Posts by J C

Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.

Live in Tokyo captures their Nov. 14 show at Zepp Tokyo last year. PSMS — Portnoy (drums/vocals), Sheehan (bass/vocals), MacAlpine (guitar), Sherinian (keyboards) — was formed in January 2012. Although they weren’t exactly strangers, the group experienced some understandable growing pains when they first got together. (Portnoy expands on this in the Behind the Scenes featurette on this Blu-ray.) By the time this concert was filmed, however, PSMS had been together for nearly a year and they sounded like a totally cohesive unit.

High concepts don’t come much loftier than the one behind Starbuck. An underachieving slacker learns he has fathered 533 children thanks to frequent deposits at a sperm bank 20 years earlier. In fact, the premise was so nice, writer/director Ken Scott decided to do it twice. Vince Vaughn will star in an American remake later this year called Delivery Man. Whether you’re excited for the new film or you think it looks stupid, I highly recommend you give the funny and touching French-Canadian original a look.

David Wozniak (Patrick Huard) is a charming screw-up in his early forties who works as a delivery guy for his family’s butcher shop. He’s the kind of clueless dolt who thinks growing pot in his apartment to pay off personal debts is a solid idea. David also has a fed-up girlfriend named Valerie (Julie LeBreton) who just found out she is pregnant and doesn’t believe David has what it takes to be a father.

“It’s not a good thing to find oneself living by an outmoded code of conduct. People take you to be a fool.”

Christopher Tietjens, the furiously principled Englishman at the center of this early 20th century drama, is simultaneously a man ahead of his time and part of a dying breed of gentleman. The most frustrating part of Christopher’s predicament is that he also has enough intelligence and self-awareness to realize exactly how out of place his behavior is.

“You’d be surprised what powerful people can get away with behind closed doors.”

Viewers experiencing cop/lawyer/doctor show fatigue might be happy to learn the hottest job on TV these days appears to be “fixer.” Of course, the sneaky appeal of shows centered on these professional problem solvers is that they actually combine elements of cop and lawyer dramas; the fun twist is that the fixer’s job often requires them to prevent crimes from being solved. Before Ray Donovan became a hit for Showtime this summer, the second season of Scandal transformed the nighttime soap into ABC’s buzziest drama.

“We have to understand as a whole entire world that marriage will have its ups and downs, but we have to have faith in God that he will help us through those tough times to stay faithful and committed, no matter what happens.”

These words are attributed to writer/director/producer/actor Christopher Nolen. (Not to be confused with this guy.) They also appear at the end of The Good Life, a low-budget, unintentionally funny relationship melodrama working in the same arena dominated by Tyler Perry’s low-budget, unintentionally funny relationship melodramas.

People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.

“Unfortunately, this is a true story.”

Carlos Santana is too cool for words. When I say that, I refer to both his widely-acknowledged status as a “Guitar God” and to the fact that he doesn’t utter a single word until the 30-minute mark of Invitation to Illumination, his 2011 reunion with John McLaughlin. Having another rock deity on stage appears to have inspired Santana, who performs with an extra little bounce in his step during this Montreux Jazz Festival show. This Blu-ray also has the unintended consequence of serving as a tribute to the festival’s late founder.

Claude Nobs, the festival’s general manager and founder, died earlier this year following a skiing accident. The Montreux Jazz Festival was established in 1967, and Nobs crossed paths with both Santana and McLaughlin in the early 1970s. That was also around the time the rock/jazz fusion-loving duo collaborated for 1972’s “Love Devotion Surrender” album, which was followed by a tour the next year. Exactly 40 years later, their first full-length concert in decades makes its Blu-ray debut.

Any story about a hidden world that exists just outside the view of human eyes is bound to fire up your imagination. It helps explain why the Toy Story movies and Monsters Inc. are some of the most beloved family films of the last 20 years. Epic — the latest offering from Blue Sky Studios — seeks to capture some of the inventive magic of those Pixar films, but too much of the movie winds up playing out like a generic hero’s journey. Thankfully, there are still plenty of things to like in this animated hit, which suggests there’s a big world of little people out there.

“Many leaves, one tree. We’re all individuals, but we’re still connected.”

Meeting your significant other’s family for the first time can be a terrifying experience. Then again, being introduced to your son/daughter/brother/sister’s new boyfriend or girlfriend can be equally dicey for the family, since we’re talking about a total stranger being thrown into the mix. The best thing about You’re Next is how it takes this sort of recognizable family drama and gleefully twists it into a brutally violent — and brutally funny — horror film.

The unfortunate family at the center of this genre mash-up is the Davisons, who have convened for the first time in a long time to celebrate Aubrey (Barbara Crampton) and Paul’s (Rob Moran) 35-year anniversary. Their four grown children — Crispian (AJ Bowen), Drake (Joe Swanberg), Aimee (Amy Seimetz) and Felix (Nicholas Tucci) — along with their respective significant others — Erin (Sharni Vinson), Kelly (Margaret Laney), Tariq (Ti West) and Zee (Wendy Glenn) — all gather at the family’s remote, picturesque home in the middle of the woods.

The first season of Revenge was soapy perfection. I’m not saying it belonged alongside the great, ambitious television series of our time. But in terms of sheer entertainment value and ridiculously delicious (or is it deliciously ridiculous?) gotta-see-what-happens-next-week drama, the debut season of Revenge was as good as it gets. Unfortunately, season 2 is, by comparison, a disappointing slog. By the time the smoke from the explosive two-part finale cleared, Revenge had lost its creator/showrunner and become the latest poster child for the sophomore slump on TV. (NBC’s Heroes was more than happy to pass that baton.)

“Tell yourself what you have to, but when will enough be enough?”