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In my review for The Hole in the Ground I talk about my feelings about the “Evil Kid” sub-genre. To sum it up, it’s pretty much my least favorite of the horror genres. Well, this week I got back to back reviews for movies in that genre, and I have to say, The Prodigy managed to surprise me. It brought in only $14 million at the box office with a production cost of about $9 million, and most of the critic reviews were not so kind to the film.  Horror and critics really don’t get along so well, as history will show, mainly because for the longest time there has been a bit of a stigma attached to the genre. Thankfully things have started to change in recent years, but some critics still look at horror as nothing more than flashy B-rate cinema.  Here at Upcomingdiscs I’d like to think we have always loved the genre and appreciate it at its most absurd and sometimes gory nature.

If I’m being honest, I never would have guessed that Nicole Kidman could ever pull off playing a dirty undercover cop.  I’m not saying she’s a bad actress; I just never thought the day would come that she would play such a lowdown gritty role, and I’m so glad she did. How Kidman wasn’t showered with awards this past year for her performance in Destroyer is beyond me. This isn’t just a good performance, but what we get in this film is a woman who transforms herself into a role so different from what she’s done in the past that I respect the chance she took with this role, and the result is mesmerizing even if the film suffers from some pacing issues.

When it comes to Robert Zemeckis films, you never know what you’re going to get.  Like most, I’m a fan of his Back to the Future trilogy, and then there is Who Framed Roger Rabbit that to this day I feel is his best work.  While he’s churned out many good films, there are films of his that I’m simply not a fan of. Forrest Gump happens to be one of those films.  For the most part he makes audience-friendly films, but what I’ve always admired about the guy is how he’s always attempting to integrate new technology into his films.  Zemeckis has become one of the pioneers of motion-capture technology. Ever since The Polar Express (2004), he’s been making improvements with the technology, and now with Welcome to Marwen, it is stunning to see just how far he has come.

As one might guess from my film reviewing resume, I watch a lot of Asian movies.  Unfortunately, judging by the same resume, it would appear that most of that is anime and drama.  But in my spare time, I do watch a lot of popular Asian cinema, especially with the likes of Donnie Yen or Jing Wu. In addition to contemporary favorites, I certainly have not forgotten the roots of martial art cinema in the likes of Bruce Lee and others.  Well, today I received a box set featuring one of the legends of Asian cinema: Shin'ichi Chiba, better known to most American audiences as the one and only Sonny Chiba.  That set of films would be of course, The Street Fighter Collection.  Let us take a look.

“Everything is possible…even the impossible.”

To be clear, the fact that Disney has delivered a big-budget, star-studded follow-up to one of the most beloved family films in its staggering catalog is *exceedingly* possible. This is, after all, the age of reboots and live-action remakes of movies we already love. What seems impossible is that Mary Poppins Returns and its sensational leading lady both live up to and (re)capture the spirit of the Walt Disney-produced Julie Andrews classic from more than 50 years ago!

This is one of those films where the cast had me equally excited and concerned with how the film would turn out.  On one hand it has Harvey Keitel; the guy is a living legend between his roles in Reservoir Dogs, Bad Lieutenant, Taxi Driver, Mean Streets, and countless others.  Keitel is one of those actors who elevates just about any film he’s in, and he’s in several films I’d even call classics.  Then on the other end of the spectrum there is Hayden Christensen, one of the most lifeless performers to ever grace the screen in my opinion. I still have bouts of anger when I see him as Anakin Skywalker.  But I’m always ready to have an actor surprise me, and I always go into a film with an open mind once I sit down and start watching it.  Unfortunately The Last Man is a dud and was a film I struggled with so many of you won’t have to.

"I love a comedy. Is there cake?"

The Favourite is a somewhat awkward film. Director Yorgos Lanthimos took on a rather brave but dangerous task when he decided to create a farce. Most audience members don't understand the term. They use it rather synonymously with comedy or spoof, but it is truly something very different. A comedy is meant to deliver as many laughs as possible. You get pratfalls, one-liners, slapstick, and other over-the-top methods to bring about those laughs. Spoofs take a specific subject or genre and expose some of the more innate aspects of the material, all in good fun. Leslie Nielsen was a master of the spoof with his Airplane and Naked Gun films.

It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019.  I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good.  Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice.

All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White and the Seven Dwarfs in 1937. By the end of the 1970's, it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The Nine Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?

Ralph Breaks the Internet is a sequel to the hit Disney animated film Wreck it Ralph. In Ralph Breaks the Internet, we follow our heroes from the last movie, Ralph and Vanellope, as they travel the internet in search of a broken part for Vanellope’s arcade game. They find the missing steering controller on eBay, and it’s the last one in existence. Up for auction, they give the winning bid for $27,000. They now must find a way to earn the money to pay for the controller with a deadline in five hours, or they will lose Vanellope’s game forever. Ralph Breaks the Internet is a painfully average film, and compared to its predecessor, a huge disappointment. This sequel wasn’t bad, however, but it wasn’t too great either. There’s one big problem I had with this movie, and it’s Ralph. Ralph in the first movie had already gone through his character arc and was a very well developed character by the end of the film. In this movie it feels like they purposely broke the character just for a story line. Ralph in Ralph Breaks the Internet is now a needy, clingy, and annoying character. Throughout the movie Ralph is constantly holding Vanellope back from doing the things she wants to do to save herself. People who relate to her should start to feel how annoying Ralph can be.