Posted in: Disc Reviews by Jeremy Butler on December 16th, 2021
Be honest; who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for the release of the animated version comes the double release of The Addams Family and its sequel, The Addams Family: Family Values, featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family.
The first film finds the family thriving, but without an essential member, Fester, who after a falling out with his brother Gomez, leaves for the Bermuda Triangle, not to be heard from for 25 years. Looking to capitalize on Gomez’s guilt over the situation is the family lawyer Tully, who is in deep to loan shark and con woman Abigail Craven. When Craven and her son Gordon, who is the splitting image of Fester, come to collect, Tully hatches a scheme to have Gordon pose as Fester to find the hidden vault where the Addams family fortune is kept.
Posted in: Disc Reviews by Brent Lorentson on December 10th, 2021
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is that instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened. Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation. Season 1 of the series I enjoyed, and it offered plenty of promise for things to come; did Greg Nicotero and his creative team deliver?
Episode 1 starts of strong with Model Kid/ Public Television of the Dead. I’ll just say I loved this episode. There is a lot of heart put into the first segment about a young boy who is obsessed with all things horror and how he shares his passion with his mother who is very ill. Everything works in this episode, and honestly I wish it was longer, because I simply wanted so much more with the story. The “horror” direction this episode takes is fun and macabre just as it should be for this series, and it definitely sets a tone. Then there is the next segment … This episode was a blast. Just think what could happen if the Necronomicon from Evil Dead was read allowed on a public television network, and the only person that could save humanity was Bob Ross (yes, that artist). While it may not be THE Bob Ross, we definitely get that that is who the character is supposed to be. Even adding Ted Raimi pretty much cements this episode as Evil Dead canon.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"
Another holiday season and another release of the classic It's A Wonderful Life. This edition looks like a storybook case and has both the restored black & white version as well as the recent colorized versions of the films. If you have one of the UHD 4K collections, you pretty much have the definitive version of the film, and the audio and visual aren't likely to get any better than that. But there are many of you out there who have not made the switch to UHD. This is likely going to be that best ever release for you. You get two versions of the film in an attractive and safe case.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
When we got aboard the Snowpiercer, it would seem like a new world order was going to be happening. Well, that still holds true for Season 2, but not quite the way we were initially imagining. Did you see what I did there, “got aboard,” because it’s a train. OK, OK; that’s my one joke. Last we saw Daveed Diggs’ Layton, he’d finally managed to seize control of the train carrying the last of humanity following an apocalyptic freezing of the planet. His reign is extremely short-lived, however, as he is almost immediately threatened by the return of Mr. Wilford (Sean Bean) and Melanie’s thought-dead daughter, Alexandra (Rowan Blanchard). I can tell you that after this cliffhanger of a season last season, I was on the edge of my seat with anticipation for the next season. And this season doesn’t disappoint, as the power struggle for the train is continued with a new adversaries, as old adversaries become new allies.
The series never takes its foot off the gas, as Layton finds himself thrust into a brand new struggle against the very person responsible for the train that is humanity’s salvation. Last season, Mr. Wilford was thought dead after being left behind by Melanie due to a fear that humanity would not survive under his leadership. She creates an elaborate ruse to keep the idea of Wilford alive in order to keep peace on the train, a ruse that is eventually discovered and leads to a degree of anarchy on the train, resulting in the uprising that has placed Layton in charge. Now he must confront the man who was originally supposed to lead Snowpiercer. In this respect, Melanie’s fears prove right, as Wilford is in possession of a truly sadistic and cruel nature. This nature is shown perfectly in flashback sequences that show just how ruthless the man can be.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
This was actually the first movie I ever saw on a date. Nearly twenty years ago. The most interesting thing being that I can tell all sorts of things about that experience, but for the life of me, I can’t tell you a thing about the movie. Prior to re-watching it, that is, and having done so, I now understand why it faded from memory, because it isn’t a movie that really makes a lasting impression. This is surprising given that the film is credited as the first photorealistic computer animated film, as well the most expensive video-game inspired film up until 2010. The thing is, it’s a film that if you ask me, never really should have been. The story is not compelling, and it does not accurately depict the source material by which it was inspired. They share the same name, but none of the characters or the plot of the film originated from the video game franchise. Talk about a bait and switch.
I will preface this by saying that I am not an authority on the popular video game franchise. However, based on my own experience, when you think of Final Fantasy, you think about Cloud Strife, the blonde warrior carrying a sword with a blade the size of a tree trunk. Or at least I do. In contrast to characters established in canon and the video game series, the film follows Dr. Aki Ross, a woman attempting to gather eight spirits in order to invigorate the Earth’s Gaia Spirit following a alien invasion. Lost yet? Don’t worry, you are not alone. I don’t know where they pulled this story line from, but it did not play well with me, as for me, it in no way represented what the game series was about, which explains why I purged it from memory.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"We are the only people who are capable of handling time-traveling aliens."
