Posted in: Disc Reviews by John Delia on July 23rd, 2018
"At the end of the bloody dog wars the vanquished mongrels became powerless house pets: tamed, mastered, scorned. But they survived and multiplied..."
Offbeat, heavy-handed characters, bleak outcast situations, and moody; it’s a marvelous adventure for those who like Wes Anderson movies. This one, however, shows his range with an animated film that’s worthy of most Japanese greats. From the opening drum introduction of Isle of Dogs to the heartfelt finale, Anderson captures a cold, disturbing environment from which his characters can rise up. If you like offbeat stories produced in stop-motion animation in the vein of Tim Burton’s Corpse Bride and Frankenweenie, then this film should not be missed.
Posted in: Disc Reviews by Brent Lorentson on July 21st, 2018
I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time. Sure, I know many will disagree with me, and that’s fine. Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe. There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen. The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends
Posted in: Disc Reviews by J C on July 5th, 2018
“Every time a black woman gets mad, she's a stereotype.”
Taraji P. Henson has been a very good and versatile actress for a long time, but she didn’t become a star until she started getting very angry on screen. Her breakout role came in 2015 courtesy of Fox’s Empire, in which Henson’s Cookie Lyon has been known to get into some scraps. So it made sense for Henson to bring her talent for tantrums to the big screen with the help of a filmmaker who once directed a movie called Diary of a Mad Black Woman. Writer/director/producer Tyler Perry seems to be going for “trashy fun”…unfortunately, he only gets halfway there.
Posted in: Disc Reviews by Brent Lorentson on July 3rd, 2018
Sometimes a movie comes along that has everything going for it: a great cast, a great cinematographer, and a decent plot, but when you watch it, you just scratch your head wondering why it ended up so bad. That in a nutshell is Terminal. It stars Margot Robbie, Simon Pegg, and Mike Myers, and for each of them I believe this is a film they quickly want to move past. The tagline for the film is Revenge Never Looked So Good, which is a big part of the problem with the film. I absolutely love the look of the film. It’s beautiful and to a point creates its own style I’d call neon-noir, but unfortunately no matter how good something may look, it doesn’t always mean it will be good.
Posted in: Disc Reviews by J C on June 29th, 2018
“Please don't do the whole absent-minded professor thing.”
Even though he’s not anywhere close to the biggest name in Hollywood, Guy Pearce is low-key my favorite actor. The Aussie is probably best known for his starring role in Christopher Nolan’s Memento, the memory loss masterpiece in which Pearce played a man who tattooed helpful(?) clues and reminders all over his body. So when I realized he’d be playing another forgetful lead character in Spinning Man, I was hopeful. But despite some solid performances and interesting philosophical ideas, the film is too downbeat and dull to be an effective thriller.
Posted in: Disc Reviews by Brent Lorentson on June 28th, 2018
When we first meet the Pierce family it is at the Freeland jail, where Jefferson Pierce (Cress Williams) is there to bail out his oldest daughter, Anissa (Nafessa Williams). The show doesn’t waste time in tackling social issues as we see them have an encounter with the Freeland police force as they are pulled over for a traffic stop. The reason for the stop turns out to be they are looking for a suspect who just robbed a liquor store, and because Jefferson is black, he of course is a potential suspect. Having this scene early on, not just in the season but in the pilot episode, is a bold and important move by the writers. This shows us that despite being a superhero show, Black Lightning is going to show us a superhero tale unlike anything we’ve seen before on the CW.
Posted in: Disc Reviews by Jeremy Butler on June 25th, 2018
“If you believe in a goal or dream before it happens, is that real?”
There aren’t a lot of inspirational tales out there for young women who aspire to be athletes. At least not that I have seen. That is why I am sure that Alex and Me is bound to make an impact. This is tale for every girl who aspires for greatness. As a father to an amazing little girl, this really hit home for me. Unfortunately, not so much with my daughter, who is a bit too young to grasp the importance of the message this film is conveying, but I fully intend to keep this movie on hand for when she is old enough to understand.
Posted in: Disc Reviews by J C on June 20th, 2018
Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn,” then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2018
When it comes to the Italian western aka the spaghetti western, the first director who comes to mind is Sergio Leone (The Good The Bad And The Ugly); and then there is Sergio Corbucci. While Leone was blazing a successful career, Corbucci first came onto the scene with his film Django. The film was dirty, violent, and mean. For those who are only familiar with the Quentin Tarantino version of Django, well, you’ll definitely see the films are drastically different aside from them both being revenge films. Much later on Corbucci got the chance to follow up his first big hit with another western, The Great Silence. I had gotten to see this dark western before, though it was in the form of a bootleg copy.
Posted in: Disc Reviews by J C on June 15th, 2018
“Americans are loud, aren't they?”
Oh Lucy! earns the exclamation point in its title within the first two minutes. The movie opens with a shocking leap that is meant to jolt the audience, but barely causes our disaffected heroine to raise an eyebrow. It's played off as a throwaway moment, but it establishes the fact that this quirky Japanese/American dramedy with oodles of personality probably isn't going to go where you expect.
