Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
It was inevitable. Spongebob Squarepants gets its own Christmas Special. Usually television shows take the lazy route and inject their own characters into a familiar Christmas story and make a parody or adaptation (how many times have we seen Charles Dickens A Christmas Carol redone?). Thankfully this special offers a unique tale of the malevolent Plankton creating a special fruitcake that turns any eater into a totally jerk. Will Spongebob's demeanour make him immune? Of course...but what of the rest of Bikini Bottom?
This episode/special takes up a full half hour time slot, which separates it from many of the other Spongebob stories that range closer to 10 or 15 minutes in length. That is not its most notable characteristic though. This episode adopts the Rankin/Bass style stop-motion of animation that has become synonymous with Christmas specials. Though the movements are far smoother and more frantic than the classics it is honouring, the animation is well coordinated and looks very nice.
Posted in: Disc Reviews by Brent Lorentson on November 21st, 2013
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2 which already uncovered enough dirty cops in the NOPD.
Posted in: No Huddle Reviews by Jeremy Butler on November 21st, 2013
Now here’s a game I never had a desire to play: the Ouija board. I not sure what it is about this game that has made me have a natural aversion to ever being in the same room with it; perhaps it is the knowledge that by playing this game, I may be contacting the dead. Never having been an overly superstitious person, I recognize the extremeness of this act; however, after watching I am Zozo, I believe my aversion is now justified. “Based on a true story,” providing me with yet another reason to avoid Ouija board. I am Zozo starts off in the usual way, a group of friends reunite for the first time in years for a Halloween weekend away at a member of the group’s family getaway that hasn’t been occupied in years. (How come the criteria for this type of film is an abandoned getaway where no one will hear you scream? Next time I want a ghost story in a heavily populated suburban area.) So the group starts off with the usual routine: They catch up, they have a couple of drinks, and then given that it is Halloween someone suggests pulling out the old Ouija board and seeing who they can contact on the other side.
It begins normally, or at least for the standard for such a game; they manage to contact a few harmless spirits (if there is such a thing), but of course naturally there are a few members of the group who are skeptical about the validity of the entire thing, thinking that one of two holding the scroll may be pushing it to simply play a prank on the others, but things suddenly take a turn for the sinister as the group is contacted by a spirit that speaks of their demise.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
What a difference a couple of years makes. Rick Berman was pretty stubborn about wanting The Next Generation to live on its own without connecting to the original show, perhaps as much as the fans would have liked. There was, of course, the cameo by DeForest Kelley in the pilot, but he was never called McCoy, only Admiral. Yes, we knew who he was, and his interplay with Data was intended to remind us of his relationship with a certain Vulcan. The original Enterprise would be referenced in The Naked Now that first season. It was the only direct sequel of an original episode to air. When season 3 brought the return of Mark Lenard as Sarek, Berman was insistent that no mention of Spock or the original show be made. After a barrage of pleadings from the writers he relented... slightly. He decreed that Spock's name could only be mentioned once and no other connections be in the script.
Posted in: No Huddle Reviews by Gino Sassani on November 20th, 2013
They’ve been called The Greatest Generation, and who are we to argue the point? Sitting here writing reviews from my comfortable seat in a state-of-the-art home theater, I’m in no position to lay claim to the title. They fought in the bloodiest conflict in modern human history. Over 20 million were killed. That’s a staggering number. If you’re like me, it’s not even real. I can honestly say that those facts have never really reached home.
World War II has been a favorite topic for Hollywood films since before the war itself ended. There have been some truly remarkable efforts and some equally remarkable disasters. Many of these films have been long forgotten. Heck, many of them deserve to be forgotten. There have also been television shows set in or around the war as well. Hogan's Heroes was able to find humor in a German POW camp. But it was the exploits of Company K from the series Combat that led the television charge when it came to gritty realism and compelling World War II drama.
Posted in: Disc Reviews by Jeremy Butler on November 20th, 2013
The line between hilarious raunchy comedy and over-the-top raunchy comedy is very fine, and We’re the Millers tends to dance on both sides of it. In time such action will be revealed to be both a blessing and a curse, I suspect. With the young crowd, I believe the film will fall right into place with such movies as Horrible Bosses (a comedy which coincidently starred Aniston and Sudeikis) and to be more recent, This is the End. With more mature audiences, the raunchiness may prove to be slightly more than they were expecting to see. With me, I find myself on the side of the young.
