Posted in: Disc Reviews by J C on October 13th, 2012
“I thought this was a family show.”
“Well, it depends on your family.”
Quick, who is the highest-grossing stand-up comic in America? Well, if you follow the live comedy scene — or you can’t help but notice you’re reading a review for one of his shows — you probably know the answer is Jeff Dunham. The man has single-handedly made ventriloquism cool again. (Pause.) Well he’s made it astoundingly lucrative, anyway.
Posted in: No Huddle Reviews by J C on October 11th, 2012
Director Jennifer Lynch’s camera winds its way through a dingy house with tragically outdated décor during the opening moments of Chained. It’s almost as if the filmmaker is encouraging the audience to get nice and cozy with this depressing setting because we’re going to be spending a lot of time here.
Posted in: Disc Reviews by J C on October 7th, 2012
“I don’t want to grow older, to become marginalized and ignored by society. I don’t want to be the first person they let off the plane in a hostage crisis.”
Normally, a movie has to have the words “Harry” and “Potter” in its title to attract the caliber of British acting talent assembled for The Best Exotic Marigold Hotel. The characters in the film may be in the twilight of their lives, but the performers who play them are at the top of their game.
Posted in: Disc Reviews by J C on October 5th, 2012
"All the food here is fried. The whole town smells like mold. But they could use a good doctor; one who cares about her patients."
And that’s how a cynical New York doctor courageously puts aside a few (mostly true) stereotypes about the South and decides to stick around fictional BlueBell, Alabama. I’m just grateful the people behind Hart of Dixie exercised some restraint and didn’t call their show Southern HOSPITALity.
Posted in: No Huddle Reviews by J C on October 1st, 2012
Look, I don’t take pleasure in being the guy who slams a religious movie. It’s not that I’m afraid I’ll go to hell. (If someone can go to hell for writing a scathing movie review, then the system is broken.) I just don’t particularly enjoy tearing down any well-meaning movie with a positive message. However, when a film is as thoroughly inept as The Holy Roller, I’m afraid I have no choice.
Posted in: Disc Reviews by J C on September 30th, 2012
Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a state of mind. And according to the surreal IFC sketch series created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel, that state of mind is happily stuck in the simpler time represented by the '90s.
Posted in: The Reel World by J C on September 28th, 2012
Pitch Perfect is the best big-screen a cappella comedy I’ve ever seen. Of course, the new film pretty much wins that title by default because the hyper-competitive world of collegiate a cappella has been largely ignored by the movies. To make up for that oversight, Pitch Perfect tries to cram all aca-related matters into one movie. The result is a slightly flabby 112-minute running time. Fortunately(?), I’ve been to enough a cappella competitions to appreciate the fact that the movie gets a lot of things right. (Including the annoying habit aca-people have of sticking “aca” in front of everything.)
Posted in: No Huddle Reviews by J C on September 27th, 2012
If the phrase “You got served” only conjures up images of wait staff or a notice to appear in court, then Battlefield America may not be for you. The film comes “from the writer, director and creator of You Got Served” — the hip hop-flavored dance drama that became a modest hit in 2004 — but offers up a child-centric twist. For fans of You Got Served, the best way to enjoy this inferior film may be to pretend the dancers in that movie were tragically shrunk down to kid size.
Posted in: No Huddle Reviews by J C on September 26th, 2012
“‘Cause I’m a con, don’t mean I ain’t got no rights.”
The movies have done a pretty good job of showing us the action, drama, horror, comedy and, yes, sex that lies behind prison walls. But there are far fewer examples of films examining what happens once an inmate is paroled and tries to re-enter the “real world.” The most famous movie parolee is probably Brooks from The Shawshank Redemption, and that didn’t turn out so well.
Posted in: The Reel World by J C on September 21st, 2012
If it were possible to buy stock in any Under-25 actress today, I’d pick Jennifer Lawrence first, Emma Stone would be a close second, and Kristen Stewart would be last. Lawrence has a pair of blockbuster movie franchises in her back pocket (The Hunger Games, X-Men), is a past Oscar nominee and is generating buzz for the upcoming Silver Linings Playbook. So if a studio were to have a Jennifer Lawrence film on its bench, September 2012 would probably look like some prime real estate.
