On paper, the premise of Prince Avalanche sounds about as exciting as watching paint dry. The film follows a pair of squabbling workers whose job it is to paint yellow lines in the middle of a country road in the aftermath of a devastating wildfire. They're basically the only two characters in the movie, and the story never moves away from their desolate surroundings. Although his film is occasionally self-indulgent (by design, I suspect), director David Gordon Green finds the strange beauty in that desolate landscape. He's also armed with stars who bring this meandering character study to life.

Paul Rudd and Emile Hirsch star as Alvin and Lance. Alvin (Rudd) revels in the isolation of his work and appreciates the benefits of outdoor physical labor. Meanwhile, Lance (Hirsch) is the lazy, immature, inexplicably charming brother of Alvin's girlfriend. Alvin hired Lance to work with him on the road project as a favor to Lance's sister (who we never see) and as a way to whip some masculinity into the younger man. The pair experience some emotional ups and downs, and it turns out they both have plenty they can learn from one another.

Ben Tennison is back in the action packed collection of Ben 10 Omniverse from Cartoon Network.  In 10 newly released episodes we follow Ben and his fellow Plumbers as they do battle against the meanest and the ugliest aliens the galaxy has to offer, in our universe or any parallel universe out there. This cartoon is infectious.  From its catchy opening music, imaginative characters and fun action sequences this is a cartoon that simply grows on me more and more, and I have no shame in admitting that I’m a fan of this “kids’” show.  For a while I had my issues with Ben; he’s reckless and cocky, but this is what would be expected of a teenager who wields an Omnitrix, a device that allows Ben to transform into a selected alien when in the heat of battle.  What teen wouldn’t feel a bit over-entitled once they’ve done battle with the worst the universe has to offer and still managed to survive?

One of the standout episodes from disc one for me is the first episode, T.G.I.S. an episode that has Ben teaming up with a group that calls themselves The Secret Saturdays who specialize in hunting crypto-zoological creatures.  It’s a fun episode that explores the Undertown world while delivering Chupacabras along with fighting on the streets and in airships.  For those who dig Ben 10 for their fighting and assortment of aliens and creatures, this episode delivers it all.

In 1986, AIDS was all over the headlines. Now AIDS is forgotten and ignored by most, but the pandemic remains a world wide disaster. It's not like syphilis is all over the news either, but AIDS is both an insidious killer and one with a stigma all its own. Aside from the stigma is the world wide spread of HIV (the precursor to AIDS) which had reached 34 million people by 2010. Across the world, the majority of new infections are male to female. Modern pornography is exponentially more available than it has ever been and does nothing to promote safe sex, and condom use is still something that has strong opponents in society.

It's good for a movie like Dallas Buyers Club to come along to reacquaint a new generation to the terrors that AIDS brought to a previous generation. Dallas Buyer's Club is based on a true story about rodeo electrician, hard drinking gambler and rampant heterosexual Ron Woodroof. After an electrical accident sends him to the hospital, he is told that he has 30 days to live. It is impossible for Ron to comprehend how he could have the “gay” disease since his sexuality is heterosexual to the extreme.

It's been six months since last we visited with Dexter (Hall) and his pals. Deb (Carpenter) had just shot and killed Lt. LaGuerta (Velez), and the blame went to another killer. It was LaGuerta or Dexter, and she made her choice. Now she's suffering some post-traumatic consequences for her actions. She's left the force, and no one has heard from her in weeks. She's hanging out with lowlifes doing drugs and playing undercover cop as a private investigator with Jacob Elway, played by Sean Patrick Flanery. Dexter is trying to track her down and possibly save her life from a hitman. Needless to say, it's going to be a long road for the siblings.

Enter Dr. Evelyn Vogel, played by Charlotte Rampling. She's been called in to help catch this season's serial killer guest star, The Brain Surgeon. He cuts open his victim's heads and uses a melon baller to scoop out a section. We soon discover that Vogel has more than a passing interest in the killer. He's been leaving those missing brain pieces on her doorstep. She seeks Dexter's help and has a few surprises for him. She knew Harry, and she knows what he is. Turns out she helped create Harry's Code. Now he needs to find The Brain Surgeon before he takes out Vogel. Along the way she convinces Dexter to take on a "student". Much of the season has Dexter going from being disappointed enough to kill the kid to proud enough of him to help him out.

