Disc Audio

There are five clans of Vampires that are secretly living amongst humans. Said secret is maintained by a code of conduct called the “Masquerade” which states that vampires can never reveal themselves to a human; nor can they “embrace” (bite and convert) a human without approval from the highest council. Defying this means that your lengthy life is forfeit. A detective discovers the truth about the Masquerade when his girlfriend loses her life after defying these very rules, and he sets out to reveal the entire realm of vampires in San Francisco.

The world of Bounty Killer is a barren wasteland that has been decimated by the unchecked greed of nefarious corporations. In other words, I can’t believe this movie is only set 20 years in the future! I’m not the kind of guy who uses exclamation points very often, so the fact that I threw one at the end of the previous sentence wasn’t an accident. This silly, stylish, thoroughly enjoyable revenge fantasy/satiric action flick is basically one giant exclamation point in movie form.

The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.

Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.

Welcome kids to another 31 Nights of Terror spectacular. This time, the legendary (in his own mind) Michael Durr has descended from the rafters to bring you another cult classic blu-ray presentation. This time we explore 1982 Wes Craven adaption of Swamp Thing. Shout Factory has produced an excellent blu-ray for us to watch. As with most of the Scream Factory work that Shout does, this should be quite the treat. Let us continue and go forth with one wicked green monster.

Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time.  With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence.  It was the film Drive, though, that most people know him for.  I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits.

Hugh Laurie is not the first — and he certainly won’t be the last — actor who decided he wanted a career in music too. The move might come as a surprise to people who primarily know Laurie from his sterling eight-year run as the misanthropic title character on House M.D. (Though not if you watched the show carefully.) In the past, Laurie has rocked out with some of his small-screen comrades for charity. But it turns out that after eight years of playing one of the crankiest characters in television history, Laurie was ready to sing the blues.

Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.

In the wake of Captain Phillips being released in theaters, another tale of a ship being held hostage by Somali pirates is released on Blu-Ray and DVD.  This true story comes out of Denmark and has made a successful run through the festival circuit, but how does it fare up against the mighty Tom Hanks and his tense, nail-biting thriller?  Well, to be fair, though the two films deal with the same subject matter, the execution is vastly different, but A Hijacking manages to deliver an equally stunning film filled with great performances and filmed in such a way we feel as though we are one of the hostages on the ship

James Wan is simply a director who continues to impress me.  Ever since Saw was released, I’ve been a fan of his visual style that he brings to every film.  Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom.  When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation.  The parking garage scene was just freaking awesome.