Posted in: Disc Reviews by J C on April 14th, 2015
The longest-running crime dramas tend to be “case of the week” mysteries where the perp is comfortably caught within the hour. It’s a formula for sure, but it’s one that’s easy to replicate and works quite well if you have the right talent and personalities involved. In reality, of course, there are many cases when the crook isn’t captured before the end credits…or ever. The accompanying anger and uncertainty is much trickier (and messier) to convey dramatically. The Missing — a limited series from England that aired on Starz — isn’t the first show to tackle that territory, but it’s certainly a compelling recent example.
“It’s no use going back to yesterday because I was a different person then.”
Posted in: Disc Reviews by J C on April 10th, 2015
“Finish that sentence…why do I have to walk a thousand miles?”
The answer to that question probably won’t satisfy everyone who watches Wild, which is based on Cheryl Strayed’s first-person chronicle of her 1,100-mile hike from the Mojave Desert to Oregon. To some, there simply isn’t a compelling enough excuse to ditch your responsibilities and go on an extended journey of self-discovery. The reason Wild works — besides career-best work from its Oscar-nominated star — is because the ultimate explanation is something simple that most people can relate to: Strayed walked more than 1,000 miles to prove she could do it.
Posted in: Disc Reviews by J C on April 2nd, 2015
“For the first time in four years, I can say what I really think.”
It may have taken four years for fictional U.S. Vice President Selina Meyer to make her boldest political move yet, but Veep was finally able to achieve all-around greatness in just three. I know there are fans of HBO's caustic comedy series who would argue the show was already great, and I agree there have absolutely been many flashes of foul-mouthed brilliance throughout its run. But it wasn't until Veep had Selina Meyer try to outgrow the show's title in season 3 that the series itself ascended to another level.
Posted in: Disc Reviews by J C on March 30th, 2015
“There's money flying all over Silicon Valley, but none of it ever seems to hit us.”
There's a lot to like about HBO's Silicon Valley, which debuted last year with a confident, clever freshman season that took merciless aim the tech capital of the U.S. My favorite thing about the show — besides hyper-specific jokes aimed at geeky targets like the many endings of “Mass Effect 3” — is that it portrays (and makes fun of) each aspect of the cutthroat tech industry, from the self-important, aggressively eccentric billionaires to the scrappy, proverbial guys in a garage.
Posted in: No Huddle Reviews by J C on March 27th, 2015
There's a mile-long list of Hollywood movies that have been re-titled in foreign countries to hilarious effect. I've personally had much less experience with foreign productions being re-branded for American audiences, but Diamond Heist seems like one of the more egregious examples you're likely to find. The DVD cover has professional tough guys/straight-to-DVD MVPs Michael Madsen and Vinnie Jones brandishing weapons while accompanied by a vague explosion and the wonderfully generic tagline, “Payday is only a bullet away.” In other words, there's nothing here that suggests this Hungarian import is actually an action/comedy about male strippers.
To be fair, when you read back the key parts of that last sentence — “Hungarian action/comedy about male strippers” — it's not hard to see why there was some re-tooling in order to maximize the film's prospects in the U.S. Diamond Heist was originally titled Magic Boys, even though the Chippendale's-style action is less Magic Mike titillating and more Full Monty slapstick.
Posted in: No Huddle Reviews by J C on March 25th, 2015
“The recent earthquakes in Los Angeles: facts of life or foreshadowing the big one?”
I'm not saying the makers of L.A. Apocalypse — a SyFy-level TV movie centered on catastrophic earthquakes in California — timed the release of their low-budget action flick so it premiered well ahead of San Andreas, the would-be summer blockbuster starring Dwayne Johnson about catastrophic earthquakes in California. It's just funny how things often work out that way. L.A. Apocalypse doesn't have The Rock (or anyone you've likely heard of) and is working with a very small fraction of San Andreas' budget. The result is as underwhelming as you'd expect.
Posted in: Disc Reviews by J C on March 23rd, 2015
The Norwegian oil boom of the early 1980s isn’t the most obvious setting for a thriller, but director Erik Skjoldbjærg manages to squeeze plenty of intrigue out of what seems like a pretty dry subject. Of course, Pioneer could never be described as “dry” in the literal sense since the film follows a group of commercial divers in Norway as they try to establish the country’s first petroleum pipeline 500 meters underwater.
Petter (Aksel Hennie) is a brash professional diver obsessed with reaching the bottom of the Norwegian Sea. Norway has partnered with American company Deep Sea Diving to lay the country’s first oil pipeline. (Avatar’s Stephen Lang plays an American supervisor.) Petter and his more family-oriented brother Knut (Andre Eriksen) are part of the group of divers, which also includes a jealous American rival (Wes Bentley). The movie opens with a hallucinatory training exercise that sets the film’s hazy tone.
Posted in: No Huddle Reviews by J C on March 18th, 2015
It’s been about a decade since Hollywood first tried to make a movie out of Halo, the blockbuster Xbox videogame series. The closest fans came to seeing Master Chief on the big screen was a 2006 adaptation with Peter Jackson serving as executive producer and his then-protégé Neill Blomkamp directing. Unfortunately, development costs started to skyrocket and the duo opted to make District 9 instead. Meanwhile, Halo remained a potentially-lucrative multimedia property. So Microsoft, which owns Xbox, finally decided that if they wanted a Halo movie done, they had to do it themselves.
Nightfall is actually the second live-action offering set in the world of Halo, following 2012’s well-received Forward Unto Dawn. Each of them originally aired as five-part web series aimed at Xbox users, and both had higher production values than what you’re accustomed to seeing in that medium. Expectations for Nightfall were even higher after Ridley Scott signed up as an executive producer. (I mean, it couldn’t be worse than the stuff he’s been directing lately?)
Posted in: No Huddle Reviews by J C on March 16th, 2015
“2,000 years ago, the Bible prophesied the return of Christ...but only after God inflicts seven years of torment on the world to test the faith of mankind.”
It's not quite seven years long, but this two-part, three-hour TV movie — History's latest foray into original filmmaking — is likely to test the faith (and patience) of anyone who watches it. Revelation: The End of Days is intentionally less glossy than previous network offerings like Bonnie & Clyde and Houdini because it takes a ground-level look at the apocalypse. But in scaling back to achieve that aesthetic, the result is both frustrating and amateurish.
Posted in: The Reel World by J C on March 14th, 2015
“Have courage and be kind.”
Those words — repeated many times in this newest version of Cinderella — serve as both the title character’s mantra and the film’s unofficial tagline. The message is elegant in its simplicity in a way that mirrors this refreshingly old-fashioned adaptation, which resists the prevailing urge to modernize and/or revise a classic story.
