Posted in: Disc Reviews by Brent Lorentson on July 25th, 2021
It continues to amaze me how well Warner Brothers does with their DC products in the television universe but manage to execute so poorly with their films. Despite being a bit formulaic, the CW DC shows are still a blast to watch but it’s the more adult oriented shows Titans, Doom Patrol and Swamp Thing that have left me most impressed. Now they have released Pennyworth for the Starz Network, despite the confidence I have in the other shows I went into this one with cautious optimism. The biggest question that bothered me was do we need another series that delves into the Batman universe? Gotham recently wrapped up, there’s a Batwoman series, Joker was only 2 years ago and a new Batman film coming next year, not to forget all the other incarnations of the Dark Knight. What had me interested though is the notion of finally getting to see Alfred Pennyworth as the former SAS officer in his prime and the chance to see how he became entangled with the Wayne family. Was the series a letdown or yet another success for the DC television universe?
Posted in: Disc Reviews by Brent Lorentson on July 20th, 2021
Bigger doesn’t always mean better. Eight years following the success of the first 48 Hrs film and the rise of Eddie Murphy’s stardom, Murphy came to the studio proposing to do a sequel, and they happily obliged him, allowing him to also produce it under his budding production company. Walter Hill had gone on to direct some successful films, but nothing like the box office success of 48 Hrs. Brewster’s Millions, Streets of Fire, and Red Heat are just of few of the films that stood out during this time for Hill, but the potential of another big moneymaker that could give him the clout to go on and direct more of the films that he wanted was the draw he needed. It was a paycheck movie that could have had potential, but with a rumored 30 minutes cut from the film just before its release on top of the 20-plus minutes cut down from the first cut followed by a rushed script to get the film into production, well, it’s no surprise that the film falls short of the first film.
Posted in: No Huddle Reviews by Brent Lorentson on July 20th, 2021
In 1982 when production was getting started on 48 Hrs, Walter Hill had plenty pf success with The Warriors, The Long Riders, and Southern Comfort, and many would think he was taking a bit of a risk by casting Eddie Murphy as the second lead of his film. Sure, Murphy would go on to be a giant success, but at the time of this film all he had was being a cast member of SNL. The gamble would of course be a success for not just Walter Hill and the film, but 48 Hrs would be the film that lit the fuse to a successful career that would launch Eddie Murphy into superstardom. The movie is a classic for more than just making a career for Eddie Murphy; it’s also the movie that remolded what the “buddy action” film can be by having the leads at one another’s throats while the bullets and fists fly. While this isn’t my favorite Walter Hill film (that number one slot will always be The Warriors), 48 Hrs. is a staple film of his career that I feel is required viewing for those who love 80s action films, or simply good films, period.
Posted in: Disc Reviews by Brent Lorentson on July 9th, 2021
“Bueller … Bueller …”
When it comes to the 80’s teen comedies, I think we can all agree John Hughes is the king, and I feel just about every kid who grew up during that time has a strong opinion on what the “BEST” John Hughes movie is. The Breakfast Club, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off, and Planes, Trains and Automobiles are pretty much all classics that he wrote and directed, but that doesn’t count the numerous others that he just wrote. When I heard John Hughes died, it was a sad day, even though he hadn’t directed a film since 1991’s Curly Sue. I think we all were kind of holding out hope he’d be able to step back behind the camera one more time.
Posted in: Disc Reviews by Brent Lorentson on July 6th, 2021
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials, I wasn’t all that thrilled. I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I might have had in different circumstances. I was definitely pessimistic about watching the , but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons, and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series. Season 2’s can be a make-or-break for a lot of shows. Expectations have been made by the audience, and sometimes things just fall apart, but sometimes there is the rare occasion where Season 2 manages to only get better. I’m happy to say in the case of His Dark Materials, things definitely improve.
