Posted in: The Reel World by Archive Authors on May 12th, 2015
by Dustin P. Anderson
The entirety of this movie is shot from the perspective of our main protagonist’s (Blaire) computer screen. Her friends start a video conference, and they are soon haunted by the memory of their friend who committed suicide due to cyber bullying (and I guess some regular bullying too). Her friends start dying from forced suicide (or suicide from being possessed by a spirit), and they must play this spirit's game in order to survive. I was pretty excited to see if this movie could accomplish being scary from a bold new way of filmmaking. The budget on this wasn’t very high for a major release title, and in an age where hundreds of millions of dollars is par for the course to spend on a film, that is pretty impressive; however, only impressive if it works. Luckily, this movie works.
Posted in: Disc Reviews by Archive Authors on May 12th, 2015
There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama. The movie navigates through very murky and unexplored waters and comes out the other side triumphantly. There is no reason that these waters are unexplored except for the fact that everyone thinks everyone else is racist but never looks at themselves. There is lots of very ugly and violent racism, and then there is subconscious racism. The subconscious racism is harder to deal with.
Most people are guilty of this, because we all tend to put ourselves in smaller and smaller categories.
Posted in: No Huddle Reviews by Archive Authors on May 10th, 2015
"When you have a formula, you work it. You work it to death."
Cue obnoxious New York bar expert who reminds me of a Mafia hit man, insert a cute mixologist, an experienced chef, and four different sets of confrontational failing bar owners being gifted with five days with Jon Taffer and his longevity in the industry, experience with over 800 bars, and you have Bar Rescue – Toughest Rescues.
Posted in: Disc Reviews by Archive Authors on April 29th, 2015
Inherent Vice is the kind of movie I personally love to watch over and over again, partly because it is always tantalizing you with content that you can't quite get your head wrapped around. Almost anyone would want to see this more than once, even if only to make sure they weren't stupid for not connecting all the dots. The film has a classy, fun pedigree combing the talents of Paul Thomas Anderson and Thomas Pynchon. Paul is the beloved director of modern classics like Boogie Nights, Magnolia, and There Will Be Blood. Thomas is the novelist of unfathomable masterpieces like Gravity's Rainbow and V. Both are titans in the cultural zeitgeist of the academic and the bohemian. They both are supremely confident to put together a plot that flies high above our heads. It is also a detective story, but the gumshoe or private dick in this case is a hippie. The story takes place in 1970 and is immersed in the smoke of the period. It is also immersed in a period authentic string of 70's tunes and wild psychedelic set decoration and groovy duds. It would be pointless to start to outline the plot, partly because the plot is beside the point. The point is to feel the vibe. To settle back, take a deep breath, and hold it in. Hippies are not likely candidates to be private eyes, but it is the perfect way to get a cross section of a time and place. This time and place is as foreign to us today as is Moses in the desert.
If I won't give you a plot, I will give you a cast of characters. Larry “Doc” Sportello (Joaquin Phoenix) gets a visit from his ex, Shasta Fay Hepworth (Katherine Waterson). She wants his help with a problem. Shasta is the mistress of Michael Z. Wolfmann (Eric Roberts) and he seems to be the target of a plot to get his money. Tariq Khahlil (Michael Kenneth Williams) stops by the dentist’s office where Doc works to give him a job, that also ties to Wolfmann. Our unreliable narrator, Sortelege (Joanna Newsome) seems to float through the story as character as much as a ghost. Jade (Hong Chau) is a sweet Asian hooker who helps out when she can, especially when trying to warn him about “The Golden Fang”. Lieutenant detective Christian F. “Bigfoot” Bjornsen (Josh Brolin) has a bit of a man crush on Doc when he isn't slapping him around and kicking his door in. Sauncho Smilex, Esq. (Benicio Del Toro) shows up to “help” Doc (but sometimes you're not so sure). Hope Harlingen (Jena Malone) hires Doc to find her dead husband, Coy (Owen Wilson). They are all mutual acquaintances of Shasta, who has also gone missing, as has Wolfmann. Deputy D.A. Penny Kimball (Reese Witherspoon) is involved because the F.B.I. is involved, but she is also Doc's current squeeze. A little later, we meet Dr. Rudy Blatnoyd, D.D.S. (Martin Short). He is a dentist but also the probable head of a heroine syndicate ensconced in a high rise that looks like a golden fang. Don't think anything I have told you is in any way a summary.
Posted in: The Reel World by Archive Authors on March 31st, 2015
Most true life stories are remarkable in some way. If you can get to the truth of real-life history, it almost always unearths treasures of understanding. Art is the process of revealing hidden truth and beauty in real life. Woman In Gold is the story of a painting that was sold for $135,000,000 in 2006 to an heir of Estee Lauder. It was the highest price for a painting at the time. There is a remarkable story that takes place around the painting. It involves the Nazi theft of art in World War II. A previous film, Monuments Men, tackled the subject a couple of years ago. The challenge that both films faced is making the subject of art important when mixed with the chaos and horror involving human life during the period. Then there is the painting itself, which is so iconic that it was called the Austrian Mona Lisa.
Woman In Gold covers a lot of ground from the creation of the work itself (also known as Portrait of Adele Bloch-Bauer I) by Gustav Klimt in 1907 through the traumatic and catastrophic war years to the eventual battle to find justice and closure.
Posted in: Disc Reviews by Archive Authors on March 31st, 2015
Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon. Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy. There is so much speculative science in this film that it is mind-boggling. The cutting edge of real science is, frankly, getting crazier and crazier. The average person really has no idea how crazy, but Interstellar is going to try to show us just how crazy. The true nature of some of the elements of the theory of relativity and other related theories is that they defy all logic.
