and ground firefighters work together to fight fires. Introducing many new characters including Dipper, an airplane that drops water from the air onto fires, Blade, a helicopter that guides the aircrafts to the fire, Windlifter, who carries the ground crew, and the Jumpers, a group of vehicles that clear trees to stop the fires from spreading. The film shows the heroism of the characters, their self-sacrifice and the importance of training to do the job right in order to save lives.
Posted in: Disc Reviews by J C on November 7th, 2014
- “We don't have the trust of the public anymore.”
- “Get it back!”
Posted in: Disc Reviews by Gino Sassani on November 6th, 2014
"There are dark spirits, old and full of hate...The world is in great danger."
A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations. Your pieces must somehow fit together so that they can be viewed as one whole product. They also need to match the world and production style of the previous trilogy even though technology has changed quite a bit in the decade that separates the two. Lightning doesn't often strike the same place twice, unless you happen to live in Florida, or, apparently, New Zealand, where Peter Jackson has managed to do the impossible...so far.
Posted in: No Huddle Reviews by Gino Sassani on November 6th, 2014
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason.
Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. Ken's girlfriend is Amy, played by Baywatch's Alexandra Hastings. Amy was a rich girl who had too much time on her hands. It led to her involving herself in Ken's investigations. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this. You get six films on three discs. The discs appear in a plastic case, and the cases are held by a cardboard slipcase.
Posted in: Disc Reviews by J C on November 5th, 2014
“Does it always have to end up in a big giant dance battle?”
If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.
Posted in: Disc Reviews by Brent Lorentson on November 5th, 2014
This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen. There have been countless adaptions of Leonard’s work on the big screen as well as television. Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned. I was a teenager when I first discovered Elmore Leonard. Out of Sight had just come out in paperback, and I had scooped it up after reading this was from the guy responsible for Get Shorty. His books didn’t read like your typical novel. Instead it felt like you were reading something that came alive; his characters simply spoke as though they came off the streets, not the pages of literature. I loved these books and have been reading them since, and when the news came early this year that Elmore Leonard had passed, it was one of the first times I actually got upset about a “celebrity” passing. It was the realization there simply would be no more stories to keep me turning the pages at night. Thankfully he left behind a collection of stories that will stand the test of time, and it’s with Life of Crime we get to see that.
A pair of small time crooks, Ordell (Mos Def) and Louis (John Hawkes) have a plan to kidnap a crooked real estate developer’s wife and hold her for a million-dollar ransom. The plan is just about perfect, and Mickey (Jennifer Anniston) is just about the perfect victim for her kidnappers; the trouble instead comes with the husband, Frank Dawson (Tim Robbins) who has just gone on vacation to the Bahamas where he has his mistress waiting. To make matters even more complicated for the crooks, Frank has even filed for divorce, so having his wife out of the picture would only make his life easier.
Posted in: No Huddle Reviews by Jeremy Butler on November 5th, 2014
“WARNING: The following program contains scenes of graphic stupidity among four friends who compete to embarrass each other…”
They’re back!!! Tru TV’s smash hit Impractical Jokers is back with a season two that continues to show you that no one embarrasses you quite like your closest friends. The gang is all back; Q, Murr, Joe, and Sal, as they take their pranks to the next level. The stakes are the same: one infiltrates a prospective business such as dental office, movie theater, etc. and must do whatever the others order to push them out of their comfort zone; failure to comply results being subject to the consequences at the end of the episode.
Posted in: Disc Reviews by J C on November 4th, 2014
"Let us tell an old story anew, and we will see how well you know it."
If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil. By having its Joker invent tragic (fake) backstories on the spot, the film made a mockery out of the notion of having to explain a movie monster’s past. Disney’s Maleficent, on the other hand, is the latest misguided attempt to redeem a character who was better off being unredeemable.
Posted in: No Huddle Reviews by Gino Sassani on November 4th, 2014
"1968, I was twelve years old. A lot happened that year. Dennis McLain won 31 games, The Mod Squad hit the air, and I graduated from Hillcrest Elementary and entered junior high school...but we'll get to that. There's no pretty way to put this: I grew up in the suburbs. I guess most people think of the suburb as a place with all the disadvantages of the city, and none of the advantages of the country, and vice versa. But, in a way, those really were the wonder years for us there in the suburbs. It was kind of a golden age for kids."
With all of the television I've watched over the decades, it's more than a little surprising to me that I missed out on The Wonder Years. I heard a lot about the show, but it never looked interesting enough for me to try it out. The long delay in the DVD release was another good reason the show continued to escape my notice. Now that the show is out on DVD and I've had that inevitable encounter, I can't imagine what it was that kept me away for so long.
Posted in: The Reel World by J C on November 1st, 2014
A jittery, strikingly blue eye is shown in extreme close-up. It belongs to a woman named Christine, who finds herself naked in bed with a strange man’s arm draped around her waist. She stumbles to a nearby bathroom, where she finds clues about her identity taped to a wall. The man appears shortly after and introduces himself as Christine’s husband. It’s an effective little opening that succeeds in making the viewer feel as disoriented as Christine. The problem with Before I Go To Sleep is that — even as the truth is unpacked — the disorientation turns into disengagement and (worst of all) disinterest. In other words, this is a thriller that isn’t particularly thrilling.
“My name is Christine Lucas. Tonight, as I sleep, my mind will erase everything that I know today.”
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