Despite its found-footage conceit and similar-sounding title, The Paranormal Diaries: Clophill is somewhat of a different demon animal than a certain recent horror franchise. Given that found-footage fatigue seems to be setting in among critics and audiences, any sort of deviation from the norm should be welcome. The problem is this film ultimately doesn’t deviate far enough and hedges its bets with a climax that seems transplanted in from a handful of other movies. More importantly, viewers will probably be too bored to even care by the time movie gets around to being scary.

Stop-motion animation remains a rare treat, but your appreciation of the new film, The Boxtrolls, will likely fall into an either love-it or hate-it camp. I will tell you which camp I fall into shortly. Laika Entertainment Studios produced Coraline and Paranorman, which were both oddball stop-motion fun that I enjoyed immensely. The stop-motion process is a dying art that is only rarely attempted any more, but it is widely beloved by film fans. The stop-motion work in The Boxtrolls is excellent. The cast of voice-over actors are excellent as well. The roster includes Sir Ben Kingsley, Jared Harris, Simon Pegg, Nick Frost, Elle Fanning and Tracy Morgan.

It’s that time of year again, where spooky decorations are set up and pumpkins are carved.  Most importantly, though, is that October is the month where horror fans can celebrate their favorite month of the year with as many blood-soaked horror titles as they can handle.  Unfortunately, though, it seems companies enjoy taking advantage of this time of year and will attach the Halloween name to just about anything in hopes of getting people to buy their product.  I mention this because though the title may be Grave Halloween, it has absolutely nothing to do with the holiday but everything to do with the Suicide Forest in Japan.

If you were around in 1972, television was a very different place. By midnight most stations were shutting down to the tune of the national anthem. After that there was a test pattern and a high-pitched ring that would fill your screen until dawn when programming would resume. Of course, there were also only three networks, and, if you were lucky enough to live in a large market, a handful of local stations. All good people were expected to be safely tucked into their beds long before 1:00 AM.

To the point, Criminal Minds is very compelling television. Ever since The Silence of the Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the show is on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential.  Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.

"Prisoners of the ARC, hear me now. You've been given a second chance, and as your Chancellor, it is my hope that you see this as not just a chance for you, but a chance for all of us, indeed for mankind itself. We have no idea what is waiting for you down there. If the odds of survival were better, we would've sent others. Frankly, we're sending you because your crimes have made you expendable."

It's 97 years ago and nuclear holocaust has made life on Earth unlivable... at least that's what most people believed.

The eyes are the window to the soul, or so we have been told. I Origins is about a scientist studying the evolution of sight in organisms. Part of his research seems to be focused on countering creationists who claim that eyes are an obvious indication of a creator in life on this planet. The scientist, Ian Gray (Michael Pitt) is working on proof that the development of eyes is a process of evolution. His new research assistant, Karen (Brit Marling) surprises Ian with intuitive brilliance and fanatical commitment to the task.

Politics, backstabbing, murder...just another day at French court.”

The creators of Reign — the CW's campy, compulsively-watchable adaptation of the Mary, Queen of Scots saga — seem to be perfectly aware of their audience. I don't think I'm talking out of school when I say no one turns to the CW — home of DC heroes, vampires, and other Supernatural beings — for gritty realism or historical accuracy. So it really shouldn't be a surprise to find the monarch's life has been turned into a handsome, soapy, frequently ridiculous drama that will nevertheless make European History teachers around the world facepalm in unison.

Odds against you? Need help? Call the Equalizer.”

That familiar classified ad — which receives a clever update toward the end of this film — and a hero named “Robert McCall” are about the only things this bloody, big-screen adaptation has in common with the TV show that (allegedly) inspired it. And that's fine, especially when you consider a large portion of this movie's audience is probably not slavishly devoted to a CBS crime drama from the 1980s. (Assuming they've seen it at all.) The bigger issue is that, beyond it starring one of the world's best and most charismatic movie stars, there's not a ton that's new or particularly interesting about The Equalizer.