Posted in: The Reel World by Archive Authors on July 9th, 2015
Big blockbusters rule the summer. Sequels and reboots and remakes are demanded by a public that wants sure things. There are no sure things any more, but the big Hollywood studios try to form committees that take as much chance out of the equation as possible. But even in the middle of a summer ruled by big blockbuster, there is a school of thought that counter programming can work. You have to give the makers of Self/Less credit for releasing a non-sequel and one with such an odd title
Posted in: No Huddle Reviews by Archive Authors on July 9th, 2015
by Dustin P. Anderson
There is no real story here. This is set as a competition/reality TV Series. The goal is for one team of survivors to get out of an infected zombie prison. The twist is that the contestants are all YouTube personalities. They must first get out of the room they wake up in, then go to get an antidote, then give the antidote to a doctor, then get out of the facility. The concept for this was intriguing, but the application was sloppy at best. During the entire production you are reminded of how low-budget this series is, whether you are listening to the overly cliché horror music or getting motion sickness from the camera.
Posted in: No Huddle Reviews by Archive Authors on July 7th, 2015
by Dustin P. Anderson
We follow Tony Duran, a washed up performer who was never a big name to anyone, and whose life is starting to fall apart. He has become an obese alcoholic who stacks lies on top of lies in order to not seem like the bad guy to the people who still care about him (all two of them). After one last attempt to get some money so he can pay off some of his increasing debt, his son turns away from him. In the aftermath of this, Tony’s friend Jerry challenges him to become a better person. He gets Tony to sing in front of people (like he once did), and Tony’s eyes finally open to the truth. He sets off to lose some weight, stop drinking, and prepare for a show that Jerry has lined up for him.
Posted in: The Reel World by Archive Authors on July 1st, 2015
Me, Earl and the Dying Girl is not the perfect movie by any means, but it is pretty darn good. Sometime it is too clever for its own good, and sometimes its cleverness is what makes it good. It is a movie about a precocious high school teenager much in the tradition of Ferris Bueller's Day Off. It has an offbeat and anarchic take on the high school experience, because the titular Me is giving his point of view. As with many narrators in the tradition of literature, his opinions can be unreliable. Me shall be known from now on as Greg (played by Thomas Mann) (no relation to the famous German novelist) (which I mention because German film maker Werner Herzog is all over this film).
Posted in: No Huddle Reviews by Archive Authors on June 25th, 2015
Right off the bat, the first 10-minute flashback in Lost for Words that repeats verbatim at the end could have been left on the cutting room floor. If you’re looking for an in-your-face, action-packed summer blockbuster, this isn’t for you. If you have more sophisticated tastes and are seeking a slow to medium-paced love story that transcends country and race, Lost for Words tells the beautiful bilingual tale of American ex-Marine-now-IT-guru Michael and Chinese modern dance ballerina Anna.
Posted in: The Reel World by Archive Authors on June 25th, 2015
I should say right up front, it seems like everyone loves this film but me. That is pretty much true of all Pixar films. They seem to be above reproach, regret and retribution. I love some Pixar films very much, but many I find to be overpraised. In the case of the new film Inside Out, it is not so much bad as disturbing. It is well made but suffers from two problems. It is not overwhelmingly profound while being somewhat bewildering. Some people might say it is a film for kids, so I should give it a pass, but I disagree.
Posted in: No Huddle Reviews by Archive Authors on June 23rd, 2015
by Dustin P. Anderson
Design activists Matt and Emily come to a small town in North Carolina which is struggling to get by. Their goal is to start Project H, a design class for high school students, to help get kids interested in school and lift the town out of a recessive period. The students start by building things as simple as a cornhole game, to designing a real building for a farmers market to help the town. Matt and Emily must work against incredible odds, like not getting a salary for their work and an oppressive school board, in order to see this dream come to reality.
Posted in: No Huddle Reviews by Archive Authors on June 23rd, 2015
by Dustin P. Anderson
Floyd is a down-on-his-luck ex-bank robber who has had enough of his current life and wishes to pull one last heist with his old partner Mitch. The two plan the robbery, quit their meaningless jobs, and complete the job, getting five hundred thousand dollars in cash split between seven cases. After their success, they go to a remote hideout to wait out the authorities and celebrate. The next day, they discover their money is gone and has been replaced with a cassette tape. A voice on the cassette tape tells them that there are torture devices attached to seven people the duo knows, and their cases of money are with them
Posted in: No Huddle Reviews by Archive Authors on June 18th, 2015
by Dustin P. Anderson
We find three roommates, all not living up to their potential: a starving artist, a struggling writer, and a desperate gambler. While their dreams fall to the wayside, they work for the apartment complex they live in, performing maintenance and checking on tenants. One day the landlord calls for them to check on someone who is behind on their rent. They find that the man who lives there is dead, and seems to have been taking photos of them without their knowledge; however, these are photos set a day in the future taken by a strange machine.
Posted in: No Huddle Reviews by Archive Authors on June 11th, 2015
As one who loathes sports, ESPECIALLY golf, I thought I’d rather put hot pokers in my eyes than watch the golf and gambling independent film, The Squeeze. However, to my surprise, it wasn’t bad - it wasn’t great- and although the ending teed me off for not providing an adequate resolution, I also didn’t fast forward. The golf scenes were realistically boring to me, so I guess golf fans would love this, but the script needs work. The Squeeze tells the allegedly “based on true story” of Augie (Jeremy Sumpter), a cute, small-town kid who comes from a family where the patriarch of the family is an alcoholic.
