Posted in: Disc Reviews by J C on September 20th, 2012
They say blood is thicker than water. Both of those substances are on display in Brawler, which cannily stages its bloody, illegal fights on a New Orleans riverboat. The film’s plot was inspired by a real-life pair of feuding brothers who infamously came to blows, but the Big Easy practically shares top billing with the squabbling siblings.
At the start of Brawler, we get to see Charlie (Nathan Grubbs) and Bobby (Marc Senter) Fontaine in separate fights. Those fights also serve as a shorthand introduction into their personalities: older brother Charlie has a more workmanlike approach, while Bobby is a ruthless showboat. Charlie and Bobby are the sons of a legendary fighter who we never get to see.
Posted in: Disc Reviews by J C on September 20th, 2012
The voice of Etta James — specifically on her rendition of “At Last” — has launched 1,000 wedding receptions. The singer, who passed away earlier this year, also had a long history with the prestigious Montreux Jazz Festival in Switzerland. Though this Blu-ray includes performances from the 1970s and 1980s, the focus is on her 1993 show, which came the same year James was inducted into the Rock and Roll Hall of Fame and followed a late ‘80s comeback from drug and alcohol addiction.
The concert doesn’t waste any time jumping right into the music. Unfortunately, we have to endure two instrumental tracks — and approximately 8 ½ minutes of screen time — before the star of the show takes the stage. (Appropriately, the second of those tracks is “Hold On, I’m Coming.”) At least we get to marvel at the band members' unfortunate early ‘90s fashions — one of the trumpet players looks like Super Mario — as we wait for James to show up.
Posted in: Disc Reviews by J C on September 18th, 2012
The darker side of suburbia's well-manicured lawns and white picket fences has been properly documented and satirized in both film (The Stepford Wives, American Beauty) and television (Desperate Housewives, Weeds) over the past few decades. Suburgatory — ABC’s smart and affable addition to the genre — is among the latest to throw its fancy, colorful hat into the ring.
After single father George Altman (Jeremy Sisto) finds a condom in his 15-year-old daughter’s room, he panics and uproots the two of them from Manhattan to the picture perfect suburb of Chatswin because it’s supposed to be one of the best places to raise children. Not surprisingly, Tessa (Jane Levy) is not very happy with her father.
Posted in: Disc Reviews by J C on September 16th, 2012
As I was watching the new Ocean’s Eleven for the 185th time — it’s the last movie I saw twice on the same day in theaters — it occurred to me that the stakes were entirely too high. Three casinos…$160 million…the threat of being caught and glared at by Andy Garcia. The Babymakers, on the other hand, builds up to a heist with absurdly low stakes. It’s basically like Ocean’s Eleven, only the exact opposite.
After a few years of marriage, Tommy (Paul Schneider) and Audrey (Olivia Munn) decide they want to have a baby. We then watch Tommy try to get Audrey pregnant — strategic camera angles keep Munn mostly modest — without any success. Since it appears that Tommy is shooting blanks, the couple decides to visit a fertility clinic after receiving a bunch of advice from their respective groups of friends that I’m not sure I’m allowed to repeat on this site.
Posted in: Disc Reviews by J C on September 12th, 2012
Less than 100 years ago, the Mexican government declared war on the Catholic Church. This movie tells the story of the ensuing conflict known as Cristiada (also called the Cristero War), which took place between 1926 and 1929. In showing us all the different ways war can affect a country and all the different ways rebels can contribute to a cause, the movie sort of forgot to tell us why the Mexican government declared war on the church in the first place.
For Greater Glory is told from the perspective of the brave souls who stood up to the oppressive Mexican government led by President Plutarco Elias Calles (Ruben Blades). This includes members of the non-violent National League for the Defense of Religious Liberty like real-life figure Anacleto Gonzalez Flores (Eduardo Verastegui) and a woman named Adriana (Catalina Sandino Moreno). The men and women who take up arms to join the cause — including a flashy, badass rebel named Victoriano “El Catorce” Ramirez (Oscar Isaac), who earned his nickname by single-handedly killing 14 men — are known as Cristeros.
