Posts by John Delia

Very quirky, exciting to watch, and a sci-fi mystery you will not believe: that’s the film Nope. There have been many stories about flying saucers and invaders from space, but this wild and wacky production grabs you right from the beginning and never lets go. My kind of film; the pace is fast, and there’s never a dull moment. For years Otis Haywood, Sr. has been uneasy about happenings on his ranch.  His sudden death, however, has his sons OJ Haywood (Daniel Kaluuya) and Emerald Haywood (Keke Palmer) completely baffled. Their income has fizzled since their movie horses have been acting skittish on the sets, so OJ and Emerald want to get to the bottom of what has caused the recent disturbances at the ranch. One cloudy day, OJ sees a shiny object in the sky that he believes is an alien vessel. When it’s likely the reason for the turmoil, OJ and Emerald get set to challenge the mysterious invader. Jordan Peele does a terrific job of putting his film together, pacing it so the buildup to the finale becomes a modern-day war of the worlds. Not on the grand scale of films like Independence Day or even the movie War of the Worlds, this minimal film does it all in a rancher’s back yard.

What also makes the film good is the acting by Daniel Kaluuya and Keke Palmer, who run rampant as the unstoppable offspring.  Driven mad by the constant attacks, the two make a plan to prove what is happening on their ranch by turning it into a film.  But they chew off more than they can eat, or so their adversary thinks.

Totally immersive, the movie The Last Duel takes you into 14^th century France where it deals with wars, the plague, and an economical decline for the kingdom.  Entwined, during that period, is a true story of misogyny, a power struggle, and a rivalry between squires. Powerful acting, direction, and cinematography deliver a compelling story that makes the two and a half hours fly by. In the 1300’s Europe has been wrecked with war and plague, and France has had a good share of the death and destruction. As the story begins, find notable squire and knight Sir Jean de Carrouges (Matt Damon) returning to his castle from a vicious battle in defense of his king. Having lost his wife to the plague, he marries Lady Marguerite de Carrouges (Jodie Comer), the daughter of a landowner with a vast amount of territory.

Equal in station to Jean de Carrouges, Jacques Le Gris (Adam Driver) has fought alongside Sir Jean and is welcomed by the court of King Charles VI (Alex Lawther). With the backing of Sir Pierre d’Alencon (Ben Affleck), a favorite of the king, Le Gris underhandedly receives the title of Captain over rightful candidate de Carrouges.

Based on a true story, Burden shows how one town’s African-Americans fight back against racial prejudices brought on by the local Ku Klux Klan.  The film is well written by Andrew Heckler and has a fine cast that makes their characters believable.  Largely unknown, the historical incident was brought to light by New York Times writer Rick Bragg on November 17, 1996.  The heart-wrenching story shows how one town fought back to free itself from a racist act. Tom Griffin (Tom Wilkinson) and his ward Mike Burden (Garrett Hedlund) decide to reopen the abandoned movie theater as a museum for the KKK in the center of their small town of Laurens, South Carolina in spring of 1996. It’s an act of pride for the hooded organization and yet an obvious planned affront to half the population of the county. But Griffin owns the property, and his long-time membership in the KKK has brought him to the racist decision. The local preacher Reverend Kennedy (Forest Whitaker) is up in arms over the audacity of Griffin’s venture and starts to gather his flock to protest the museum.

In the meantime Mike Burden has been working for Plantation Repo, repossessing things like TVs and stereos from the local folks who have not been keeping up with their payments. One of them is single mother Judy (Andrea Riseborough), who gives Mike a lot of grief over taking her TV, but he sort of takes to the woman and decides to help her.  They start a relationship and become a couple.  But Judy is not prejudiced, and she befriends neighbor Clarence Brooks (Usher Raymond IV), a hard-working African-American. Working for Tom Griffin, Mike Burden gets called on to help stop the protest by Reverend Kennedy. When he’s told to do something violent and refuses, it turns Griffin against his former ward.

Taking it to the net, Ben Affleck gives his all for the camera as a man who has hit bottom.  It’s a performance that brings out the serious side of a character, and not anything like his superhero turns in the barrel. But it’s what the doctor ordered, as its classic Affleck and a joy to watch.  If you want to see a comeback to cheer for, it’s Ben Affleck in The Way Back. Down in the dumps for initial reasons unknown except that his wife has left him in a trial separation, ex high school basketball great Jack Cunningham (Ben Affleck) needs something to lift him out of a death spiral induced by alcohol abuse. It comes with an offer from his old high school that had a coach who crapped out in the middle of a losing season.  Taking over the team after some pressure from the padre of the parochial school, he starts to wonder what he got himself into.  With the help of his assistant coach, Dan (Al Madrigal) and the padre on the bench, he tries to keep from cursing at the refs and drinking on the job. It’s those supporters and the desire to bounce back that are the catalyst that draws the man out of the mouse he had become.

Director and co-writer Gavin O’Connor (Warrior) takes a chance on Affleck’s performance to give him another winner, and he succeeds. Making things look authentic and guiding his support characters around Affleck’s role, he brings a lot of excitement and pathos to the film.  It’s a gamble that pays off in many ways, for the film and the actor who needed a comeback chance. It also doesn’t hurt that some of the actors who play the high school basketballers make things look real by putting some good moves on their opponents in the games.

"When I saw the photo he took of me, I didn't see myself. I saw someone who looked happier than me."

This little romance, The Photograph, tugs at the heartstrings and should work well with a female audience. Lost love and missed opportunities set the tone for this storyline, and the complications resonate with today’s social values. The film plays out like a Saturday matinee, where a release on Lifetime would have been a better choice.  While the theater experience is the norm, the budget for the movie would have fared better had they chose a more apt venue.  The acting is very good, direction pinpoint, but the storyline is ordinary to timeworn. Michael Block (LaKeith Stanfield), a writer for The Republic, is doing a story on Christina Eames (Chante Adams), a famous photographer who had recently died, for his column.  To get some background he interviews her daughter Mae (Issa Rae), who lives in New York City. Their romance gets steamy and genuine, but Mae is cautious so she won’t get hurt. From a letter Mae finds out about her father Isaac Jefferson (Rob Morgan )who she never knew. Told with flashbacks we see young Christina and Isaac’s relationship and how she broke off with him to seek a career as a photographer in New York. When the relationship between Mae and Michael starts to run into difficulties, Mae goes to New Orleans to find her father.

Taking a lot of liberties while giving a cinematic interpretation of a time in his life, Pedro Almodovar’s movie Pain & Glory is as expressive as Roma. His directing and screenwriting is by far some of the best I’ve seen by the famous director, and yes, there’s a spark of surprise in this one, as in every one of his films. Taking extra liberties, he even shocks his audience at one point. That said, if you are a fan of Almodovar’s films, then you will not want to miss the amazing performances that bring the man’s film to the big screen. The story follows Salvador Mallo (Antonio Banderas), a screenwriter and director who has had huge success with his film Sabor. He has not written another for some time, yet he’s still known by many for his work. Now living in semi-seclusion, we find him working on a new project while visiting the past in his mind. In flashback, we see his life at an early age (Asier Flores) and his inquisitiveness that led him to become a great director. His darker side includes taking a turn with drugs and a gay lover from the past.

Beautiful and endearing scenes featuring Penelope Cruz as his mother are sensational and memorable as she enjoys trips to the river to wash clothes and sing with the other women. As a mother, she’s loving yet strong when it comes to her only son.   The beauty and touching visual sensation she shows is a sample of what Almodovar is capable of drawing out in his actors, and Cruz is one of his prime examples. Cruz always gives her all to a film, and the camera loves her in this one as she shines.