Posts by Jeremy Butler

I know that we all know that the DC universe is going through a bit of a revamp right now. I’m sure we’ve all seen it, with the cancellation of the Batgirl movie and the getting our hopes up over the prospect of Henry Cavill’s return to the fold, only to be crushed when it was announced that the studio was going in a different direction. We all have our feelings about it. That said, if there was a franchise that I would recommend keeping around, it would be the Shazam films. I know, I know, I’m surprised by this revelation too, but the thing is, this franchise of them all was the one that took me by the most surprise. I wasn’t expecting to enjoy it. Prior to the release of the first film, the character of Shazam (a.k.a. Captain Marvel) had been nothing more than a background character that I’d observed in the animated films and shows. I even questioned the wisdom of introducing a character like this when DC was behind the curve in comparison to Marvel. I thought they should focus on building up the main Justice League heroes so they could get back in the race.

I would be remiss in my duties if I didn’t address the elephant in the room first. For the first time in the nearly 50-year history of this franchise, Sylvester Stallone was not featured in the film as Rocky Balboa. We could delve into the reasons behind why he elected not to take part in this installment, but that would be a review in itself and take away from this film. I mention it off the bat, so we can all process it and view the film with clarity. Long story short, I will say that his absence was noticed, and he was missed. I think his absence is notable due to the lack of an explanation as to his absence. I suppose the film being set in Los Angeles instead of Rocky’s native Philadelphia is meant to serve as a workaround, but still, I’d hope for some kind of explanation or at least a casual mentioning of the character. The lack thereof is what really drew attention to it. To be fair, the case can be made that that the previous film provided a pretty good conclusion for the Rocky chapters of the franchise.

Yeah, this film didn’t really do it for me. Of late I’ve been on the prowl for a quality horror or suspense movie. Something with a compelling story, and while I didn’t initially believe that Ghost of Monday would live up to that desire, I left the door open to be surprised. As it turns out, I could have left that door closed with the lock latched. The Ghost of Monday is a slow-burning tale that I never really connected with. For one, the premise is a bit anti-climatic and has been addressed with box office films such as The Invitation and Ready Or Not, which I found to be the best. In this instance, a television director (Mark Huberman, Vikings Vahalla) travels to a supposed haunted hotel for the purpose of making a television pilot. Eventually, he and his crew find themselves wrapped up in a supernatural conspiracy that could have life or death consequences for them. Did you catch my use of the word “eventually”? Stay tuned, I’ll explain that in a bit. The biggest intended draw for the film was probably the inclusion of Julian Sands of Warlock fame, but his role is secondary in relation to the overall film. All in all, I’m still on the lookout for a quality horror or suspense film.

I think it’s best that Ant-Man and the Wasp: Quantumania is the last in the series. That is not meant as a condemnation of the film; in my opinion after this outing, it is hard to see how the series fits into Marvel’s overall plans. I’m sure Ant-Man and the Wasp will be featured in the future Avengers movies, and that is fine, but as a solo vehicle, this film kind of showed that the prestige for this franchise has faded. When the first film was released, I was skeptical of what value it could bring to the franchise, and I was pleasantly surprised and enjoyed it far more than I expected to. The sequel was decent enough, while in some cases lacking some of the comedic elements of the first one. This time, the film seems to have lost all the lighthearted humor and felt forced. Rudd does his best to endear the character to the audience, but in this incarnation, he feels more like a secondary character in a film where he plays the titular character. Then there is the other titular character, the Wasp, a.k.a. Evangeline Lilly’s Hope Van Dyne. Her role, too, feels reduced. When the two main characters become the least significant characters in their own franchise, I believe that signifies that the writing is on the wall. It’s time to hang it up.

A possibly innocent military man facing treason and war crime charges, a devoted wife who finds herself drawn to a man who is not her husband, and a prosecutor who is beginning to doubt the conviction of a lifetime. I can honestly say that Sergeant Ryker piqued my interest with this dynamic. And for me what was the key component to my successful viewing of the film, Lee Marvin of The Dirty Dozen fame embodies Sergeant Paul Ryker, an American solder charged with treason for allegedly aiding the enemy following a failed raid during the Korean War. Bradford Dillman plays Captain Young, the JAG officer who prosecutes Ryker for treason, who comes to doubt the conviction that could launch his career. Then there is Vera Miles of Alfred Hitchcock’s Psycho fame as Sgt. Ryker’s neglected wife, who begins to have eyes for the young captain. What can I say, I dig the drama.

