Now here is a series that me and my wife just didn’t seen eye to eye on. For her, the series was a triumph and had great depth. For me, it made me wonder whether we were watching the same thing. Because outside the beautiful scenery, I did not discern any great depth to this anthology series, which appeared to feature unhappy people. The series featured a cast of recognizable faces, which included Alexandra Daddario, Connie Britton, Steve Zahn, Sydney Sweeney, and Jennifer Coolidge; however, their characters weren’t what I would call loveable. It was difficult to find anyone pure or worth cheering for. Granted, the characters had varying degrees of sins, and none of them were what I would call evil, but none of them were worth investing in. Of course that is merely this humble critics opinion, as it would appear that many people have found something to love, given the series recent award success, such as two Critic’s Choice Awards and five Primetime Emmy Awards, including for Outstanding Limited or Anthology Series, Outstanding Directing for a Limited or Anthology Series, and Outstanding Writing for a Limited or Anthology Series or Movie. I guess this explains the series being granted a Season 2, which is scheduled to premiere in October 2022.

The series details a week in the life of vacationers as they relax and rejuvenate in paradise, or at least attempt to relax and rejuvenate. While these vacationers may appear to be picture perfect, it is shown almost immediately that each of them has hidden darker complexity. These complexity are not limited to the travelers, as members of the hotel’s cheerful staff, are also not as they appear. When I first heard about the series, I was anticipating a sinister turn, something to the effect that one of the patrons would be killed and everyone would be under suspicion. It’s a troupe that can become a bit of a cliché, but it is one that instills intrigue. While there is a death in the series, it does not fall under these conditions, and in all honesty, it is difficult to muster any sympathy for the character.

In 1978 when Good Guys Wear Black came out, Chuck Norris wasn’t the global superstar that he would later become, but this was one of the films that helped establish him as an actor and not just some martial arts guy on the big screen. This is definitely a movie that was a product of its time, and it can be argued how well it has actually aged over the years. Personally I have a hard time calling this an action film. When you compare it to most of the other films that Chuck Norris has in his filmography, this is very much one of the more tame ones and comes off more as a thriller, a fun little espionage film that actually leans heavier on Norris and his acting abilities than his ability to take down bad guys with spin-kicks, though the film does offer a few kicks to please the action-hungry audiences.

Chuck Norris plays John T. Booker, an ex-Vietnam soldier who left the military after a mission went wrong and most of the members of his team were killed during the ill-fated mission. Now Booker has gotten himself into auto racing and teaches political science at UCLA and is enjoying his new life, that is until he discovers that he is on a hit list created by the CIA.  Booker must find out who made this list before he and the others who are on the list are taken out. Booker is approached by Margaret (Anne Archer), a reporter who seems to know too much about the top-secret mission that Booker was involved with, and as she’s chasing leads, ex-soldiers who happen to be on the hit list, the soldiers are winding up dead before she can get any answers.

“Gentleman, I’d like you to meet Matt Logan. He’s a karate man.”

I still can’t decide if that line of dialog is awful or genius. In 1979 martial arts movies were going strong in the states, but they were certainly lacking in quality as compared to what was coming out overseas. Chuck Norris was the “American” answer to make a successful martial arts film, but it wasn’t till A Force of One where I feel Chuck Norris finally arrived as not just a martial arts star but a bonafide guy who was worth watching on the big screen. The story may be a bit farfetched, but this is a film that is fun. It’s something I’d throw on when I’m wanting to have a late night movie marathon. It’s what “midnight movies” were made for.

Revamping old shows and movies is the latest trend in television. CBS has made several attempts at this with varying success. Such was their attempt when they tried to convert Rush Hour into a TV series. It failed badly. But then there was Hawaii Five-O, which got 10 seasons and was pretty solid. The MacGyver reboot gaining a fourth season puts this attempt somewhere in the middle. The show has been on the bubble for the last two seasons and this year it was finally cancelled. But that wasn't quite the end of the story. Part of the reason was an inability to renew the rights from Universal at the kind of money CBS thought the show was worth. Now NBC, which is owned by Universal, has given the show a second chance with a 2-year renewal. The cast and crew appear to be intact, but with some contract negotiations it's possible that someone may drop out, leaving room for something new. So Magnum is back, for now starring Jay Hernandez in the titular role. The character that Tom Selleck made famous is breathing new life with new action. Minus the mustache, of course.

Staying true to its source material, Hernandez’s Magnum is a former Navy Seal, and his best friends T.C, played by Stephen Hill, and Rick, played by Zachery Knighton, are Marines. While staying true to its source, the series also digs deeper into the characters’ connection by illustrating the three as former POWs. The show also explores many of the plights of vets that include Shammy, played by Christopher Thornton, as the wheelchair-bound comrade they rescued from down and out who is now a big part of the team.

The people of Taiwan have been searching for an identity for a long time.  When martial law was lifted over the People's Republic of China in the 1980's and shifted to a more democratic form, the people have increasingly wanted their own identity and no longer to be known as a part of China.  Sure, they might maintain the status quo and appear to work with China (which hasn't been exactly the case lately), but they strive to be known as Taiwanese, separate from the mainland influence.  Our film today, Vive L'Amour, takes place in the 1990's Taiwan, where life was extremely hard for the average young adult.   So hard that many of them didn't even have a permanent residence.