Posted in: Disc Reviews by Brent Lorentson on June 29th, 2021
Long before super-hero films became the rage of American cinema, the Western was the original bread and butter that would draw in its audiences to flock to the silver screen. Hollywood cranked out so many Westerns I seriously doubt anyone knows just how many of these films were shot by the studios, not to mention the others that were re-cut with scenes inserted with new stock footage just to re-title a film and put it back out onto the screen. There are some directors that elevated the genre, John Ford, Howard Hawks, Clint Eastwood, Sam Peckinpah, and then there’s John Sturges who is mostly famous for helming The Magnificent Seven and The Great Escape. Sturges had a strong 30 year career directing and though he had a few misses when his films were good they were really good so when the offer came along to review one of his Westerns I hadn’t seen I was happy to jump aboard to review the Last Train From Gun Hill.
Posted in: Disc Reviews by Brent Lorentson on June 18th, 2021
Ever since the release of Godzilla in 2014, just the possibility of this film has been highly anticipated. The last time we got to see these two titans go head to head, it was in the 1963 version of Kong vs, Godzilla. Sure, it has some value as a campy romp, but you’ll have a difficult time convincing anyone that it was actually a good movie. No matter what fans may think of the new Monsterverse that we’ve gotten, I feel what can be agreed upon is that each of the films has given us an impressive look at these monsters, not just in their design, but in their fights. While I’m pretty open about my affection for these titans and how happy I am to see them finally get their due beyond the man-in-suit films (which of course I still enjoy and adore), it’s still no surprise to me that the weakest parts have always been the human aspect of the films.
Posted in: The Reel World by Brent Lorentson on June 5th, 2021
What James Wan did with The Conjuring (2013) was something I don’t think anyone expected. He not just delivered a haunted house film that’s genuinely scary as well as being a technical achievement, but also he kicked off a successful franchise that’s now seven films deep with no signs of stopping. I’ll admit when it comes to the stories about Ed and Lorraine Warren, I have a bit of a bias. I’m a sucker for just about any and every paranormal show out there, and I’ve read numerous books about the Warrens and their case files. Everything from the “true” story behind the Amityville house, the “real” Annabelle, to some of the not-so-famous cases (at least the ones we haven’t seen a movie about). Whether you believe in the paranormal or feel the Warrens were nothing more than skilled hoaxers, the stories behind their cases are the stuff that will always make for a great campfire story, and as it’s been proven, some successful and entertaining films.
Posted in: The Reel World by Brent Lorentson on May 28th, 2021
If it feels like you’ve been waiting a while for this film, well, you wouldn’t be wrong. Originally the plan was to release the film March 20, 2020 but this would be one of the first of many films that would be shelved due to the pandemic. There was talk about possibly releasing the film on one of the numerous streaming services out there, but thankfully it was decided to hold out till the lockdowns would end and movie theaters would open up wide across the US. It’s been a long wait for this highly anticipated sequel. Was it worth it? I didn’t review the first film, but while I wasn’t exactly blown away by the film the first time around, as I’ve revisited the film I have to admit the film has grown on me, and I’d say it was my second favorite horror film released in 2018 (Sorry, Hereditary continues to knock my socks off to this day.)
Posted in: The Reel World by Brent Lorentson on May 17th, 2021
Just when you thought the Saw franchise had finally claimed its final victim in Jigsaw, Lionsgate has decided to keep the gruesome franchise going with Spiral. I know it seemed like the character of Jigsaw had finally been milked (or bled) for all its worth, what more can they do with this franchise? Honestly when I first heard about this film I groaned, I love horror and I love gore but even I was feeling the franchise had gotten a bit stale. As it turns out there does seem to be more story to be juiced from this franchise and I’ll say it right now, this film was the game changer the franchise needed and it helps pave the way for plenty of pain, revenge and justice down the road. This is a film that was long overdue to the franchise and I’ll go so far as to say it’s perhaps my favorite film of the series since the release of the first film.