"What if a child dreamed of becoming something other than what society had intended? What if a child aspired to something greater?"

It's appropriate that exactly 75 years ago this very month Superman was born at the hands of Jerry Siegel and Joe Shuster. He was born to be the patriotic hero symbol for a nation on the brink of a devastating world war. The war came and went as many others would since the hero's inception. Styles would change. Technology would come and go. Superman would find himself invading each and every medium that has come along since. Television shows, cartoons, comics, novels and even previous films have all continued the ongoing adventures of the man from Krypton. In those years styles have changed so much that the symbols of the hero himself have become quite dated. But in any time there will always be a need for larger-than-life heroes. They don't come any larger than Superman, The Man Of Steel. Can he be as relevant today as he was in 1938?

So what made The Carol Burnett Show such an outstanding hit? You have to start with Carol herself, of course. She'd been doing this kind of show for years and was paying attention to what worked and what didn't. She knew it started with the writing staff, and she hired only the best and the brightest. When it was time to put together a cast, she knew the first thing she wanted was a "Harvey Korman type". She did better than that. She got Harvey Korman. She knew you had to have a ladies’ man in the cast, and she got that element with Lyle Waggoner. He was relatively unknown at the time, but she knew how to spot talent. Then there was the need for another female lead. She wanted someone who looked a little like her to play her sister is an ongoing sketch she had planned. That's when she remembered young 17-year-old Vicki Lawrence, who had written a fan letter to her a year earlier. Lawrence had invited her to attend a talent competition in her small town, and Carol decided to go. She was impressed enough by what she saw that she remembered the girl later when casting her show. The resemblance was quite remarkable. The last cast member didn't even really become an actual regular cast member for the first eight years. That doesn't matter, because who can imagine The Carol Burnett Show without the loveable Tim Conway? He would become such a great partner to Korman that the two continued to perform and tour together up until Korman's death in 2008.

Carol herself was not only quite funny, but she was famously generous. It wasn't important to her to feed her own ego. She was well known for feeding her fellow cast-mates and guests the best material. She knew how to get out of the way and was perfectly happy letting someone else shine. It meant the cast was always very comfortable together, and it showed in the performances. There was almost no turnover in personnel, and the unit functioned very much as a repertoire company and family. It's obvious that even today they enjoy each other's company and have only the fondest memories of each other.

Charles Dickens' Christmas Carol is vastly re-imagined with characters from Dora. Swiper replaces Scrooge as the one who travels through time in order to learn the true meaning of Christmas. This special is twice the length of a normal episode.

Music and singalongs have always been a part of the Dora the Explorer experience but this particular special is formatted more like a typical children's musical. There are fewer moments where the characters do that unnerving pause in anticipation of the audience to talk to the television, and more time spent on songs. Sometimes they merge the audience participation/pausing moments with the music during a reoccuring tune about swiper not swiping. Repetition is a staple of children's programming...it can also be a device that forges madness in the mind of adult viewers.

They've been seen over 2 billion times on Youtube. Of course, I'm talking about the cult cartoon sensation Happy Tree Friends. Now our friends over at The Media Grind want to bring some happy times to three lucky Upcomingdiscs readers. We're giving away 3 copies of Happy Tree Friends: Complete Disaster. It's Mondo Media's most popular series and now it can be yours.

To win just follow these instructions.

"Ladies and gentlemen. You are about to see the Naked City. I'm Bert Leonard, the producer. As you can see we're flying over an island, a city, a particular city...and this is the story of a number of people, a story also of the city itself. It was not photographed in the studio. Quite the contrary. The actors played out their roles in the streets and the buildings of New York itself."

On September 30th, 1958 television audiences heard this narration for the first time. They had no way of knowing this, of course, but they were about to watch one of the most influential police dramas in the history of the industry. They were about to watch, for the first time, The Naked City.

To this day, there's no record of an orca doing any harm to any human...in the wild.”

Orcas are sometimes referred to as “blackfish,” but Gabriela Cowperthwaite's thrilling, thought-provoking documentary examines why they're most commonly known as “killer whales.” The movie's obvious standout moments involve breathtaking footage of these massive animals violently turning on their trainers. Although some viewers will undoubtedly make the leap to wondering whether it's ok to keep any animal in captivity, the thing that elevates this film is that it serves as an eloquent argument against keeping this particularly majestic, highly-social beast in a concrete pool.