One of the most important things in Interstellar is its attempts to deal with some of the properties of time. The laws of physics tell us time acts differently in different situations. In this movie time rules everything in people's lives, but the main character is given the power to do something with time that most of us don't even imagine. It's important to know some of these situations are described in actual scientific theory. In fact, real science is getting closer and closer to God all the time. Most people who don't believe in God don't expect science to contradict that way of thinking. Interstellar doesn't talk about God, but it comes close to doing something similar. It is science's contention to state statistically there are millions of planets with intelligent life out there. Some of those intelligence forces will seem like God to us. This is simple science, but people have such a wide range of beliefs that no one will ever agree on what is the truth. The reason we don't agree is because mankind is just not smart enough to have real answers.
Posted in: The Reel World by Archive Authors on March 10th, 2015
It's hard to understand our relation to the past today, especially in America. Africa, Europe and Asia had ancient history, but the USA only really has the Old West. This country has no real history, and most of its people came from other parts of the world. The immigrants would funnel into New York City to get away from the Old World, looking to build a better life. The West was unpopulated and barely governed. Most small towns were ruled by the man who could hire the most guns. If we think things are bad today, we really don't understand how it was when people could be gunned down with little consequence. Sheriffs were often scared, alone, and afraid that each day could be their last. Most people tried to stay to themselves and avoid getting shot. It was a dirty and bleak life.
The Salvation is one of the most brutal and unrelenting westerns I've seen in a long time. It calls up all the ghosts of the genre, especially the strong, silent Clint Eastwood of the Spaghetti Westerns of Sergio Leone. It's funny, because this isn't an Italian western but a Danish western, but it was filmed in South Africa. It takes place in the classic Old West town ruled by a ruthless and unpredictably mean gunslinger called Larue (Jeffery Dean Morgan). The landscape is typical of a thousand westerns with locals that could be in Wyoming, Arizona, Texas or any locale where the law was meek and in short supply.
Posted in: The Reel World by Archive Authors on March 7th, 2015
Unfinished Business starring Vince Vaughn, Tom Wilkinson, Dave Franco, Sienna Miller, James Marsden and Nick Frost is a raunchy comedy. I say that because it is the most important thing I can say that would make people want to see this movie. It is raunchy, but it is mixed with so many other issues and tones that the raunchiness and comedy sometimes get lost in the mix. The film is really more about anxiety and failure. There are so many elements mixed in that this emotional rollercoaster of a movie is so full of strange turns that it is difficult to enjoy the ride. All the performers are capable of great work and may even be doing great work here, but it gets lost. The cumulative effect is a sense of confusion, but I believe that there is a good movie here that could come out if everyone went back and did the whole thing again. The director Ken Scott is best known for having made the successful French Canadian comedy Starbuck, which was later remade as The Delivery Man starring Vince Vaughn. I assume that is how this whole project ultimately came together.
The original title for Unfinished Business was Business Trip, which would have been better since it gives focus to what's going on. Dan Trunkman (Vaughn) quits his job to start a new company in the opening scene of the movie. The opening scene of an argument in the break room with his boss and future competitor, Chuck (Sienna Miller) gets things off to a good start. Many people have expressed confusion about what the actual business is, and I think it would have helped early on to have included a funny scene explaining the mechanics of selling aftermarket metal waste for recycling. He immediately takes on two new employees in the parking lot in a typical heart-of-gold fashion. One is an employee let go because of age. Timothy McWinters (Tom Wilkinson) is only 67 and still feels he has a lot of living yet to do. The other major character is a problem from the outside. Mike Pancake (Dave Franco) is such a confusing mix of negative and positive qualities that any normal person would have instinctively said, “Sorry, I can't help you”. That Dan doesn't do that immediately makes you wonder if there isn't something terribly wrong with him as a businessman embarking on a new venture.
Posted in: No Huddle Reviews by Archive Authors on February 2nd, 2015
Who Killed Alex Spourdalakis sounds like a murder mystery. The cover of the DVD says, “Ignorance, negligence, indifference”. The documentary was produced by the Autism Media Channel, and the cover also says, “Autism and the US healthcare system”. The implication is that things are not going well for the growing number of parents of autistic children. In March of 2014, the Centers for Disease Control and Prevention concluded that the rate of autism had risen to 1 out of 68 births in the United States, and that was nearly double from ten years prior. That sounds like a major problem, and that doesn't even get to the heart of exactly how tragic that really is. Death rates are high for children with autism, and that too tends to get swept under the rug. The problems of dealing with an autistic child are unimaginable to those who live a normal life.
Alex Spourdalakis had two extremely devoted caregivers who would literally do anything to relieve the problems that he dealt with. He was a normal, happy baby until 18 months. Dorothy, Alex's mother, and Yolanda Agata Skrodzka, Alex's godmother, doted on him every moment when he started to show problems, often never leaving his bedside when he wound up in various hospitals. The story that movie tells is a heartbreaking tragedy of an arrogant and misguided healthcare system, not able to accept the changing state of autism in America. Dorothy and Yolanda trusted the doctors as Alex went through numerous changes, assuming the doctors knew best. Over time, it became clear that the doctors mostly didn't know what they were doing. Eventually, at age 14, Alex died.
Posted in: The Reel World by Archive Authors on January 30th, 2015
There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama. The movie navigates through very murky and unexplored waters and comes out the other side triumphantly. There is no reason that these waters are unexplored except for the fact that everyone thinks everyone else is racist but never looks at themselves. There is lots of very ugly and violent racism, and then there is subconscious racism. The subconscious racism is harder to deal with.
Most people are guilty of this, because we all tend to put ourselves in smaller and smaller categories.