Posted in: Disc Reviews by J C on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
The central joke is that the most stable adult Ellis (a mature, non-showy Graham Phillips) has ever known is Goat Man (David Duchovny), a kind soul who appears, at first glance, to have worse hygiene than the goats he spends most of his time with. Then again, Goat Man pretty much wins by default because Ellis’s mother Wendy (Vera Farmiga) is more interested in her own spiritual rituals and new boyfriend (Justin Kirk) than she is in trivial things like paying her bills. (Ellis handles all the finances.) Wendy, however, is lucid enough to become enraged when Ellis decides to attend Gates Academy, the same prep school where his father (Ty Burrell) studied.
Posted in: No Huddle Reviews by J C on September 7th, 2012
James Caan and Paul Sorvino are prominently featured on the DVD cover of this true life gangster tale. (The cover also features a bloated Edward Furlong of Terminator 2 fame, but the trio only has a combined 20-25 minutes of screen time.) It’s almost as if the filmmakers figured that, by having supporting actors from The Godfather and Goodfellas, some of the greatness from two of the best crime films of all time would somehow rub off on their modest venture. As you can probably tell from the tone of this opening paragraph, it didn’t exactly work.
For the Love of Money introduces us to Izek (Cody Longo), a Tel Aviv teenager in 1973, and his colorful family. Izek and his cousin Yoni (Jonathan Lipnicki…yes, THAT Jonathan Lipnicki) dream of becoming successful enough to buy their own Ford Mustangs. Yoni’s brother Levi (Oded Fehr) is a bank robbing criminal, while Izek works in his older brother Jacob’s (Michael Benyaer) bar, which features an illegal casino frequented by local scumbags including wild card wannabe tough guy Tommy Goldberg (Furlong).
Posted in: Disc Reviews by J C on September 6th, 2012
Everyone on TV has nicer clothes and a bigger house than you do. And I’m not just talking about TV doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. (Friends is probably the most famous example.) We complain about how unrealistic it is for a barista and a line cook to be able to afford such a nice place, but part of the appeal of turning on the tube is temporarily turning off our real-world problems.
CBS’s 2 Broke Girls — along with Fox’s Raising Hope and ABC’s The Middle — seeks to follow in the blue collar sitcom tradition of shows like Roseanne and Sanford and Son. (Though 2 Broke Girls is nowhere near as good as either of those shows.) Despite the fact that their apartment is big enough to literally fit a horse, 2 Broke Girls is one of the few shows on TV where the main characters actually worry about money. (Not counting shows where the main characters are gangsters or meth dealers.)
Posted in: Disc Reviews by J C on September 3rd, 2012
"A military mystery that lasted 2,000 years."
White Vengeance assumes a certain level of knowledge about ancient Chinese history that, except for all you ancient Chinese history scholars reading this review, most of us don’t have. As a result, the film’s disorienting opening act had me constantly backtracking to figure out who was who, and why they were betraying or trying to assassinate each other. In other words, I started to feel like getting to the end of this ambitious movie might take a little under 2,000 years.
Posted in: Disc Reviews by J C on August 30th, 2012
It’s impossible for me to discuss what I feel didn’t work in Touchback without talking about the movie’s big plot twist. I’m not even sure it’s accurate to refer to it as a “twist” since it comes in the first half hour and is an essential component of the film. On the other hand, the movie’s official plot description is intentionally vague — for the record, the film’s trailer is considerably more forthcoming — and seems designed to conceal a major part of the story. Having considered all that, I’m only issuing a Mild Spoiler Alert.
Touchback is the story of former high school football hero Scott Murphy (Brian Presley), who led his tiny Coldwater High School team to a state championship in 1991. Unfortunately, Scott shattered his leg when he scored the game-winning touchdown, derailing his collegiate and professional football dreams. Twenty years later, he’s a broken man in more ways than one. He has become a disheveled, bitter soybean farmer who is married to Macy (Melanie Lynskey), the compassionate girl who fell in love with him after his injury, and is jealous of Chris (Marc Blucas), his wildly successful former teammate.
