Posted in: Disc Reviews by Brent Lorentson on December 16th, 2022
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series, I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened. Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation. The first two seasons of the series I enjoyed, and they offered plenty of promise for things to come. How do Greg Nicotero and his creative team deliver on their third season endeavor?
Posted in: The Reel World by Brent Lorentson on December 3rd, 2022
With Thanksgiving in the rearview mirror, that can mean only one thing; that Christmas is just around the corner. Normally this time of year the theaters are filled with movies that are either A) jockeying for awards consideration or B) are big-budget blockbusters, and then if you are lucky there are a few holiday films sprinkled in for good measure. It has been a while since there has been a holiday film that has appealed to me. Some of the best ones in recent memory are Better Watch Out (2016) and Krampus (2015), so I think it is fair to say we are long overdue for a great Christmas film. At first glimpse, Violent Night doesn’t look the part of what you’d traditionally call a Christmas film, but even the trailers for the film market this as a mash-up of Die Hard meets Home Alone, and that’s exactly what you get, and it is gloriously violent and heartwarming.
Posted in: No Huddle Reviews by Brent Lorentson on December 3rd, 2022
Director William Wyler is a bit of an icon when you look back in Hollywood history. He’s a director with such classics under his belt as Roman Holiday, Funny Girl, and then of course Ben-Hur. But before he filmed those, he did a smaller and more intimate film called Detective Story. This isn’t a big spectacle, but instead it is a gritty drama that takes place over a single day in a New York police station. The film is so simplistic in scope that it’s no surprise that it was originally a stage play, but it’s Wyler’s direction that elevates this film to something bigger. Then there are the remarkable performances from Kirk Douglas and the rest of the cast that make this film better than the potential snore-fest this could have been. Jim McLeod (Douglas) is a hard-nosed cop who likes nothing more than to take the criminals down in his city, to the point that he doesn’t realize it’s been days since he’s been home and seen his wife. He’s about to head out when he has an encounter with a criminal that sets McLeod off, and he attacks then criminal in custody. The altercation is bad enough to send the criminal to the hospital and jeopardize McLeod’s career. This is just one of the stories going on in the police station.
Posted in: The Reel World by Brent Lorentson on November 30th, 2022
I’ve seen Bones and All twice now, and I have to say this is certainly one of the standout films of 2022. A road film that plays out as a romance between two young cannibals trying to find their place in the Reagan era America, well, it’s just the strange mix that works. Horror isn’t supposed to be this sweet, and romance isn’t supposed to be so gruesome, but director Luca Guadagnino manages to put together a film that is so good that I believe it has a real shot at winning some prestigious awards, and it is so well deserved. I’m going to recommend going into this knowing as little as possible. Just simply allow the film to expose its dark and bloody underbelly to you, and just let yourself care for these monsters that are simply trying to find their place in the world and in the process even fall in love.
Posted in: No Huddle Reviews by Brent Lorentson on November 29th, 2022
Some movies are simply timeless. The Apartment (1960) is one of those films that I feel still holds up today and is still rightfully considered a classic. Then there are films like Peking Express (1951) that may have been good for their time, but my experience with the film just felt like a chore I couldn’t wait to finish. It’s not that the film did anything wrong. It was shot well, had decent acting, and the story was simple, but it just didn’t grab me. I like older films. I never had a problem with B&W films, but I guess to simply put it, this one just didn’t do it for me. That’s not to say that this film is bad. It just wasn’t my cup of tea, I guess you could say. The focus is mostly on Dr. Michael Bachlin (Joseph Cotton), a doctor who works with the World Health Organization who is traveling from Shanghai to Peking.
Posted in: No Huddle Reviews by Brent Lorentson on November 28th, 2022
The 1972 film The Valachi Papers is the mostly true story of Joe Valachi, who was made famous/infamous for his testimony to the US Senate about the activities of the Cosa Nostra, or what we more commonly call the mafia. I have to be honest; I don’t’ know how this film has escaped me for so long, I hadn’t even heard of it till Kino pulled this one from the vaults to release on Blu-ray. For film lovers, and especially those who love a good old fashioned gangster film, I’d say this is a must-watch, mostly because the first thing that came to mind while watching this film is how much this film must have influenced Martin Scorsese and his approach to making Goodfellas, If that’s not enough to get you to want to check out the film, well, let me tell you a little more about it.
Posted in: No Huddle Reviews by Brent Lorentson on November 28th, 2022
I was surprised to read that actor Henry Silva passed away back in September; he’s one of the great tough-guy actors who thrived in the 60’s and 70’s that we just don’t have any more. Personally I was a fan of his Euro Crime films, The Boss and The Italian Connection. Silva just had a way of exuding cool and badass that in my eyes made him a rock star on the screen. He was like a rougher Charles Bronson. He was in two movies that made a big impression on me as a kid. Granted they are both glorified B movies, but Allan Quaterman and the Lost City of Gold and Alligator (1980) were movies that were in a high rotation for me as a kid, and it’s Henry Silva’s mean-guy mug that has stuck with me for so long.
Posted in: No Huddle Reviews by Brent Lorentson on November 13th, 2022
Into the Deep is one of those films that offers so much promise with its setup that it is a bit frustrating when you watch the final product and it has managed to fall short in every way imaginable. When I first read the synopsis, I couldn’t help but think about the 1989 film Dead Calm. It’s one of those underrated psychological thrillers that I always felt was fun. While Into the Deep does share some parallels, unfortunately this film just goes off the rails because of its absurd plot twists and, well, let’s face it; no one in this cast is on par with Sam Neill, Billy Zane, or Nicole Kidman. Into the Deep is a film that pretty much hopes that its audience isn’t thinking about logic, because the moment you apply any sort of critical thinking, this film just falls apart. Jess (Ella-Rae Smith) is still struggling with the loss of her mother as the anniversary of her death is approaching.
Posted in: Disc Reviews by Brent Lorentson on November 4th, 2022
It has been about 36 years since the release of the first Top Gun. This is one of my earliest memories as a kid, seeing the movie on the big screen with my parents at the old Main Street 6 Cinemas. I was a bit obsessed with this movie growing up. I had a copy of the film that I had recorded off of Showtime, and over the years I’d imagine I’ve seen Top Gun at least 100 times. I was obsessed with the movie and its soundtrack. Kenny Loggins and “Danger Zone” lived rent free in my head throughout my childhood. I know I’m not alone on this when saying just how much Top Gun is a movie I just love. It’s not perfect, but I just can’t find anything I dislike about it. Even in my forties, I look at this film as comfort food.
Posted in: The Reel World by Brent Lorentson on October 15th, 2022
As I mentioned in my review for Amsterdam, it’s awards season, and the studios are churning out the films they hope will garner praise and a lot of statues celebrating how great their film is. Spoiler alert, Amsterdam won’t be one of those films, but one that will be is a film that is easily one of the top films I’ve seen this year, and it’s The Banshees of Inisherin. Because of the title I know many have been put off from watching the film because they think it is going to be a horror film. Well, let me assure you that this isn’t a horror film, nor are there any banshees in the film. As to why the film is called that, well, you’ll have to see it to find out for yourself.