We open to see a key is left in the door of a dwelling.  Nearby a salesman named Hsiao-kang (played by Lee Kang-sheng) finishes up a door-to-door sales call and after a few moments decides to take the key.  He goes to the convenience store, grabs a water, and sees a camera where he adjusts his hair.  The next scene, he is driving on his motorcycle and arrives at the location where he grabbed the key from.  He starts to unlock the door, hears sounds from inside, and quickly leaves.

My fascination with tennis has come in spots throughout the early part of my life.  In the 1980's, I was fascinated by John McEnroe with his brilliant play and fiery emotion.  In the 1990's I was smitten with Jennifer Capriati, but also impressed by her tenacity at such a young age.  I still remembering listening to the broadcast of Goran Ivanisevic finally winning at Wimbledon in the early 2000's.  And that's where I stopped watching, really, still eager to see the amazing game play, but no longer finding the characters I so desperately wanted to look for.  Today's film is Final Set, which follows an aging tennis player who has one final shot at becoming the player he always learned to be.

A tennis player serves a ball in slow motion.  It takes a couple of minutes, and then it stops.

A good erotic movie is actually harder than it sounds.  Sure, you have to have skin, word play, arousal, and yes, that other kind of play.  But the good erotic films like Basic Instinct, 9 1/2 Weeks, and Embrace of the Vampire (You thought I was going to say Fatal Attraction, didn't you?) are very entertaining and have a story that draws you in to keep you there even when the spicy bits aren't on the screen.  Today's erotic film is Curiosa, which certainly hits all of the skin elements, but does it have a story that I would want to watch again and again?  Let's check it out.

A curiosa is an erotic object, book, or photograph.  We start the movie with a little photography as we watch our two main characters, Pierre Louys (played by Niels Schneider), who is taking pictures of Marie de Heredia (played by Noemie Merlant).  Marie is set to marry Henri de Regnier (played by Benjamin Lavernhe), but she does not love him.   She is actually in love with Pierre, who is Henri's best friend as well.

"Space ... the final frontier. These are the continuing voyages of the Starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

From the moment of the first UHD releases, I have had a wish list of films I wanted to see in 4K. Most of them have finally reached my home theater video shelf, but there remain a few elusive titles that I am still waiting for. Paramount is doing a great job. The Star Trek wait is somewhat over. I say somewhat because this new release from Paramount contains the films not included in the first release: Star Trek: The Motion Picture - Director's Edition, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. But it does not include The Next Generation films.

"Nothing had prepared me, no books, no teachers, not even my parents. I heard a thousand stories, but none could describe this place, it must be witnessed, to be understood, and yet I've seen it and understand it even less than before I first cast eyes on this place. Some call it the American dessert, others The Great Plains, but those phrases were invented by professors at universities surrounded by the illusion of order and the fantasy of right and wrong. To know it you must walk it, Bleed into its dirt, drown in its rivers, then its name becomes clear, it is hell, and there are demons everywhere. But if this is hell and I'm in it, then I must be a Demon too and I'm already dead.." 

We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line. These themes were all there, but it takes place in a modern setting that does indeed make for an interesting new twist on an old idea. This is the dawning of the modern western where lands still stretch for miles and are still owned by a single family. It's Bonanza in the 21st century, and Kevin Costner thought enough of the idea to star in this television drama series for The Paramount Network.

George Miller is a filmmaker who will forever be known for his Mad Max films, and to be fair, it’s a pretty awesome legacy to leave behind, but when you take a look at his filmography, it is one that is filled with variety. There is The Witches of Eastwick, his segment from The Twilight Zone: The Movie, and then there is Happy Feet, a variety that shows that he has more to offer than testosterone thrill rides. I feel it is worth mentioning this because it shows that as a director he’s willing to take chances and stray beyond his comfort zone and show that he is one of the more talented visual storytellers still working in the industry. The film Three Thousand Years of Longing is, simply put, a love letter to storytelling and its use over the existence of mankind. Sure, there are some mythical aspects involved and plenty of CGI, but at its heart the film is simply about two characters sharing stories inside a luxurious hotel room where Agatha Christie is said to have written “Death on the Nile”. Tilda Swinton plays Alithea, a self proclaimed “narratologist”, an academic who tells stories. She’s in Istanbul to help give a lecture on the history of storytelling, and it’s not long after her arrival that things seem to be a little strange. Alithea has a condition that causes her to hallucinate figures, OR does she have a gift to see into another realm? Miller really isn’t interested in what the truth is, and that’s one of the film’s strengths, it asks the viewer to ignore logic and simply accept fantasy for the next two hours. Logic simply has no place with this experience, and it’s something more if us should embrace when we consider the stresses in the real world that we are all dealing with these days.

Idris Elba plays the Djinn that Alithea releases in her hotel room. Though it appears some prosthetics and CGI were used to make the Djinn more whimsical, I appreciate that the look they went for with the film was nothing like the Genie we saw in the live-action film for Aladdin. To be fair, going into this film I was worried that this film would be just a more adult version of the Disney classic, though in the end it really had me calling back to the great 2006 film The Fall (if you’ve seen it, then this should get you excited for 3000 Years of Longing; if you haven’t seen The Fall, it is one of the most beautiful films ever put on the screen and should be seen immediately). I feel these movies perfectly complement one another with how they are filled with stories that are beautifully told cautionary tales. When Alithea is confronted with the task of making her three wishes, she is quick to object, and this begins the Djinn telling his story and about the previous people that had come before Alithea and were given the chance to ask for their wishes. The stories are told with a visual flair and are done in a stark contrast to the very sterile hotel room. The bond that develops between Alithea and the Djinn is very charming, but when it inevitably develops into a romance, this is where the film lost its hold on me.