Posts by Brent Lorentson

I get it. At first glance Ghost Warrior seems like a movie that is easy to disregard, but if you are looking to step outside the mainstream and dip your toe into the murky waters that is B cinema, Ghost Warrior is a heck of a fun place to start. The film is produced by Charles Band. He’s pretty much royalty when it comes to B cinema. His biggest claim to fame is the creation of Full Moon Features, and if you were around in the mom and pop video store days, you more than likely passed plenty of his work on the video store shelves. Movies like Puppet Master and little gems like Sorority Babes in the Slimeball Bowl-O-Rama were Band’s bread and butter, and he’s been successful enough to produce well over 350 films. When it comes to Ghost Warrior, this is before Full Moon became notorious for low-budget horror, but this film does show that he could produce a quality film on a thin budget and have a running time of only 81 minutes.

Coming off the success of James Cameron’s The Terminator, just about every studio was looking to piggyback off that gold mine, and what followed was a parade of knockoff films that for the most part failed to match The Terminator in quality and in box office draw. One of those bottom-of-the-barrel knockoffs is the 1987 film Programmed To Kill, also known as The Retaliator. While in the 80’s this was a film that could be appreciated  in drive-ins and later on late-night cable, nowadays the unexpected draw for this film is that it has the late Paul Walker in one of his earliest roles playing Jason, the son of the film’s lead character, Eric Mathews (Robert Ginty). Former CIA agent Eric Matthews is hired to lead a group of mercenaries to rescue a pair of kidnapped kids from a group of terrorists. In the process of performing the extraction, Samira (Sandahl Bergman), one of the terrorists, is critically wounded. For some reason, the mercenaries bring Samira with them. Samira is then brought to a group of government scientists who do experimental brain surgery and in the process turn her into a cyborg

Director William Wyler is a bit of an icon when you look back in Hollywood history. He’s a director with such classics under his belt as Roman Holiday, Funny Girl, and then of course Ben-Hur. But before he filmed those, he did a smaller and more intimate film called Detective Story. This isn’t a big spectacle, but instead it is a gritty drama that takes place over a single day in a New York police station. The film is so simplistic in scope that it’s no surprise that it was originally a stage play, but it’s Wyler’s direction that elevates this film to something bigger. Then there are the remarkable performances from Kirk Douglas and the rest of the cast that make this film better than the potential snore-fest this could have been. Jim McLeod (Douglas) is a hard-nosed cop who likes nothing more than to take the criminals down in his city, to the point that he doesn’t realize it’s been days since he’s been home and seen his wife.  He’s about to head out when he has an encounter with a criminal that sets McLeod off, and he attacks then criminal in custody. The altercation is bad enough to send the criminal to the hospital and jeopardize McLeod’s career. This is just one of the stories going on in the police station.

Some movies are simply timeless. The Apartment (1960) is one of those films that I feel still holds up today and is still rightfully considered a classic. Then there are films like Peking Express (1951) that may have been good for their time, but my experience with the film just felt like a chore I couldn’t wait to finish. It’s not that the film did anything wrong. It was shot well, had decent acting, and the story was simple, but it just didn’t grab me. I like older films. I never had a problem with B&W films, but I guess to simply put it, this one just didn’t do it for me. That’s not to say that this film is bad. It just wasn’t my cup of tea, I guess you could say. The focus is mostly on Dr. Michael Bachlin (Joseph Cotton), a doctor who works with the World Health Organization who is traveling from Shanghai to Peking.

The 1972 film The Valachi Papers is the mostly true story of Joe Valachi, who was made famous/infamous for his testimony to the US Senate about the activities of the Cosa Nostra, or what we more commonly call the mafia. I have to be honest; I don’t’ know how this film has escaped me for so long, I hadn’t even heard of it till Kino pulled this one from the vaults to release on Blu-ray. For film lovers, and especially those who love a good old fashioned gangster film, I’d say this is a must-watch, mostly because the first thing that came to mind while watching this film is how much this film must have influenced Martin Scorsese and his approach to making Goodfellas, If that’s not enough to get you to want to check out the film, well, let me tell you a little more about it.

I was surprised to read that actor Henry Silva passed away back in September; he’s one of the great tough-guy actors who thrived in the 60’s and 70’s that we just don’t have any more. Personally I was a fan of his Euro Crime films, The Boss and The Italian Connection. Silva just had a way of exuding cool and badass that in  my eyes made him a rock star on the screen. He was like a rougher Charles Bronson. He was in two movies that made a big impression on me as a kid. Granted they are both glorified B movies, but Allan Quaterman and the Lost City of Gold and Alligator (1980) were movies that were in a high rotation for me as a kid, and it’s Henry Silva’s mean-guy mug that has stuck with me for so long.