Posted in: Disc Reviews by Gino Sassani on April 13th, 2018
When David Ayer's Suicide Squad film was released a couple of years ago, the reviews were certainly mixed. One of the biggest complaints from the diehard fans was that Warner opted for a PG-13 version of the film, which took away much of the edge of the material. One only need look at the success of Deadpool to understand that there is a place for a comic film that pushes envelopes and doesn't shy away from an R rating. It almost appears that the new Warner/DC animated feature film Suicide Squad: Hell To Pay would attempt to make up for that decision. This may very well be an animated "cartoon" film, but it's a hard-edged R-rated experience that doesn't shy away from brutality, blood, and violence.
Posted in: Disc Reviews by Brent Lorentson on April 13th, 2018
Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout. Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now. I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.
Posted in: Disc Reviews by John Delia on April 11th, 2018
by John Delia, Jr.
"Everyone has an act."
One man’s determination to rise from rags to riches helps find a place for the unwanted few. His strong desire to become someone special and with the ability to convince others to believe in his dream, P.T. Barnum creates history and the circus.
Posted in: Disc Reviews by Brent Lorentson on April 10th, 2018
When you are about to sit down for a comedy with Ed Helms and Owen Wilson, you pretty much know what you’re getting yourself into. Sometimes you just want to watch a movie for a few good laughs; then when it’s over, you return to your day-to-day routine. When it comes to Father Figures, the problem is that the film from the get-go is trying to get you to believe that Helms and Wilson could possibly be fraternal twins. Yeah, we’ve seen this before with the film Twins, only this time around we have a film about brothers attempting to overcome their differences as they work together to find their real father.
Posted in: Disc Reviews by Brent Lorentson on April 6th, 2018
Ever since Jon Bernthal left The Walking Dead, he has managed to create quite the impressive resume over the years. From having some standout performances in Fury, Baby Driver and recently taking on the role of Frank Castle in The Punisher, he is easily making a name for himself. Now we get to see him take on the role of Sam in the new small town indie thriller, Sweet Virginia. In a film that is filled with well-crafted characters matched with some terrific performances by the cast, it’s a shame the film didn’t reach Blu-ray with more of a buzz around it. From the film’s violent opening, the film percolates with menace and unease to the final climax.
Posted in: Disc Reviews by Gino Sassani on April 5th, 2018
"And so we ran on. Into Summerland and the place they said did not exist. And all the while, wolves were at our heels. Black masks, boots and the one they called The Eye. We had come to do the work that must be done. To strip ourselves of the fog of life before."
If the first season of Legion was intended to lift any fog, it failed miserably. In fact, keeping you in a fog is series creator Noah Hawley’s superpower. He was also the creator of the television adaptation of Fargo, which was often more than a little confusing.
Posted in: Disc Reviews by Jeremy Butler on April 4th, 2018
John Cena continues to attempt to branch out from the WWE, this time with an animated film featuring a peace-loving bull in Spain. Granted, John Cena is not first person I envision when I think about nonviolence, but it is an interesting choice nonetheless. Ferdinand tells the story of a bull raised to participate in the matador competitions featured in Spain. Disney continues to buck against the grain, creating a character that contrasts with his circumstances. Naturally, this is an animated film, and being well into adulthood, I am clearly outside the target audience. However, I am fortunate enough to have a daughter who does fit that demographic, so I enlisted her services for this film.
Posted in: Disc Reviews by J C on April 4th, 2018
When The Sandlot first came out 25 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. I’ve kept in touch with the film over the years, but Fox’s new 25th Anniversary Blu-ray re-release of The Sandlot was a great excuse to watch it from start to finish.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2018
"A long time ago in a galaxy far far away..."
It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn't seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up.
Posted in: Disc Reviews by J C on March 24th, 2018
“I respect that you love your group, but it’s time for you to move on.”
The first Pitch Perfect movie arrived in Fall 2012 as a goofy, energetic, underdog surprise that charmed audiences with its funny jabs at (and genuine affection for) a capella music. But as the trilogy (allegedly) comes to a close a little more than five years later, the only quality that this popular, profitable franchise managed to retain from that previous sentence was “goofy.” The saucy tagline for this movie is “Last Call Pitches,” and everyone involved seems ready to hang up their pitch pipes.
