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When a film like The Belko Experiment comes along there is a part of me that wonders, how far off is the film from reality? Films like Death Race 2000, The Running Man, The Purge, and Battle Royale have all flirted with the idea of the government using murder as a form of entertainment while also using it as a way to control the public. You look at the violence in the world and how numb we’ve all seemed to have gotten towards violence in the news and our favorite TV shows. I can’t help but wonder, would it be so crazy to see murder on our television screens?  Looking back at history and the gladiator times, there was murder for entertainment, where families would cheer on the bloodshed and carnage.

"What have you been up to in your little zoo?"

It appears that we have been due for one of those untold stories amid the many tales of courage and bravery both fact and fiction, real and imagined, that have been told of the World War II era. There have been plenty of the battlefield hero films that include last year's exceptional Hacksaw Ridge from Mel Gibson. Then there are the quiet and unlikely heroes. These are people who did incredible things that were often unknown during the war and often even after it was all over. Schindler's List has become the gold standard for these kinds of emotional war movies. The Zookeeper's Wife is set in the mold of that kind of a film, telling essentially that very kind of tale.

From the vaults of Vestron Video has unleashed The Unholy for horror fans to indulge in for the first time on Blu-ray.  Growing up and going to a Catholic school, films like The Exorcist and The Unholy managed to be all the more terrifying to me because the prospect of demons coming from hell was thought to be a possibility.  Sure, Freddy and Jason could get the young me nervous at night, but what films like The Unholy presented were the kind of thoughts that had me afraid to keep the lights off at night. But does the film hold up decades later? That’s a tough call, but with the new digitally restored version of the film now hitting the shelves, it’s worth grabbing a little holy water and checking out.

“First, there is an opportunity.  Then…there’s a betrayal.”

It’s been 20 years since the release of Trainspotting, and it’s fair to say a lot has changed in the past two decades.  I remember going out to the United Artists Mission Bell Cinemas to see Trainspotting the weekend it came out.  I was with my best friend at the time, and neither of us was old enough to buy tickets for the film, so we ended up having to sneak into the film.  We’d seen the trailers, and in a time before the internet there just wasn’t much we could find out about it aside from reading articles in the entertainment magazines.

"You wanted me back. I'm back."

Keanu Reeves has enjoyed somewhat of a career renaissance thanks in no small part to the success of John Wick in 2014. There he teamed up with some stunt friends of his going back to The Matrix, and together they brought a new action hero to the screen that was as much graphic novel as it was action film. It would become the directing debut of the stunt team of Stahelski and David Leitch. Along with their action star, everyone stuck to what they knew and refused to overcomplicate the whole thing.

“We should not be fighting for segregation, we should be fighting for equality.”

That’s the sort of rousing statement any random politician on the campaign trail might use to rile up a crowd of supporters at a pep rally. And even though those words are spoken here by a man in the midst of heavy political turmoil, the beauty of A United Kingdom — a straightforward but nevertheless impactful fact-based drama about forbidden love — is that they are actually born out of an intensely personal conflict.

"Going on down to South Park and meet some friends of mine."

After 20 years or more, they really do feel like friends. I've known Cartman, Stan, Kyle, and Kenny longer than most real people in my life. Only the Simpsons have been around longer these days. Over those years, South Park has always been a series of stories that rarely connect with each other in any significant way. There have been multi-part episodes, and certain experiences have come back up over the years. Still, we're talking about a universe where killing Kenny had become a running joke and happened pretty much in every episode.

It used to be when you had a straight-to-DVD release, you knew better than to set the bar too high.  From time to time you would find that occasional gem that slipped through the cracks and turned out to be something awesome, but this was a rare occurrence. With the way films are released now, the talent you are seeing in straight-to-DVD releases has improved, as have the budgets, since getting a film on the big screen has become a greater financial challenge.  I mention this only because I look at a title like Kill’em All and wonder if they even cared. The actors are here and doing their job, but it’s the figures behind the scenes that I’m calling out here.

“Have you ever seen two priests wearing tracksuits?”

The highest praise I can offer for The Young Pope — the staggeringly extravagant and deeply strange co-production between Sky Atlantic, Canal+, and HBO — is that I can guarantee you will see something you have never seen before. (A pair of priests in tracksuits is the least of it.) The show is bold in both its style and storytelling, although it only unequivocally succeeds in one of those two areas. Given all the Vatican-centric politics and power plays, it’s easy to see why this show was dubbed “House of Cardinals.”

Black…all important movies start with a black screen…”

I completely understand if you’re Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan’s landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.’ budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014’s blockbuster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.