Posts by Jeremy Butler

When you read that Eli Roth is part of the production team, the first thing you probably think about is the potential gore that will be associated with the project, and Aftershock is no exception, but there was also an interesting twist with this disaster flick: the involvement of a director who’s most known for his work in the romantic comedy genre, Nicolas Lopez, who’s most notable for his Que Pena Tu (translation: F*** my  (blank)) trilogy. He tries his hand at something new with this dark tale based in reality that highlights that the most frightening part of a natural disaster is not necessarily the disaster itself.

Two groups of travelers venture to Chile seeking a good time and get more than they could have ever expected. In the first group, Gringo (Eli Roth’s character, no real name given), an American, is led around the city by two natives: Ariel, who is recovering from a recent breakup, and spoiled rich kid Pollo. The two natives take it on themselves to show Gringo around and give him a trip that he will never forget.

The line between hilarious raunchy comedy and over-the-top raunchy comedy is very fine, and We’re the Millers tends to dance on both sides of it. In time such action will be revealed to be both a blessing and a curse, I suspect. With the young crowd, I believe the film will fall right into place with such movies as Horrible Bosses (a comedy which coincidently starred Aniston and Sudeikis) and to be more recent, This is the End. With more mature audiences, the raunchiness may prove to be slightly more than they were expecting to see. With me, I find myself on the side of the young.

David (Jason Sudeikis) is a small town pot dealer in Denver, an occupation he has held since college without moving forward or backward. Hesitant to admit it, he has grown stagnant with the life he’s leading and wants more out of life. Those desires are put on hold after he is robbed, with both his stash and all of his cash including the money intended for his supplier Brad (Ed Helms, The Hangover). Deep in debt with no prospect of paying it back, Brad offers David one opportunity to erase his debt: smuggle a smidge and a half (inside joke, have to see the movie to understand) of marijuana from Mexico across the border back to Denver.

Who said inter-agency cooperation wasn’t possible? Well, maybe cooperation is a bit of stretch for the relationship between Washington and Wahlberg in 2 Guns, the Rated R comedy from director Baltasar Kormakur (Contraband). A buddy-cop film by definition, but a refreshing one that is sure to be a welcomed addition to the subcategory right alongside Lethal Weapon, Bad Boys, and Rush Hour.

Partners in crime Bobby Trench (Denzel Washington) and Marcus Stigman (Mark Wahlberg) have worked together for the last year despite being polar opposites; Bobby is smooth and the consummate professional while Stig (as he likes to be called) is flippant and a bit unhinged. Regardless, the two work well together, the problem is neither is who they pretend to be. They’re both undercover agents; Bobby for the Drug Enforcement Agency (DEA.) and Stig for Naval Intelligence, and here’s the kicker, neither knows about the other’s true identity.

Has anyone ever wondered what The Breakfast Club would have been like if it had zombies? I know I haven’t. Well, despite no desire to see such a thing, Detention of the Dead is here to showcase just that. Take a cast full of the supporting cast members from popular television series and movies from the 2010 generation such as Glee, Twilight, and Greek, give them a script litter with made up words designed to be funny (and failing miserably in the attempt), and you have a project that makes you feel like you are trapped in detention.

So here’s how it plays out;, there’s no real buildup; somehow people start to become infected with some type of contagion that reduces them to mindless, flesh-eating zombies, and the audience has no clue how it happened or who is to blame. Somehow this infection finds its way to a local high school where detention is about to commence. The class consists of Eddie (Jacob Zachar, Greek), a nerdy first time offender who is desperately in love with another offender, a stuck up cheerleader Janet (Christa B. Allen, Revenge) who earned a sentence after being caught in the bathroom with her boyfriend Brad (Jayson Blair, The New Normal), the high school bully who makes Eddie’s life miserable.

I was not looking forward to this sequel at all. Now, to those who saw the film in theaters and loved it, before you get bent out of shape, allow me to explain why. See, I don’t react to change very well, and after seeing the first film and liking it, let’s just say that I had certain reservations after learning that much of the original cast wouldn’t be returning (not to mention news of the worst kept secret about the demise of one of the characters). Needless to say when I sat down to watch Retaliation, I wasn’t expecting to enjoy. Happy to say that after watching it, I’m eating crow.

Retaliation resumes sometime after the original movie. Duke (Channing Tatum) is now leader of his own team which includes Roadblock (Dwayne Johnson), Lady Jaye (Adrianne Palicki), Snake Eyes (Ray Park), and Flint (DJ Cotrona). After completing a successful mission, the team returns to base camp and awaits extraction. Dropping their guard, the group enjoys downtime; however, when a security patrol arrives ahead of schedule, it does not go unnoticed.  Their suspicions are proven right, as a massive assault devastates the camp. Unable to adequately defend themselves, the team suffers heavy casualties including a vital and precious member of the team. (I’m sure you’ll have no trouble figuring out who.)

“It’s important to enjoy life while you still can.”

My word, Bruce Willis must be exhausted, helming three movies this year so far and six last year alone; jeez, I know I’d be in need of a serious break. Luckily in RED 2, Willis doesn’t have to hold down the fort alone. Not when you have Malkovich, Mirren, and Parker available to help pick up the slack. That’s right, like Joe Matheson (Morgan Freeman’s character from RED) said in the original, The band is getting back together.”  And this time they are picking up some new members as Catherine Zeta-Jones and Anthony Hopkins join the cast. RED was great, but RED 2 is epic.

Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.

Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.

“There are only two reasons why a boat would go rogue. One is to defect, and the other is to start a war, and I don’t think we’re defecting. ”

Abraham Lincoln once said, “The best way to get rid of an enemy is to make him a friend.” That’s one way; however, Phantom proposes a different tactic: the best way to get rid of an enemy is to get someone else to do it. Which do you agree with more? Ed Harris and David Duchovny square off as two pieces on the opposite sides of the chess board locked in a submarine together with control of a nuclear warhead being the checkmate.

A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the  listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.

The Rambler opens up with our titular character (Dermot Mulroney) observing a house on fire. Next it jumps to behind prison walls where The Rambler has ended up (whether it was due to the fire is not really explained). Through a quick montage sequence, we are given a recap of the character’s life on the inside up until he earns his release: smoking in his cell, smoking in the cafeteria, and smoking in the exercise yard.

In 1988 a movie by the name of Die Hard became a worldwide commercial success and helped launch the career of one of Hollywood’s most prominent action stars. The legend of the film transcends time and space as it is still to this day a beloved film, and its name has become synonymous with what an action film is. In 2013, another film looks to capture that same type of glory, a film I believe has the potential to become this generation’s Die Hard, and not because both film’s main character’s first name is John. White House Down is an explosively entertaining experience brought to life from the director that brought us Independence Day, 10,000 B.C., and 2012.

John Cale (Channing Tatum) is a former decorated soldier turned U.S. Capital police officer assigned to the protection detail of Speaker of the House of Representatives, Eli Raphelson (Richard Jenkins). Divorced with one daughter, Emily (Joey King) who once idolized him, but continuous disappointments and absenteeism on his part have caused a strain in their relationship. Calling in a favor, John scores an opportunity to interview to join the Secret Service and join President James Sawyer’s (Jamie Foxx) protection detail. To earn some brownie points as well as repair the rift between him and his daughter, he takes Emily with him to the White House, an opportunity that Emily jumps at due to her borderline obsession with all things politics.