Posts by J C

All Best Picture winners are not created equal. Some of them achieve cinematic immortality, while others are viewed as outright travesties. Then there’s the group of Oscar winners who have arguably suffered a fate worse than the derision and mockery of movie fanatics: the forgotten Best Picture winners. Cavalcade — described in this Blu-ray’s commentary as “not a particularly well-remembered Academy Award winner” — certainly falls in that category.

“We don’t stop innovating.”

In Jobs, the iconic entrepreneur/inventor says these words during one of his many — and I mean MANY — inspirational speeches. It’s meant to be a “capture the imagination” moment for both his assembled techie troops and for those of us in the audience. Unfortunately, these sorts of platitudes come early and way too often in this biopic. More importantly, the film never really bothers to back them up.

“Men around here’ll write you off after 40, so I know they’ll bet against us. All we have to do is bet on ourselves to win.”

The conventional wisdom in Hollywood is that meaty roles for women quickly dry up when actresses reach a certain age. So director Susan Seidelman (She-Devil, Desperately Seeking Susan) and the stars of The Hot Flashes — a well-meaning, by-the-numbers sports comedy — deserve credit for at least trying to take their cinematic destinies into their own hands.

“Well, when you love someone you don’t have to be nice all the time.”

In this current age of message boards and morning-after recaps, the pressure is on to make your voice the loudest if you want to be heard in the wilderness of the Internet. For snarky TV critics, that often means declaring something is either the “Best ____ Ever” or the “Worst ____ Ever”, with little room for anything in-between. But even within these sharply-divided times, I believe HBO’s Girls — which is brilliant just as often as it is maddening — stands out as the most polarizing show on TV.

The fact that Kumail Nanjiani decided to call his first Comedy Central special Beta Male immediately gives you a sense of his self-deprecating style. Fortunately, the ability to laugh at himself is merely one of many comedic gifts this on-the-rise comic possesses. This consistently funny, frequently hilarious hour-long set — filmed in Austin’s Moody Theater — touches on a wide range of topics, including his Muslim upbringing, cats disguised as pizza delivery men, and outdated rollercoasters.

For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her turn as an ambitious showgirl in Bus Stop.

For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her femme fatale turn in Niagara.

Elvis Presley was easily one of the most impactful pop culture icons of the 20th century during his life, and that status has barely waned in the decades after his death. (Or “alleged death”, given the number of Elvis sightings each year.) Presley obviously made his most lasting mark in the world of rock and roll music (and fashion), but he also had a surprisingly fruitful film career. Though none of his movies turned out to be cinematic masterpieces and no one was confusing him with Marlon Brando, The King brought his charismatic presence to more than 30 movies between 1956 and 1969. He was 21 when he made his film debut in Love Me Tender.

I don’t care if it makes me sound like an awful human being, but I wanted The Demented to be much nastier than it actually was. The packaging for this straight-to-Blu-ray offering trumpets the fact that it’s “from a co-producer of A Nightmare on Elm Street” and producer Steven Monroe, who directed the I Spit on Your Grave remake. Since I’m not delusional, I didn’t expect this film to be nearly as good as a horror classic like Elm Street. But I also didn’t think it was unreasonable to expect the competent thrills of the Spit remake. Instead, the filmmakers have given us a sub-SyFy gloss on 28 Days Later... and dozens of other (infinitely superior) horror movies.

The 1970s famously produced many of the most daring, diverse and groundbreaking classics in movie history. All-time greats like Scorsese, Spielberg, Polanski, Altman and Lucas either broke out or did some of their most exciting work during the decade. But, even among these titans, Francis Ford Coppola separated himself from the pack. Four films — The Godfather, The Conversation, The Godfather Part II, Apocalypse Now — four undisputed classics. Batting 1.000 during the greatest moviemaking decade of all time earns you a ton of slack. In Coppola’s case, it has gotten him enough slack to make up for the fact that nothing he’s done in subsequent years can touch his ‘70s output.