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It has been a very long time since I have done a film or television review thanks to a wonderful thing known as life.  Life often gets in the way of even the most basic hobbies but is often rewarding, or at least pretends to be.  So, surely the first review I have had in such a long time will be a wondrous one full of majestic characters and a stirring plot worthy of rousing ambition to the sounds of chaotic beats.  *Looks across at package*  Hazbin Hotel Season One on Blu-ray.  *Googles the synopsis*  *Sighs deeply*  I mean, if my editor wanted me to stay in quasi-retirement, he should have said so.  At least the chaotic beats part seems to be accurate.  Let's take a look.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

“People rely on the police to keep them safe. That’s the problem.”

Paul Kersey (Bruce Willis) has it all. He’s a successful, emergency room trauma surgeon living in Chicago with a loving wife (Elisabeth Shue) and college-bound daughter (Camila Morrone).

"What about the old American social custom of self-defense? If the police don't defend us, maybe we should do it ourselves."

Vigilante justice has always been a popular subject in our movies, television shows, literature, and even comic books. Batman is nothing more than Bruce Wayne out to get back at criminals like the ones who murdered his parents when he was a kid. Batman is the ultimate vigilante. And let's be honest. Haven't you ever once fantasized that you could cross that line and punish some injustice or another that crossed your path? The subject has been around since stories have been told. There are those landmark tales, however, that for some reason or another reach the soul of the masses.

"The heat is on..." 

From the bouncing opening music by Glenn Fry to the final frame of Eddie Murphy's smile, Beverly Hills Cop has established itself as a classic. Now finally out on Blu-ray, the film shows us all over again why we fell in love with it almost 20 years ago. Murphy hasn't been as funny since, but we'll always have Beverly Hills and Axel Foley.

“In our conversation, he seemed relaxed, unfailingly candid, earnest, and trustworthy. That is his talent and his curse.”

You probably know the name Bernie Madoff, the notorious fraudster who used a Ponzi scheme to steal almost $65 billion dollars from his victims. (Yes, that's “billion” with a B!)  But if you were hoping to gain some insight into the man and his methods, this HBO film isn't really the place to look. The Wizard of Lies features a fantastic cast, some effective directorial touches, but is too often guilty of telling rather than showing.

“First, there is an opportunity.  Then…there’s a betrayal.”

It’s been 20 years since the release of Trainspotting, and it’s fair to say a lot has changed in the past two decades.  I remember going out to the United Artists Mission Bell Cinemas to see Trainspotting the weekend it came out.  I was with my best friend at the time, and neither of us was old enough to buy tickets for the film, so we ended up having to sneak into the film.  We’d seen the trailers, and in a time before the internet there just wasn’t much we could find out about it aside from reading articles in the entertainment magazines.

We're making history with the first woman president.”

That statement may or may not become a reality in a matter of months, but HBO has real-life politics beat either way. Season 3 of Veep, the caustic, constantly-cussing comedy series, concluded with U.S. Vice President Selina Meyer ascending to the highest office in the land. But lest you think the show jumped the shark by having VP Meyer outgrow the show's title, there's more than enough sharp-tongued mayhem to go around once Selina and her staff — referred to as “an infection of mediocrity” in season 4 — have their finger on the button.

When the first Wolf Creek was released it was one of those films that had a lot of hype around it, and when I got around to watching it, I dug it.  It’s one of those films where the more I’ve watched it the more  I’ve gotten to appreciate it, not just for its gore, but the film has a solid story, and I appreciated that the film at no time allows you to get too comfortable. At any moment a character could be brutally murdered.  It’s the character of Mick Taylor (John Jarratt) who could equally make me smile with his crude outback charm or make me squirm with uneasiness the moment his hands took hold of a weapon.

Sometimes a horror movie comes along that is rich in originality and ideas. Dark House certainly fits into that category. There are some truly scary moments and seriously frightening images to be found here. For a low-budget affair, the movie sports pretty solid acting and an atmospheric production design. Writer/director Victor Salva knows how to get the most out of the resources at his command. That doesn't mean there isn't a serious flaw to be found here. This is a movie that is often a little too clever and more than a little enigmatic at times.

Remember the first film that kept you awake at night?  The film that had you keeping the light on, when every strange noise you heard was that of some monster you were all but certain was lurking in the darkness waiting for your eyes to finally close?  For me it was that thrill that got me excited about horror films, where every Saturday I’d watch Creature Feature, and in the evening I’d channel-surf till I found some horror film to keep me up into the late hours of the night