The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.

Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.

Independent films can be about just about anything. Usually if it's about something you have never seen before, that can be a good thing. In this case, I'm not so sure. Free Samples is a movie that takes place almost entirely in and around a crappy little van giving away a cup of either chocolate or vanilla ice cream or at least something that resembles ice cream as far as we know. Free Samples is an existential comedy about the search for meaning when you step away from a future that looked very bright in search of who knows what. 

The following cautionary tale is brought to you by the folks at Fox and American Horror Story:Asylum out on DVD/Blu-ray.

Whilst the criminally insane remain under the care of sadistic medical staff in the second chapter of the Emmy winning series, American Horror Story: Asylum, released this week, we are going to look at our favorite medical villains who prescribe the maximum dose of patient dread and suffering. Are you sure you want that warm sponge-bath sir …?

Those of us who love horror movies can remember the first great scare we ever got. (To be fair, those of you who hate horror movies probably remember the first scare you ever got too, since it’s probably why you stopped watching them.) Stephen King’s It wasn’t my first scary flick, but the image of Tim Curry’s Pennywise coaxing poor Georgie into the storm drain seared itself into my brain and became my original childhood freak-out. What I enjoyed most about All Hallows’ Eve is that it tapped into the unique impact a genuinely scary clown movie can have.

With Kung Fu Panda: Legends of Awesomeness and Dragons: Riders of Berk, it would seem only fitting that Monsters vs. Aliens would get an animated series of its own as well.  Nickelodeon seems to know what they are doing by mass producing these hit DreamWorks animated films and bringing them to the small screen.  The biggest shock is that in doing so they’ve managed to maintain the quality on a story level as well as animation level while under the budget constraints of having to produce multiple episodes as compared to one feature film.

Welcome kids to another 31 Nights of Terror spectacular. This time, the legendary (in his own mind) Michael Durr has descended from the rafters to bring you another cult classic blu-ray presentation. This time we explore 1982 Wes Craven adaption of Swamp Thing. Shout Factory has produced an excellent blu-ray for us to watch. As with most of the Scream Factory work that Shout does, this should be quite the treat. Let us continue and go forth with one wicked green monster.

Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time.  With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence.  It was the film Drive, though, that most people know him for.  I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits.

"You won't see it coming".

Ridley Scott has undergone a bit of a change in his last couple of films. He has become more contemplative and philosophical. It's certainly understandable. In the middle of filming The Counsellor, his brother and producing partner Tony Scott took his own life by jumping from a bridge. Obviously production on this film was halted for a time. Credit the director for pulling it together and getting the film back on track and finally released. Still, as you watch the film, you can't help but wonder if it wasn't heavily influenced by his own personal tragedy.

Hugh Laurie is not the first — and he certainly won’t be the last — actor who decided he wanted a career in music too. The move might come as a surprise to people who primarily know Laurie from his sterling eight-year run as the misanthropic title character on House M.D. (Though not if you watched the show carefully.) In the past, Laurie has rocked out with some of his small-screen comrades for charity. But it turns out that after eight years of playing one of the crankiest characters in television history, Laurie was ready to sing the blues.