Posted in: Disc Reviews by Brent Lorentson on December 16th, 2021
I was disappointed when it was announced that James Wan wouldn’t be returning to helm the third Conjuring film, but when the reasoning was that he had a new original concept to direct, well, it still made me pretty happy. When it comes to the technical side of filmmaking, I feel James Wan is one of the most exciting directors currently working in the industry. What the guy pulls off is impressive mostly because he relies more heavily on in-camera trickery than depending on CGI. Sure, he did Aquaman and is about to do the sequel, but those films aside, he’s pretty much a master of the practical craft who I’d put up there with Hitchcock. So when I saw the trailers for Malignant, I’ll admit I was a bit excited, especially when Wan had said that this was a nod to the Giallo films of the past. But did he deliver?
Posted in: Disc Reviews by Brent Lorentson on December 10th, 2021
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is that instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened.
Posted in: Disc Reviews by Brent Lorentson on December 8th, 2021
When Netflix released The Haunting of Hill House, I fell in love with the series. I have watched it several times since its release, and it continues to hold up. So when it was announced that Mike Flanagan would be returning to do a follow-up series, it was impossible not to get my hopes up. Mike Flanagan is perhaps the best thing to happen to horror in quite a while. He doesn’t depend on gore or crazy special FX, but instead his focus is more on that natural evil that people can do to one another. From Hush to Doctor Sleep to The Haunting of Hill House and his most current work Midnight Mass and all his projects in between, he’s maintained a consistency that I feel ranks him as one of the better visual storytellers of the past decade, and he seems to only get better with each project.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2021
From Bride of Frankenstein to Night of the Living Dead and even Godzilla, horror has been a platform filmmakers have used for decades to handle larger societal issues. In 1992 when the first Candyman released, it was a film that tackled issues of class and race, but it did so in a manner that didn’t feel forced, and in doing so it added an extra level to what I’d consider one of the best horror films of the 90’s. I love the story of Candyman, and the performance Tony Todd gave this tragic character was an equal blend of horror, menace, and sympathy. The way the first film builds its impending doom for Helen Lyle has rarely been matched in films since. Watching as her life crumbles around her up until the moment she finally surrenders herself to Candyman and accepts her awful fate is an impactful moment. The sequels just never lived up to the first film, and it’s a shame,
Posted in: Disc Reviews by Brent Lorentson on October 29th, 2021
It doesn’t seem all that long ago that Disney/ Marvel decided to fire James Gunn over a couple of tweets and Warner Brothers decided to scoop up the talented director to helm a reboot of The Suicide Squad. Personally, I feel this was the best move WB has done with their DC film projects since the Christopher Nolan Batman films. I’ll come out and say it; I haven’t been a fan of the DC cinematic universe. Wonder Woman and Shazam were decent, but they simply don’t hold up to what Marvel has been able to produce. While I’m fine with attempting to tell more mature storylines and appeal to an older audience, my biggest problem with the DC films is that they just weren’t fun. (Shazam is perhaps the only exception to this.) I’m not part of the “Release the Snyder cut” crowd; instead I just want to see a comic book film that can be entertaining and not take itself too seriously, and that brings me back to James Gunn. I’m a fan of Gunn. I absolutely adore what he’s done with The Guardians of the Galaxy. Those are both in my top five of the Marvel films, because I love how he handles the group of misfit heroes.
Posted in: Disc Reviews by Brent Lorentson on October 28th, 2021
No, this isn’t a remake of the 1994 Ice-T Surviving the Game. Unfortunately, this is yet another low-budget action film starring Bruce Willis that has this reviewer wondering if we’ll ever get a great film out of Willis ever again. For the past few years it seems Bruce Willis has given up doing A-list films and has instead gone the route of straight-to-disc releases, and the films have ranged from tolerable to garbage. This is frustrating, because I think we can all agree he’s better than this, but he seems to be fine cashing the paychecks and going onto set and looking miserable from one scene to the next. I miss seeing Bruce Willis being the average-Joe badass. The Last Boy Scout? Heck, at this point I’d rather see him in a Hudson Hawk revival, but alas, this seems to be what we’re stuck with.
Posted in: Disc Reviews by Brent Lorentson on October 15th, 2021
Fried Barry is definitely one of those fun quirky movies that needs to be seen to be believed. One thing I should definitely say from the start is this movie is definitely not for everyone but if you are willing to go into this with an open mind well you just might appreciate this little gem ad for those late night drinkers and tokers, this is one that is fun to put on for those late night movie nights. If you are looking for a high brow art film you’ve come to the wrong place and despite how the covert art suggests “A Hard R version of ET” well that’s a bit of a stretch in the ET department but this is definitely a film not for the kiddies but perfect for those high school film geeks looking for an outlet from woke society. I feel like this is the kind of movie we need as the rest of the world is so scared about offending one another Fried Barry instead asks it viewers to kick back and prepare to get uncomfortable and enjoy the ride.
Posted in: No Huddle Reviews by Brent Lorentson on October 13th, 2021
“They are coming to get you, Barbara.”
Step aside, Gus Van Sant’s 1998 remake of Psycho; there’s a new most useless remake (of all time) in town. Seriously, to whoever is responsible for getting this film green-lit, I seriously hate you and all that you’ve done to George A. Romero’s classic and not to mention groundbreaking film. The fact that his name isn’t even in the credits on the Blu-ray is equally a blessing and a low blow. George A. Romero’s Night of the Living Dead is pretty well known for being the first film to depict zombies as undead, flesh-eating beings and literally kick-started its own subgenre in horror. It’s also perhaps known for one of the biggest blunders involving copyright protection, which resulted in Romero losing out on millions and the distributors pocketing most of the financial gains the film had. In 1990, Tom Savini would go on to remake the film, but this time shoot the film in color and also update it with new and improved special effects.
Posted in: No Huddle Reviews by Brent Lorentson on October 5th, 2021
To watch Bugsy Malone you’ve got to remind yourself what it was like when you were a kid, and that’s something I feel is the most difficult thing to do when kids today have video games, the internet, and so much technology at their fingertips that to play and pretend is just not what it used to be. In 1976, writer and director Alan Parker gave us a gangster film like no other; it was a musical and a parody and most importantly was completely cast with children, all around the age of 12. It’s hard to imagine a film like this could ever take place now, not that there is anything offensive about it, but the film’s charm and its innocence I just feel couldn’t be captured anymore. The idea of kids shooting one another with guns firing marshmallows and cream would certainly rile up parents, not to mention the “sarsaparilla” bootlegging going on.
Posted in: Disc Reviews by Brent Lorentson on October 2nd, 2021
Ever since The Purge came out back in 2013, I think with each passing year it seems like it can become a terrifying reality. Some fans, I’m sure, have even thought about what deviant activities they’d get into or how they’d defend themselves if it ever became a reality. The films in their own blunt way have been an examination of our government and how society is treated by class and by race. It’s not a big surprise that these films have been hits at the box office, but my big complaint has been are they really horror films? For me they are just modern takes of a world that John Carpenter created with his Escape from New York and Escape from LA films, like a hard-edged dystopian sci-fi survival film. At least with the first installment The Purge felt more grounded as an intense home invasion film, but as the sequels followed and the world opened up, it just started to feel more like an action film.
