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The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. Disney XD's Star Wars Rebels is an engaging, thoroughly zippy entry that is likely to entertain its intended young target audience along with those who have been obsessed with the Force since a long time ago.

"1836, Republic of Texas. The Mexican territory is home to thousands of US settlers. Tensions rise as Comanche and Kawakawa fight to keep their lands. Outlaws roam free, and slaves are caught in the crossfire. Mexican General Santa Anna battles to reclaim the land. US President Andrew Jackson is hesitant to intervene, and Texas has no choice but to declare itself an independent nation... The Alamo in ashes, pioneers, Tejanos, Indians and soldiers have no choice: fight or die."

Houston, we have a problem.

If nothing else, The Curse of Downers Grove lives up (or rather down) to its morose title. It’s too bad because this (non-)thriller actually has a promising premise: every year, a supposed curse in the titular suburban Illinois town kills a senior at the local high school. The movie could’ve gone for darkly comic thrills or tried to construct a mystery around who the latest victim might be, to name just a couple of examples. Instead, this shoddy, inert flick squanders a variety of opportunities on the way to its preposterous conclusion.

The D Train was not what I expected...and thank goodness for that. The film boasts that it's from the “comedic geniuses who brought you Nacho Libre and Wayne's World,” although the only thing those two movies have in common is that they're both comedies with, um, people in them. Meanwhile, the glossy poster makes it look like an inspirational drama, which doesn't exactly mesh with the phallic-sounding title. In other words, there's nothing about The D Train that hints at the intriguing dramedy lurking underneath.

It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?

You got the St. Louis blues, the Chicago blues, the gin house blues, the “my man done left me” blues...they all the same song, ain't they?”

By now, anyone who's seen a musical biopic realizes these films also whistle a pretty similar-sounding tune. The bad news here is that Bessie is no exception, rushing from one familiar Troubled Artist Beat (hardscrabble childhood, rise to stardom, substance abuse, troubled marriage, etc.) to the next. The really good news is that this HBO biopic of “Empress of Blues” Bessie Smith is elevated by some truly powerhouse performances.

"Once upon a time, there was a majestic king, who lived with his noble brother in a colorful kingdom where music and art were celebrated. The king did not foresee having a child, but he lived in an enchanted land where all things were possible. In time, he was blessed with a beautiful baby daughter for whom he wished only peace and happiness. Still, the king had demons who pursued him."

If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires.

And you thought the '80s were dead.”

The tongue-in-cheek tagline for this film is the first of many signs that this throwback slasher flick doesn't take itself too seriously. I've always thought the best parodies are the ones that show genuine affection, rather than superiority, toward the genre they're mocking. Lost After Dark sometimes wobbles as it walks the tricky tightrope between homage and legit horror movie, but there's no doubt the filmmakers enjoyed their many sleepless nights with the likes of Michael Myers, Jason Vorhees, Leatherface, and more.

So what will you be doing when the zombie apocalypse finally hits? Will you be fighting endlessly to survive? Will you be hoarding food and supplies? Will you be seeking out other survivors and band together? Maybe you'll just hole up somewhere and try and wait it out. Me? I'm going to find a solid generator, a high-definition television, an Oppo Blu-ray player, and all of The Walking Dead season sets I can get my hands on. You could consider it survival training, but I'm going to binge-watch one of the most unique shows in television history.

“This film was inspired by a court case, the public stages of which have been filmed, broadcast, reported and commented on throughout the media worldwide. Nonetheless, the characters portrayed in the film and all sequences depicting their private lives remain entirely fictional.”

The disclaimer that appears at the top of Welcome to New York is only the first indication that this flawed, unflinching drama — based on the Dominique Strauss-Kahn affair — seeks to blur the line between fact and fiction.