1080p

“You sell 100 million records, and see how you handle it.”

If you’ve ever seen an episode of Behind the Music — or followed popular culture at all in the previous century — then you probably know artists tend to not handle that level of success very well. However, the rise and (inevitable) fall of the original Four Seasons lineup is unique for a number reasons. Unfortunately, very few of those reasons are captured in Jersey Boys, Clint Eastwood’s oddly lifeless, workmanlike adaptation of the joyous, wildly popular Broadway musical.

Personally I’m not a fan of the Fast and Furious franchise, despite the fact that I tend to enjoy films from the genre.  For me, I’ll take the old school films like Vanishing Point, Two-Lane Blacktop, and the original Gone in 60 Seconds over these big budget productions any day.  All I can figure is that these films that I do enjoy are working with budgets that force the directors to be creative and understand most of their elaborate stunts only get one take and are not polished with CGI, but instead whatever the camera captures that is what we see on the big screen. The stunts are simply incredible, and the cars in my humblest opinion were simply cooler back then.

It's noble work. It is useful. You are angels of mercy...I just never thought that I would end up here.”

The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. As a result, HBO's comedy series Getting On isn't exactly what I'd call a gut buster. But even though much of the humor seems hyper-specific to this particular circle of workplace hell, anybody who has ever been underpaid to do a hard, crappy job should be able to relate.

Flying into home entertainment, the animated comedy adventure Planes: Fire & Rescue delivers a fun film for the whole family.  The film features some of the characters from the original and a whole lot of new ones.  Brightly animated, having fine direction and with a new storyline, the film has several good values including heroism and friendship. In this episode we find Dusty Crophopper returning from his around-the-world racing tour and about to participate in annual Corn Festival.

“We don't have the trust of the public anymore.”

- “Get it back!”

The Newsroom took a pretty decent beating during its first season. Sure, plenty of people praised the show's exceptional acting and ambition, but too much of the conversation seemed to revolve around its flaws and its polarizing creator. In this Blu-ray set's bonus material, Aaron Sorkin cops to being “overly earnest” and “aggressively uncool” in his work.

"There are dark spirits, old and full of hate...The world is in great danger."

A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations.

Does it always have to end up in a big giant dance battle?”

If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.

This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen.  There have been countless adaptions of Leonard’s work on the big screen as well as television.  Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned.  I was a teenager when I first discovered Elmore Leonard

"Let us tell an old story anew, and we will see how well you know it."

If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil.

As the spookiest holiday of the year draws closer, we're all probably a little more sensitive to anything that goes bump in the night. Almost every creature associated with Halloween is meant to terrify us, but what if some of those horrific-looking monsters were actually tasked with watching over us? In the Japanese animated drama A Letter to Momo, a young girl encounters a trio of mischievous spirits that only she can see and hear. The monster shenanigans, however, were merely one aspect in what turned out to be one of the more affecting family films I've seen this year.