One the worst things that can happen to a cop is to be forced to do a shooting in the line of duty. All the training in the word does not make living with action any easier, especially if it results in a fatality. It is among the most traumatic events that can occur for a police officer. No matter what, that officer is likely to second guess every decision that led to that point. Could they have found another way to resolve? Did they have to shoot? Could they have talked the person down? Did the person have to die? Those are just a few of the question that are likely to arise. What makes that situation even worse is if person is found to have been at fault. And herein lies the premise for Warning Shot. David Janssen of TV’s The Fugitive fame plays LAPD Sergeant Tom Valens in this crime drama where he finds himself in that exact situation. During a routine stakeout, Valens fatally shoots what he perceives to be an armed suspect. However, upon a comprehensive investigation, the purported weapon is nowhere to be found. This premise alone was enough to intrigue me, but while watching the film, I became more engrossed in the crime drama with every passing detail. Rounding out the cast are Ed Begley and Joan Collins, as well as the “First Lady of American Cinema,” herself, Lillian Gish.

"My son dreamt of a better world. That's why he saved me. But the world was only a better place with him in it. Khandaq needed a hero. Instead, it got me. All this power. And the only thing I can do with it is hurt people. I will speak the word my son gave me, and I will give up my power. And when I do, you must ensure I never speak it again. Shazam."

Black Adam was a unique experience. It was an occasion where a being who kills without hesitation is viewed as more of a hero than those who exercise restraint while fighting for justice. This is a principle that was leaned into during the film’s marketing campaign, which for me generated a great deal of intrigue, and I was glad that it was not just a marketing ploy. The fact is that Black Adam is very much an anti-hero. However, he did not start out that way. He was initially just a supervillain, one that was and likely still is intended to serve as the primary antagonist to Zachary Levi’s Shazam.

I grew up hearing about Bob Hope and Lucille Ball. It was more about his television credits and hosting accomplishment. I’d say hosting the Academy Awards 19 times, which to my understanding is a record that still holds up to this day, is something to be proud of. Hell, his next closest competitor is Billy Crystal, who is still ten behind him. Then there is Lucille Ball, who is obviously most notable for her popular television series, I Love Lucy. I hear about these comedic icons all my life and now through Fancy Pants, the second of four films that these two collaborated on. I got to see them in action. And while there is much about the film’s brand of comedy that went over my head, it was easy to see the appeal of these two, as individuals and as a comedic pairing. Based on a musical by the name of Ruggles of Red Gap, Hope stars as Humphrey, real name Arthur Humphry, a struggling American actor masquerading as British to be part of a British acting troupe. When another British actor enlists the cast to pose as an aristocratic family in order to impress visiting Americans, Effie and Agatha Floud (Ball), Humphrey, pretending to be the family butler

I usually don’t go in for mockumentary series. I missed the boat when it comes to series like The Office and Parks and Rec. However, there was something about Abbott Elementary that captured my interest. So much so that upon completing the first season, I immediately binged the available episodes for the second season. It would appear I’m not the only who has become captivated by the series, as it cleaned up on the award circuit, to include a Primetime Emmy for Outstanding Supporting Actress in a Comedy Series (Sheryl Lee Ralph), and more impressively, a Primetime Emmy Award for Outstanding Writing for a Comedy Series (for show creator, writer, executive producer, lead actress Quinta Brunson). And after watching the show in its entirety, all I can say is those awards were well deserved. Abbott Elementary is a breath of fresh air that has become my new Wednesday night pleasure.

When the MCU announced their intention to move forward with this sequel despite the tragic demise of Chadwick Boseman, I voiced my displeasure loudly. As far as I was concern, there could be no Black Panther without Chadwick Boseman. Additionally, it just seemed unnecessary. The first film was masterful and complete. It didn’t require a sequel. We could have just preserved the integrity of the first film by letting it stay untouched. However, that is not how the business works. If there is a dollar to be made, there isn’t anything that won’t be diluted down for that sake. I realize that sounds harsh, but if I’m being honest, that is what Wakanda Forever felt like to me. This not to say that there weren’t some good, genuine moments that brought me back to my feelings that I had while watching the first one. It is also worth mentioning that I found the film to have paid Boseman the proper respect that I believe he deserved, both with a powerful moment of silence at the beginning of the film, as well as a funeral processional for his character that was fit for a king that he was in film and in real life. It just still wasn’t enough. The elements to make it great were there, but the story leaves a lot of things incomplete and unresolved despite having a runtime of nearly three hours.