Posted in: No Huddle Reviews by Archive Authors on December 10th, 2013
In this day and age, making a small film about people on the fringe of civilization is not the way to make friends and influence people. In this case, the film made many friends and influenced many people. It is no doubt a small film, but it won the Camera d'Or at the 2009 Cannes Film Festival. It was nominated as Australia's official selection to the Academy Awards. It won numerous major awards in Australia, Asia, and oddly enough, at the Dublin Film Festival.
The film is called Samson and Delilah, but it has little connection to the Biblical epic. The two title characters are indigenous Aboriginal 14-year-old teenagers living in the central Australian desert near Alice Springs. The desolation and isolation is underlined by the clear implication that these people are excluded by their society. They are surrounded by decay, emptiness, half-built buildings and cars on blocks. There is little else here.
Posted in: Disc Reviews by J C on December 9th, 2013
“There she is boys…Mandy Lane. Untouched. Pure. Since the dawn of junior year, men have tried to possess her and, to date, all have failed.
With its deep-red title card and the blood-curdling scream that opens the film, All the Boys Love Mandy Lane is very clearly a horror flick from its first frame. However, the movie displayed its greatest potential — a lot of which it squandered — when it seemed less preoccupied with who was going to kill Mandy Lane, and more interested in who was going to deflower her. The result is a promising, pitch black high school satire that eventually gets invaded by a run-of-the-mill horror film.
Posted in: Disc Reviews by Gino Sassani on December 9th, 2013
"Wanted: a nanny for two adorable children. If you want this choice position, have a cheery disposition, Rosy cheeks, no warts. Play games, all sorts. You must be kind, you must be witty, very sweet, and fairly pretty. Take us on outings, give us treats, sing songs, bring sweets. Never be cross or cruel. Never give us castor oil or gruel. Love us as a son and daughter, and never smell of barley water. If you won't scold and dominate us, we will never give you cause to hate us. We won't hide your spectacles so you can't see, put toads in your bed, or pepper in your tea. Hurry, nanny! Many thanks!"
And so the call goes out for Mary Poppins. It was 1964 and Walt Disney had a terrible time convincing writer P.L. Travers that Walt Disney Studios should be the ones to bring her flying nanny to life in a feature film. Those trials and tribulations are the subject of a new film out by Disney called Saving Mr. Banks. And so the Blu-ray release of Mary Poppins has been timed to the box office release of Mr. Banks.
Posted in: No Huddle Reviews by Jeremy Butler on December 9th, 2013
“WARNING: The following program contains scenes of graphic stupidity among four friends who compete to embarrass each other…”
Pranking…the bedrock of any friendship; I don’t know about you, but I don’t really consider myself friends with anyone until one of us pulls a prank on the other one. Don’t misunderstand, I in no way condone harmful pranks (unless they’re funny, just joking) but there is absolutely nothing wrong with a little good-natured ribbing between close friends. After all, if your friends can’t embarrass you, who can?
Posted in: No Huddle Reviews by Archive Authors on December 9th, 2013
Women Without Men is a unique film. It is not a perfect one. It is full of divided loyalties between people and cultures. It mixes reality, dreams and magic. It is mundane and beautiful. It is full of resentment, pain and hatred, but it strives for freedom and happiness. The filmmaker Shirin Neshat has been exiled from Iran for many years and has lived in many places including New York City. Neshat left Iran in 1979 when the Islamic revolution overthrew the government of the Shah. As an artist critical of the Iranian government, Neshat has been banned from returning to her homeland since 1996.
The film takes place in 1953 (a few years before Neshat was born) and details a climate of oppression that has existed in Iran for as long as many can remember. The film ends with the epitaph, “dedicated to the memory of those who lost their lives in the struggle for freedom and democracy in Iran from the Constitutional Revolution of 1906 to the Green Movement of 2009”.
Posted in: The Reel World by Brent Lorentson on December 6th, 2013
Director Scott Cooper made his directorial debut with the much critically acclaimed film Crazy Heart. It was an impressive first film that managed to get Jeff Bridges an academy award. With Out of the Furnace, Cooper again has a film on his hands that may gain some award recognition due to the many great performances sprinkled throughout the film. But aside from the great performances, how does the actual film hold up? It’s something I’ve been pondering for a bit. The film wastes no time showing us its dark side right from the start. Harlan DeGroat (Woody Harrelson) is out on a date and heaving outside his car at a drive-in theater. This isn’t the Woody Harrelson we’re used to. He’s rough-cut and mean. When his date talks back him, not only does he seem to enjoy degrading her, but like a vicious dog he snaps and attacks her. When an on looker walks over to help, you already know this won’t end well for the man who simply wants to do the right thing and help a woman in distress. This scene plays out as one of my favorite introductions to a film’s villain in quite some time.
As for the star of the film, Christian Bale, he plays Russell Baze, a working-class man who works at the town steel mill barely making ends meet, but he’s content. The same cannot be said about Russell’s little brother Rodney (Casey Affleck); he’s a veteran who is back from Iraq and is struggling to get back on his feet. He doesn’t want a life in the mill but the town has little to nothing to offer which leaves Rodney with little choice but to spend what little he has (and borrows) on gambling. Russell wants to help his brother, but Rodney, whether through pride or stupidity, simply won’t take help when it’s offered regardless of the circumstances.
Posted in: Holiday Gift Guides by Gino Sassani on December 6th, 2013
I think I see your problem. You have this list. It's a list of people you need/want to buy a Christmas gift for. The trouble is that they're into home theatre, and you don't know Star Trek from Star Wars. You couldn't tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. This time we turn our attention to Paramount/CBS.
"You think you’re safe. You are not. Is there anything you would not do for your family?”
Posted in: Holiday Gift Guides by Gino Sassani on December 5th, 2013
Warner has put out a few solid films and television shows on home video this year. There are a few of them that would make fine gifts for the home theatre fan on your Christmas list. From superheroes to hobbits and vampires, there's something in this list for everyone. Wouldn't hurt to snag a little something for yourself, now would it?
Films:
Posted in: Disc Reviews by J C on December 5th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
“Who would want to hear the secretary’s story?”
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