David (Jason Sudeikis) is a small town pot dealer in Denver, an occupation he has held since college without moving forward or backward. Hesitant to admit it, he has grown stagnant with the life he’s leading and wants more out of life. Those desires are put on hold after he is robbed, with both his stash and all of his cash including the money intended for his supplier Brad (Ed Helms, The Hangover). Deep in debt with no prospect of paying it back, Brad offers David one opportunity to erase his debt: smuggle a smidge and a half (inside joke, have to see the movie to understand) of marijuana from Mexico across the border back to Denver.
Posted in: Disc Reviews by J C on November 19th, 2013
“Five years ago, I stood on this stage and I said goodbye. Five years later, I'm standing on this stage and I say, 'Hello.'”
I'd honestly never even heard of Saga before popping in this Blu-ray, but it was impossible to miss the family reunion atmosphere of this show. The Canadian prog rockers released their self-titled debut album in 1978, but — like many successful, long-running bands — have undergone a number of lineup changes. (Including a non-lethal, Spinal Tap-esque run of drummers in the early part of this century.) Saga, in its various forms, has found some of its greatest success in Germany, so there was no better place to get the band back together for a concert movie.
Posted in: Disc Reviews by Jeremy Butler on November 18th, 2013
Kenny Rogers…chances are that is a name you have heard throughout your life regardless of whether you are a fan or not; regardless whether you have ever heard any of his music, which happens to be the case when it comes to me. His name just has a way of sticking with you, and that can be doubly said of his song “The Gambler.” See, even now I bet the mere mention of the song’s name has the chorus of “You got to know when to hold ‘em, know when to fold ‘em,” playing in your head. Well, here is the film version for Rogers’ most infamous song; however, I doubt that the movie will have the same effect on you as the song.
The first in a series of five television movies (so far; there is talk of a sixth addition being in the works), in The Gambler, Kenny Rogers plays Brady Hawkes, a veteran card player with a magnificent beard and a stellar reputation as one of greatest gamblers ever to live. Despite making his living in the cutthroat world of gambling, Brady possesses a strong sense of morals evident in his constant intervention in affairs that have nothing to do with him, which is essentially what begins our story: while playing a high-stakes game on the other side of the country, Brady receives a letter from a son he never knew he had, alerting him that the boy as well as his mother are in a bad way with a local crime boss.
Posted in: Disc Reviews by J C on November 18th, 2013
“On November 22, 1963, John Fitzgerald Kennedy, the 35th president of the United States, made a political trip to Dallas, Texas with his wife, Jacqueline, and Vice President Lyndon B. Johnson.”
Of course, you don't have to be an American History buff to know what happened next. The circumstances surrounding President Kennedy's assassination instantly seared themselves into the country's collective consciousness. This month marks the 50th anniversary of President Kennedy's death, which has brought along the expected number of tributes, TV specials and movies breaking down the crime and its corresponding conspiracy theories. Parkland, however, serves as a microcosm of how Kennedy's assassination affected an entire nation.
Posted in: Disc Reviews by William O'Donnell on November 16th, 2013
In the Florida everglades, the Wedloe family have a 650-pound tame bear for a loyal pet. A very young Clint Howard stars as Mark, the son of a game warden (played by Dennis Weaver),who leads Ben around on several adventures and merry mishaps. Though “merry” may be the wrong word as Mark and Ben encounter their fair share of real life dangers.
Right off the bat, this show leaps into stories that are far more intense than one might expect from a family program from the 1960s. In the debut episode, the entire community faces a deadly hurricane. The characters spend the entire hollaring at eachother in the driving rain as things get torn apart around them. As the season continues, the high stakes hardly let up as members of the Wedloe family are threatened by poachers, wrestle with alligators, get trapped by wild fire, and square off against a huge number of malevolent hunters, voodoo doctors, and wildlife in every single episode. At one point little Mark is trying to help Burt Reynolds get out of a crashed plane while fighting away a tiger with a fire extinguisher...you read that correctly. Each tale was always moral and wholesome, but never exactly soft.
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