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Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

“I find giants…I hunt giants…I kill giants”

This is one of those films that for some reason didn’t find an audience during a theatrical run, but I can guarantee there are viewers who are going to connect with this film and embrace it for years to come.  I say this because only a few years ago there was a film that was similar in tone, A Monster Calls, and to be honest, that film devastated me as we went along with the main character as he and his imaginary monster helped him cope with his mother who is dying from cancer.  I Kill Giants is at face value the same film, only told through the eyes of a young girl, though despite the films being so similar, it doesn’t lessen the film’s overall impact in the least.

"Welcome to game night".

Everybody loves playing games. OK, most people like playing games. Friends have been getting together for game nights since there have been games. From the couples’ bridge days of the 1950's to poker night with the guys, most of us have gotten together to play some kind of a game with friends. The thing about games is that they're frivolous. Playing games with some buddies is a good excuse to kill a few hours, maybe have a few drinks. You're not solving the world's problems, and it's usually just a simple night of entertainment.

Clint Eastwood has been at the top of the game both as an actor and a director, often both at the same time. There's no question that he still has the skills. Unfortunately, 15:17 To Paris isn't a great example of his direction skills. Don't get me wrong. There is a nice intense film in here, but it only lasts for about 10 minutes and hungrily screams out for more of the same. Eastwood's problem is much the same that he had in Sully. He doesn't really have enough material for a truly great feature film, so he is forced to fill the screen time with something he hopes will entertain us long enough to stay with him for the good stuff. But as Clint said once as Dirty Harry, "A man's got to know his limitations."

I think it’s a fair assumption to say the DTV market for film is pretty much the best it has ever been in regards to securing talent to star in the films.  When you look at a film like Bent and its cast of Karl Urban (Dredd), Sofia Vergara (Modern Family) and the great Andy Garcia (The Godfather 3, and my personal favorite Things to do in Denver When You’re Dead), it’s difficult to not get excited over its potential.  To sweeten the pot, the film’s director, Bobby Moresco, has produced two films that have best picture Oscar nominations, so one has to wonder, what went wrong?  I’m not saying the film is bad, but instead you’d just expect this film to be in another tier and not simply settling with a soft release in the new release section at Wal-Mart.

"Tell me a story."

Stan Lee and Jack Kirby created the comic book character of Black Panther in 1966 for an issue of The Fantastic Four. He became the first black superhero in the comic world. He starred in Marvel's Jungle Action title before getting his own comic. The character was popular, but through an unfortunate set of circumstances he was at times thought to be related to the militant group of the same name that popped up that same year. For a short time he went by the name Black Leopard, but the original name rose above the unintended connection and continued to enjoy on and off success over the decades. Black Panther was introduced to the MCU (Marvel Cinematic Universe) with Captain America: Civil War. He's finally getting his own film

As a general practice, I usually try to avoid watching a sequel without first having seen the first film. However, with Maya the Bee 2: The Honey Games, that was hardly necessary, as it functioned as more of a standalone than a continuation. The story continues to follow the titular character, Maya, as she continues to try to aid her hive in any way she can, this time, participating in the Honey Games in order to prevent her hive from losing half of their honey. Sadly, this movie did not get Nalyce’s stamp of approval, as her attention started to wain pretty much as soon as we started watching it. That said, we soldiered on, and eventually she did manage to find a couple things that she did like about it. Despite this, Maya the Bee 2 won’t be becoming a permanent fixture in her entertainment rolodex.

This has got to be the largest AA meeting in the Western Hemisphere.”

That one-liner from 2015 Rock & Roll Hall of Fame inductee Bill Withers is one of the funnier nods to the, ahem, well-traveled club he just joined. It's also featured in Rock & Roll Hall of Fame: In Concert, a wonderfully comprehensive collection of the four induction ceremonies between 2014 and 2017. This 2-disc Blu-ray set features over 10 hours of content, including full induction speeches, 53 musical performances, and reunions that will have classic rock fans drooling. (Not to mention some notable snubs.)

"We just shoot you. Less paperwork."

Most of us like a good heist film. It's fun to watch clever crooks work out complicated plans and then execute them. It's not hard to root for the crooks if they're likable enough characters. With me I almost have a kind of reluctant respect for criminals who are able to outsmart sophisticated systems. There's something about the perfect crime that fascinates a film lover like me. Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again. What I ended up with was a horribly overlong 2 hours and 20 minutes.