“You sell 100 million records, and see how you handle it.”

If you’ve ever seen an episode of Behind the Music — or followed popular culture at all in the previous century — then you probably know artists tend to not handle that level of success very well. However, the rise and (inevitable) fall of the original Four Seasons lineup is unique for a number reasons. Unfortunately, very few of those reasons are captured in Jersey Boys, Clint Eastwood’s oddly lifeless, workmanlike adaptation of the joyous, wildly-popular Broadway musical.

"You should never stop thinking about a life you’ve taken.  That’s the price you pay for taking it."

In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild.  Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.

"You're either gettin' or gettin' got".

It's very tricky to make an historical drama. Writers and directors have to carefully balance the needs of entertainment over facts and authenticity. There comes the inevitable moment when they will be in conflict, and a decision must be made as to which direction will have priority in the telling of the tale. It might have been an unfair expectation on my part, but when an historical drama mini-series comes to a place like The Discovery Channel I tend to look for any conflict to be resolved in the favor of historical accuracy

“I got kids and I work, and it's hard sometimes. But, you know, boilerplate misery...alone in the world...might as well be a maggot sucking a dead cat's face. What's the point?”

That's how Louis C.K. describes his life during a season 3 episode of Louie. And since the FX comedy series — that is only nominally a comedy series — stubbornly and brilliantly defies any sort of easy categorization, the sad-sack declaration is also the best description you're likely to get of what the show is about.

As we get even closer to the release of Michael Bay’s next foray into the Transformers universe with Transformers:Age of Extinction, Shout factory releases yet another series to help whet our appetites. As a kid growing up in the 80’s it was impossible to exist without knowing who Optimus Prime was or being able to hum (if not sing) the theme song to the cartoon.  But since the release of the original cartoon there have been so many spinoffs it’s hard to keep them all straight.  In 2007 Cartoon Network and Hasbro Studios set out to capture the imaginations of a younger audience following the success of the movies.  How does the series stack up to the 80’s classic?

First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time.  The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but  instead an artist would be assigned and create these beautiful and amazing covers.

It's hard to start a series in its fourth season. That's particularly true of today's huge mythology-arc shows that require you to be up to date at all times. Such was the task I found myself facing when we got a copy of Rizzoli & Isles to review. Fortunately, this is one of those pleasant exceptions to the rule. While I'd suggest that newcomers pick up the first three seasons anyway it's not an absolute necessity. So if, like me, you're discovering this one a little late, fear not. They'll be a little work to catch up, but the fun kind.

“You are the most talented, most interesting, and most extraordinary person in the universe. And you are capable of amazing things.”

There’s a worthwhile message in The LEGO Movie about the importance of deviating from life’s instruction book and indulging your imagination. But for me, the biggest thrill came from the way it became the first film without Toy Story in its title to tap into the anarchic (and anachronistic) spirit of playing with toys.

Of the cartoons that are on air, it’s no contest in choosing what is my favorite show. Regular Show just strikes a chord with me and reminds me of the antics of Ren and Stimpy back in the 90’s.  Sure, the show airs on Cartoon Network and kids could watch it, but the show seems more aimed at a teenage audience or at least the parents who are trying to find something to watch with their children.  Here at Upcoming Discs, when we get a series to review this usually entails a lot of binge-watching

"Uncooperative witnesses are becoming a specialty of mine."

That statement clearly describes Deputy Chief Brenda Johnson...except it doesn't. Not anymore. The Closer was a stand-out hit for the folks at TNT. It's no surprise that when the show’s star Kyra Sedgwick wanted to leave that the network would want to continue the show. That's a little harder when the lead leaves. Shows have survived the loss of their lead, but the remaining years were usually something lesser than it once was. That's not the case here.