Of course, that can only mean The D.C. Legends Of Tomorrow. This is the sleeper of the entire Arrowverse. It's never really been one of the higher-rated shows, but it has a strong cult audience and has survived more than one season on the proverbial bubble and has beaten back a pandemic and outlasted such better shows as Arrow and Supergirl. I always enjoy it, but I do find it the hardest show to completely follow. It will delve into the silly and the absolutely crazy, and it's pretty much jumping sharks on a weekly basis. It doesn't help that every year sees a huge shakeup of the cast, and this season was no exception. The crew of the Waverider change over faster than teens at a fast food joint. Of course, you might be left asking yourself what is this Waverider of which you speak? It's hard enough to keep track of the players without a program, but it's a near impossible feat if you are trying to join the festivities in the fourth season. You might want to check out our reviews of the previous years and then rejoin me for the breakdown of the Blu-ray release of DC Legends Of Tomorrow Season 6. Just bang it here to catch up: Legends Of Tomorrow Reviews.
Posted in: Disc Reviews by Jeremy Butler on November 20th, 2021
I will say this for DC animated movies, they sure do pack a lot of story in their limited runtime. This film is only an hour, and somehow it felt like two and half hours of storytelling were comfortably fitted into that time. I know stories that don’t accomplish half as much with double the time. That is an accomplishment in itself. This re-release brings back the 2011 animated film based on the four-issue story arc of the same name. It’s a bit of a origin story, encompassing Batman’s first year operating as the Dark Knight at the height of corruption in Gotham. It is also a bit of a origin story for Batman’s nemesis turned ally, James Gordon, who wages his own war against the corruption in the police department. I remember watching this a few years ago, and it didn’t really hold my attention. However, on this outing, I was thoroughly engaged and entranced by the story. That just goes to show you that first impressions can change.
Told on two fronts, the film follows a returning Bruce Wayne as he comes back to Gotham after a 12-year absence. Bruce returns with a mission, to save the city that birthed him and took away his parents. On the other front, we have Lt. James “Jim” Gordon, a Chicago cop transferring to Gotham. Upon arrival, he finds the city to be rife with corruption all the way up to his boss, the Chief of Police. Despite this, Jim endeavors to do the right thing and clean up the city.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2021
"There are certain rules that one must abide by in order to successfully survive a horror movie."
No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Kruger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2021
From Bride of Frankenstein to Night of the Living Dead and even Godzilla, horror has been a platform filmmakers have used for decades to handle larger societal issues. In 1992 when the first Candyman released, it was a film that tackled issues of class and race, but it did so in a manner that didn’t feel forced, and in doing so it added an extra level to what I’d consider one of the best horror films of the 90’s. I love the story of Candyman, and the performance Tony Todd gave this tragic character was an equal blend of horror, menace, and sympathy. The way the first film builds its impending doom for Helen Lyle has rarely been matched in films since. Watching as her life crumbles around her up until the moment she finally surrenders herself to Candyman and accepts her awful fate is an impactful moment. The sequels just never lived up to the first film, and it’s a shame, because I simply loved the idea of this modern urban legend that haunted the projects of black America. Candyman and the tragedy of Daniel Robitaille deserves better. As much as I love Friday the 13th and several other franchises in the horror genre, Candyman has always been the character ripe with so much untapped potential that I’m surprised it’s taken this long to get the reboot/sequel it rightfully deserves. Though the moment I saw that Jordan Peele was involved, I started to worry.
I’m being upfront and saying I just don’t like Jordan Peele when it comes to horror. It’s like when Michael Bay started up his horror company and churned out The Texas Chainsaw Massacre. Horror just isn’t for everyone to dip their toes into, and I don’t care about what awards films may get or what box office it may gross; I’m not going to cave to the bandwagon. That being said, I’m more than willing to give a film a chance if the trailer can hook me or if I care about the property, so with Candyman this was one I was on the fence with. I was ecstatic about seeing this character back on the screen, but I was still cautious, because it was being helmed by Nia DaCosta, a director with no experience in the horror genre. As it would turn out, she’s a director who shows plenty of talent and promise, but can’t build a moment of tension even with all the tricks and tools of the industry at her disposal.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2021
"My name is Nicky Shen, and this has been my home for three years. A Shaolin monastery in Yunnan Province, China. My mom sent me on a cultural tour of China. Turned out, it was really a matchmaking tour to land me a Chinese husband. Just one of the many ways my mom tried to control my destiny. I panicked. I ran. That was the first time anyone told me I had a choice in anything. I was only planning to spend the night. But then I saw something that I knew I wanted to be a part of. These women were warriors. And so I stayed. Pei-Ling became my Shifu, my mentor."
The new Kung Fu series at the CW is not really anything like the 1970's show that starred David Carradine. And while the credits claim to be based on that show, they really do not have anything in common. This show is not a period piece but exists in current day San Francisco. The titular character is no longer a middle-aged quiet hero or a guy. Instead we have law school drop-out Nicky Shen, a twenty-something woman who doesn't quite have a handle on who she is. She's not a wanderer, and she doesn't play a handmade flute. She lives with her family and is totally connected to the modern from cellphones to Uber. That isn't to say the show is bad. The production values are high, as are the writing and acting. The weak link for me is it's given me flashbacks to Pretty Little Liars, as this show likely shares those adolescent girl demographics. So clearly I'm not the target audience. So otherwise, Mrs. Lincoln, how was the play? Warner Brothers Home Entertainment drops this reincarnated Kung Fu on Blu-ray with all 13 episodes on three discs.
