Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
You know, I miss James Gandolfini. I know that HBO misses him as well. When The Sopranos finished, Gandolfini signed a development deal with HBO. He would not only work in front of the camera but help find and produce material for the network. We all know what happened next. Gandolfini passed suddenly, just when it seems he was breaking out of his Tony Soprano typecast, and one gets the feeling that he was going to do great things. One solid indication of that promise comes in the HBO series The Night Of... which was one of those passion projects that the man never got to see through.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I can’t be the only one who misses seeing Mel Gibson in a tent pole movie for the studio every year. Sure, he said some rotten things, but does it matter what he does in his personal life? The man still is a great actor and an even better director. Hollywood has always been forgiving of its talent; it’s a system that seems to enjoy seeing talent make a comeback and do some amazing work. What it seems is that sometimes we forget that these icons on the screen are human, and they make mistakes and do stupid things and they have to own these experiences for the rest of their lives in the spotlight.
Posted in: Disc Reviews by Jeremy Butler on October 19th, 2016
Growing up one of coolest jobs I thought was out there was undercover work. Not to diminish all the threats to one’s well-being associated with that profession, but come on, who didn’t want the opportunity to reinvent themselves as someone else entirely. Undercover affords that opportunity. That said, it does not come without a cost, and that cost is explored thoroughly in The Infiltrator, a based on a true story tale about a U.S. Customs agent who infiltrates the most successful and equally dangerous drug cartel led by the one and only Pablo Escobar. An interesting little tidbit that I was unaware of before the opening credits was that this film was shot right here in the Tampa area, which provided recognizable environment and a chance to pick out familiar territory.
Posted in: Disc Reviews by J C on October 14th, 2016
Imagine if Three Men and a Baby was remade with just two guys, a baby, a battle axe, and a bunch of arrows. Despite its exceedingly generic Americanized title, The Last King has a little something different to offer action-weary movie watchers. The story is set in a time and place — 13th century Norway during the country's civil war — that is probably unfamiliar to U.S. audiences. And while much of the hand-to-hand combat and royal treachery will prove cliched to some, they are presented with some fun tweaks and an occasionally sentimental tone that doesn't always mesh with the hard-hitting action.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2016
When you have a title like Satanic, it’s kind of hard to not start to build up expectations right out of the gate. I like a horror film that isn’t afraid to go dark and play with the subject matter of the occult, because honestly it’s the only topic that can manage to get under my skin. The Exorcist in my opinion is hands down the best horror film of all time and manages to haunt me after a viewing simply because the boy I once was who went to Catholic mass every Sunday knew that it could happen.
Posted in: Disc Reviews by John Delia on October 12th, 2016
If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills. The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him. Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy).
Posted in: Disc Reviews by Gino Sassani on October 7th, 2016
"Did I miss anything while I was gone?"
Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love.
Posted in: Disc Reviews by Brent Lorentson on October 6th, 2016
“Are you food or are you sex?”
When it comes to director Nicholas Winding Refn, he’s a director from whom I’m never all too sure what to expect. For me Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it.. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should.
Posted in: Disc Reviews by Jeremy Butler on October 5th, 2016
“Be the hero of your own story.”
Not the funniest addition to Kevin Hart’s reign as the king of comedy, but still a welcome sight. This time around, Hart teams with Dwayne “The Rock” Johnson for Central Intelligence. I’ve been anticipating this movie since behind-the-scenes footage leaked earlier this year, and the official trailer did nothing but fuel the flames of my excitement. After watching it, I can say that despite a few predictable plot twists, I still found the overall product to be extremely funny and worthwhile.
Posted in: Disc Reviews by J C on September 30th, 2016
“A creature that gestates inside a living human host…and has concentrated acid for blood.”
If you're a fan of sci-fi, horror, or action films, chances are you're also intimately familiar with the creature at the center of the Alien franchise. Ridley Scott's 1979 original is a masterpiece of space horror, so it would've been foolish for any follow-up to try and replicate the same formula. Instead, James Cameron's classic sequel succeeds by transplanting an entirely new genre into the series (Aliens is basically a war movie) while maintaining the sense of terror that made its predecessor a classic. You can get a fresh look for yourself now that Fox has released a 30th Anniversary Edition.
