From the opening title card, Mafia does its best to fit in with the blaxploitation films of the 70’s, and even with Pam Grier in one of the key roles the film just doesn’t hold up.  It seems a lot of filmmakers and fans have on rose-colored glasses to the exploitation era (I’ll lump myself in with this group as well), but the filmmakers who attempt these films forget a lot of these films of the past had a strong political or sociological message they were trying to send.  Just making a film set in the 70s and throwing on some filters doesn’t mean you made an exploitation film; it simply means you captured the cheap low quality of the pictures they made back then.  Look at Jackie Brown (also starring Grier); that film captures the essence of exploitation cinema and looks beautiful, but Tarantino knew to focus on writing a strong ebony female to capture the heart of the genre.

Looking past the cosmetic style of Mafia, there is actually a lot to like here, and that somewhat makes its attempt to look like an exploitation film rather frustrating.  This is a film that could have taken place during any decade and still could work just fine.  The film opens with Renzo (Ving Rhames) locked away in his prison cell awaiting execution.  Haunted by the demons of his past, he recalls the events that brought him into custody.

Gossip Girl ran six years on the CW and is based on a series of books written by Cecily Von Ziegesar. It is about the very rich and young of the upper east side of New York City. The gossip girl of the title has remained secret throughout the series but is revealed in the final episode. I won't be revealing the secret. The series is best described as glossy fun. It is a soap opera in the extreme with a heavy emphasis on fashion and all of the expensive toys of the ridiculously rich. It also deals primarily with teenagers who are “maturing” while trying to deal with the difficulties of a life that has no boundaries.

When the show started, the idea of blogging was still relatively new, before Perez Hilton, TMZ, and a legion of internet dirt mongers became popular. It could be said it was ahead of its time, but we are not talking Nobel-prize-winning innovations. It became a sensation and highly rated on the network, but that is relative to ratings in general. In other words, the ratings weren't very high when compared with shows on other networks but still were always popular with teens. It won Teen Choice awards a few years running. It also ran in 196 countries.

Our friends over at Well Go USA have given us three copies of Interview With A Hitman on Blu-ray to give away. "Trust no one. Feel nothing. Never lose. This is Viktor’s (Luke Goss) code. This mantra took him from the slums of Romania to the pinnacle of his profession – as a murderer for hire. Viktor knows the value of life more than most, which makes him the perfect killer. But after a ruthless betrayal by his bosses, he escapes to London, joins a new “family,” and finds himself caught in a vicious underworld power struggle. Viktor is now better, faster and more ruthless than ever before, but an encounter with a dark beauty offers him a chance at new life. But can he ever hope to escape the ghosts – and buried secrets – of his past? "  3 lucky winners will get in on all of the excitement.

To win just follow these instructions.

“You think football builds character? It does not; football reveals character.”

The open secret about sports movies is that they’re not really about sports. Most of the great ones use the games people play as a dynamic arena to tell universal stories about struggle, underdogs overcoming impossible odds, greatness and redemption. You don’t have to know a nose guard from a mouth guard to enjoy a football movie. By that same token, Undefeated may chronicle a grueling real-life high school football season, but I wasn’t surprised to see it play out like a lot of fictional sports flicks.

“When lives are on the line, it’s hero time!”

What would you do if you had a gadget that allowed you to transform into different alien creatures? Think about it. If a good and virtuous person found it, they would use it to help others and protect the planet. If it fell into evil hands, they would use it to gain power and cause havoc. Everything comes down to the question of how that power is used. Unfortunately for Earth, Ben Tennyson found the alien gadget in question.

“What’s the matter? Don’t you like role-playing?”

I was on the verge of writing this film off as another zombie flick hoping to capture on the popularity brought about by the AMC series The Walking Dead, but then….BAM! It brought forth a plot twist that veered it away from all other zombie movies and grabbed my attention. It was no longer a zombie film; it was much more interesting.

I remember watching Heavenly Creatures and believing Melanie Lynskey would break out and become a star.  I never would have guessed her co-star Kate Winslet would be the one to emerge from the film and be the A-list actress she has become.  After all, when you watch Heavenly Creatures, it’s hard to believe this was the first role Lynskey had in front of a camera; I would have imagined she was destined to play some great roles through her career.  Unfortunately that’s not the case, but I’m glad to see at the very least she has a career up on the screen.

In Lynskey’s new release, Hello I Must Be Going, we see her playing Amy who is recovering from a sudden divorce.  For her the divorce took away everything she believes she had made for herself, because she did everything she could to be the perfect wife.  This rejection has done more than crush her, and it has deflated her to the point of returning to live at home with her parents where she sleeps and mopes around most of the day.  Since we’ve all been through rejection at some point, it’s easy to relate to Amy on some level, and with Lynskey’s quirky portrayal of Amy, it’s hard to not be sucked in by her charm.

"Guess who?"

In case you haven't been paying attention, 2013 is turning out to be the year of the returning action stars. The Governator Arnold Schwarzenegger teamed up with Korean action director Jee-woon Kim to deliver a very entertaining ride in The Last Stand. Sly Stallone teamed up with action icon Walter Hill to bring us the not-so-entertaining Bullet To The Head. Of course, perhaps the most eagerly awaited return was Bruce Willis back in the role that made him an action star in the first place. This is less Willis's return and more a potential swansong for cowboy cop John McLane. It's the fifth entry in the Die Hard franchise and the first sequel written originally as a Die Hard film and not something adapted to the character. With the disappointing Live Free Or Die Hard still fresh in my memory, all bets were off when I entered the cinema for a sneak peak of A Good Day To Die Hard.

Even among the crowded field idyllic meadow of big-screen romances, the “Nicholas Sparks movie” has become its own lucrative sub-genre. The only other contemporary authors I can remember achieving that sort of name brand recognition are Stephen King and John Grisham. (When people went to watch a Harry Potter film, they didn’t usually say, “Let’s go see the new J.K. Rowling movie.) It’s easy to spot a Nicholas Sparks movie: the lily white leads usually live in or around one of the Carolinas, where they inevitably get drenched by a romantic, cleansing rain before coming across a pivotal letter.

The fact that Safe Haven hits every single one of these checkpoints should, in theory, make it the ultimate Nicholas Sparks movie experience. Instead, the new film — the eighth big-screen adaptation of the author’s work — comes off as a pale imitator. 

The conclusion of the wildly popular Twilight saga last fall left a nation of haters high-fiving each other, but it also created a giant, heart-shaped vacuum in Hollywood. Where is the industry’s next big young adult-oriented, human-on-supernatural romance franchise going to come from? Valentine’s Day seems as good a time as any to find out if Beautiful Creatures — based on Kami Garcia and Margaret Stohl’s “Caster Chronicles” series — is up to the task.

Ethan Wate (Alden Ehrenreich) can’t wait to get out of Gatlin, South Carolina. Thanks to some nimble narration, Ethan explains why he feels trapped in his fictional dead-end town, where virtually every important piece of literature is on the banned list and people enthusiastically re-enact the Civil War as if they’re expecting a different result. Ethan’s spirits brighten when he meets moody outsider Lena Duchaness (Alice Englert), who is literally the girl of his dreams. You see, Ethan has been having the same dream every night about a mysterious dark-haired beauty; unfortunately, he always dies at the end. After a rocky start (is there any other kind?), the two grow closer and Ethan discovers that Lena is a witch.