Star Vista and Time Life get our vote for some of the coolest gift sets for the holiday season. It's no surprise that they've delivered some quality television. What is a such a great surprise this year is that they've dug deep into the television archives and brought three particular shows that are long over-due for complete series treatments. These sets have provided us here at Upcomingdiscs with some of our favorite television watching in 2013, not to mention a lot of hours. It's a tough job, but somebody has to do it. Now it's time for you to pass these television memories on to that TV addict on your Christmas list.

"'I've been given me the toughest job I've ever had in my life, but also the most rewarding. What can be more important to the war effort than preserving the fighting strength of our troops? We must maximize the odds of every soldier that passes through our portal... His country is counting on him. His country is counting on us."

What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.

Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.

This is a film that was sitting on a few shelves for quite some time. It was first a novel by Chuck Logan back in 2006. Sylvester Stallone liked the idea and put together a screenplay. It was intended as a vehicle for him, but that's where the whole sitting on a shelf thing comes into play. The movie never really got off the ground, and before long Sly was a little too long in the tooth to do the role. It's not like he was a spring chicken when he wrote the thing, which could account for, you know, that sitting on a shelf business. The screenplay has finally gotten off the shelf and into our movie screens. After careful consideration, I'm looking for that shelf again.

The movie isn't anything we haven't seen before. It begins as Agent Phil Broker (Statham) is infiltrating the Sons Of Anarchy...The Outcasts motorcycle club. It appears that cooking meth is more profitable than cruising on the highway. So much for the whole Born To Be Wild ideal. The takedown goes a little bad, and the son of the club's leader Danny T (Zito) gets killed. Danny T vows the typical revenge as he's being carted away.

This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.

By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.

It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.

The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.

The most peculiar thing about The Hunger Games — both in the books and the blockbuster movie adaptations — is that the Games themselves are easily the least interesting part. The first film's staggering box office success predictably led to a much bigger budget for the rabidly-anticipated sequel. (Catching Fire cost a reported $140 million, which is nearly double the original's $78 million budget.) The extra money is on display in almost every engrossing frame, including the action-packed arena scenes filmed in Hawaii. But the real reason Catching Fire is an improvement over its predecessor is because the story's satirical, political, rebellious spirit has been placed front and center.

We catch up with scrappy heroine Katniss Everdeen (Jennifer Lawrence) a few hours before she is set to depart for her mandatory Victory Tour with Peeta Mellark (Josh Hutcherson). Katniss and Peeta bucked the system by becoming the first co-winners of the previous Hunger Games, the annual televised battle to the death meant to assert the oppressive Capitol's control over the entire nation of Panem. They survived largely by fabricating a love story that nobody bothered to tell Peeta was fabricated. Their showmance captured the nation's heart, but it irked Gale (Liam Hemsworth) — Katniss's formerly platonic hunting buddy — and the sinister President Snow (Donald Sutherland).

What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.

A remake of the French-Canadian film “Starbuck,” (it is also worth mentioning that both films, original and remake share the same creator, Ken Scott) Delivery Man tells the story of David Wozniak, a truck driver for his family’s butcher shop who has big plans for his life that never quite pan out. Perhaps that is too kind a way of putting it. A better way would be to say that David has been a bit of a disappointment to his girlfriend Emily (Cobie Smulders, How I Met Your Mother) who has just informed him that she’s pregnant, his father who would most likely fire him if he wasn’t related to him, and to the family business. Not only that, he owes an immense amount of money to some unsavory characters with a penchant for drowning people who don’t pay their debts.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

Quality shows only get better with time, and by the time Star Trek: The Next Generation entered its 5th season it was already beating out most network shows in the ratings. First-run syndication was still quite new, and it was almost unheard of to expect to go up against the networks and survive...let alone win. The Next Generation went where no series had gone before, and it was just getting better all the time.

Roger William Corman was born on April 5, 1926. If he ever dies, his funeral will be legendary. It is always possible that he will re-enact some scene from one of his Poe classics and emerge from his crypt. The fact is that many famous people in Hollywood owe an enormous debt to Corman. Some of the people I am talking about are Jack Nicholson, Robert DeNiro, Sylvester Stallone, Charles Bronson, Ron Howard, James Cameron, Dennis Hopper, Sandra Bullock, Martin  Scorsese, David Carradine, Johnathan Demme, Curtis Hanson, Robert Towne, Francis Ford Coppola, Gale Ann Hurd, Nicolas Roeg, John Sayles, Peter Bogdanovich, Richard Matheson, Peter Fonda, Bruce Dern, William Shatner and others too numerous to mention. It should also be noted that Ingmar Bergman, Federico Fellini, Akira Kurasowa, Francois Truffaut and other greats reached much wider audiences under the guidance of his distribution company, New World.  Not everyone has outlived him, but he has never stopped working, so each new generation has their chance to bask in the glow of the great mentor. Corman has produced nearly 400 movies and directed close to 60. His latest directorial effort is in production (Sharktopus Vs Mermantula, one of many SyFy channel epics). He was the youngest director honored by the Cinematheque Francaise and has received honors from many institutions including an honorary Academy Award in 2009.

Roger Corman's Horror Classics Vol. 1 is a collection of three of his better known productions; The Terror, Dementia 13 (directed by Coppola), and Buckets of Blood. This collection is touted as being restored editions, which is good because many versions of these films have appeared on countless discs in shabby condition. Fans have definitely complained about faded copies full of scratches.

Nickelodeon has released a Holiday compilation DVD before(https://upcomingdiscs.com/2011/11/15/nickelodeon-favorites-merry-christmas/ which makes this particular release a sort of sequel to that. This time around only two shows are featured, and there is half the episodes featured than in the previous release.

The Bubble Guppies episode “Happy Holidays, Mr. Grumpfish” is the main features advertised on this release. The episode is all about making the grumpiest citizen of their underwater community feel the Christmas spirit. There are moments where the characters do lessons aimed at pre-schoolers (things like counting to 10 and such) and there is a ton of pop style songs. The latter of which I find 100x more grating on my nerves than the former. This may be an acceptable episode of the show, but it doesn't stand out as a memorable holiday special.