Posted in: Disc Reviews by J C on September 10th, 2013
Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.
Live in Tokyo captures their Nov. 14 show at Zepp Tokyo last year. PSMS — Portnoy (drums/vocals), Sheehan (bass/vocals), MacAlpine (guitar), Sherinian (keyboards) — was formed in January 2012. Although they weren’t exactly strangers, the group experienced some understandable growing pains when they first got together. (Portnoy expands on this in the Behind the Scenes featurette on this Blu-ray.) By the time this concert was filmed, however, PSMS had been together for nearly a year and they sounded like a totally cohesive unit.
Posted in: No Huddle Reviews by Brent Lorentson on September 9th, 2013
Knowing very little about Thailand’s gangster history, I jumped into The Gangster with no expectations and was left breathless by the time the final credits rolled. With the energy and violence on display here, I can’t help but feel this is the intensity Scorsese intended in his underwhelming film Gangs of New York; there he had over a hundred million and the street fights, though they had epic buildups, seemed to just fall flat. The Gangster, on the other hand, is on a micro-budget by comparison and delivers street fights that hurt, that leave scars and stay with you. Though both films tell separate origins of gangs, I can’t help but feel there is some unspoken cinematic bond between the two.
From the start we meet Jod (Krisada Sukosol Clapp) who is young and eager to make a name for himself. He’s nothing more than a street thug but wants more than anything to be part of one of the organized gangs. From the film’s one-on-one knife fighting sequence at the start of the film, I knew I was watching something special. The brutality of this scene sets the stage for the violence that is to come, and there is plenty of it.
Posted in: The Reel World by Archive Authors on September 9th, 2013
Vin Diesel. He is a man. A character who doesn't seem real. He is an actor who seems like an artificial creation. He seems to be all brawn and Cro-Magnon heft with just a tiny spark of sensitivity and some sense of inherent intelligence. It turns out Diesel started out making small independent films like Multi-Facial and Strays which led to Hollywood calling for the films Saving Private Ryan and The Iron Giant,which then led to Pitch Black and a TV movie called The Chronicles of Riddick: Into Pitch Black with Diesel playing the Riddick character. Diesel went on to be identified with two other characters, Dominic Toretto (Fast and Furious) and Xander Cage (XXX) but soon bridled at being typecast, and then his career stalled. The sequel, The Chronicles of Riddick (not to be confused with the previously mentioned TV movie), had a much bigger budget with too many new plot lines, but, more importantly, too much pretension. But Diesel loved the Riddick character and got to buy the rights in exchange for a cameo in Fast and Furious 3: Tokyo Drift.
Riddick definitely drops the pretension of the second Riddick film, and the new film more closely resembles Pitch Black. The difference is that he winds up on a totally different planet. Now Riddick is a Furyan, so he wanted to go back home, but no such luck. He has to make do with a barren, unfamiliar and inhospitable world. He also has to self-heal a broken leg. No big deal.
Posted in: No Huddle Reviews by J C on September 9th, 2013
High concepts don’t come much loftier than the one behind Starbuck. An underachieving slacker learns he has fathered 533 children thanks to frequent deposits at a sperm bank 20 years earlier. In fact, the premise was so nice, writer/director Ken Scott decided to do it twice. Vince Vaughn will star in an American remake later this year called Delivery Man. Whether you’re excited for the new film or you think it looks stupid, I highly recommend you give the funny and touching French-Canadian original a look.
David Wozniak (Patrick Huard) is a charming screw-up in his early forties who works as a delivery guy for his family’s butcher shop. He’s the kind of clueless dolt who thinks growing pot in his apartment to pay off personal debts is a solid idea. David also has a fed-up girlfriend named Valerie (Julie LeBreton) who just found out she is pregnant and doesn’t believe David has what it takes to be a father.
Posted in: No Huddle Reviews by J C on September 6th, 2013
“It’s not a good thing to find oneself living by an outmoded code of conduct. People take you to be a fool.”
Christopher Tietjens, the furiously principled Englishman at the center of this early 20th century drama, is simultaneously a man ahead of his time and part of a dying breed of gentleman. The most frustrating part of Christopher’s predicament is that he also has enough intelligence and self-awareness to realize exactly how out of place his behavior is.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2013
"I believe man will fly. And I base this assumption on the fact that God has blessed us with minds that are capable of imagining it. Anything that can be dreamt of will eventually be built. Anyone who says otherwise is a fool."
The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo Da. Vinci.
Posted in: No Huddle Reviews by Brent Lorentson on September 5th, 2013
There are so many vampire films, it’s hard to get excited any time a trailer for one comes along. The Twilight series as well as shows like True Blood and The Vampire Diaries have managed to take everything I once enjoyed about the menacing creature and turned it into a joke. Let the Right One In and the American remake Let Me In are the last vampire films that had any substance that went for more than cheap thrills and gore and delivered a solid story. That is until Kiss of the Damned came along. It’s a film that keeps things simple, yet brings back the beautiful elegance of the creature we loved to fear.
When we first meet Djuna (Josephine de La Baume), she is locked away in her large beautiful home watching an old B&W romance. She’s lonely and craves affection, but her affliction of being a vampire doesn’t offer many opportunities to meet the dashing male she is looking for. But as her luck would have it, a trip to the video store has Djuna coming face to face with her true love Paolo (Milo Ventimigilia), a screenwriter who has come to town to get away and work on his current project. The two are instantly attracted to one another, but Djuna does all she can to keep Paolo at a distance, afraid of what he may think of her and the harm she may cause. But he’s persistent, and in the heat of passion she takes a bite and changes him.
Posted in: No Huddle Reviews by J C on September 5th, 2013
“You’d be surprised what powerful people can get away with behind closed doors.”
Viewers experiencing cop/lawyer/doctor show fatigue might be happy to learn the hottest job on TV these days appears to be “fixer.” Of course, the sneaky appeal of shows centered on these professional problem solvers is that they actually combine elements of cop and lawyer dramas; the fun twist is that the fixer’s job often requires them to prevent crimes from being solved. Before Ray Donovan became a hit for Showtime this summer, the second season of Scandal transformed the nighttime soap into ABC’s buzziest drama.
Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"Something happens at around 92 miles an hour -- thunder-headers drown out all sound, engine vibrations travels at a heart's rate, field of vision funnels into the immediate, and suddenly you're not on the road, you're in it. A part of it. Traffic, scenery, cops - just cardboard cutouts blowing over as you past. Sometimes I forget the rush of that. That's why I love these long runs. All your problems, all the noise, gone. Nothing else to worry about except what's right in front of you. Maybe that's the lesson for me today, to hold on to these simple moments."
There's nothing simple about Sons Of Anarchy. But there are some moments that will cause you to hold on... for dear life.
Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"When the world goes to Hell How will you survive?"
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
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