Disc Audio

“Be the hero of your own story.”

Not the funniest addition to Kevin Hart’s reign as the king of comedy, but still a welcome sight. This time around, Hart teams with Dwayne “The Rock” Johnson for Central Intelligence. I’ve been anticipating this movie since behind-the-scenes footage leaked earlier this year, and the official trailer did nothing but fuel the flames of my excitement. After watching it, I can say that despite a few predictable plot twists, I still found the overall product to be extremely funny and worthwhile.

Warning! The truly unusual motion picture you are about to see contains many scenes of graphic violence. It is not intended for the faint of heart, nor the young and impressionable.”

Anyone who makes it all the way through 1987's Blood Diner — a gleeful, inspired exercise in bad taste — can't say they weren't warned. That being said, the tongue-in-cheek disclaimer that precedes the film still may not be enough to prepare you for the utter silliness and depravity that follows.

“I guess I’m just not used to being chased around a mall in the middle of the night by killer robots.”

It’s October, and that means it’s the start of 31 Nights of Terror, and this year we’re kicking things off with one of my guilty pleasures growing up, Chopping Mall.   This came out at a time when slashers were pretty much a dying genre, but there was still a demand to have horror films up on the big screen.  I never got to see this in theaters, but I remember the VHS box art from my local mom-and-pop video store.  The idea of the robotic hand clutching a shopping bag with a head on it was something that gripped the teenager in me.  Sure, the film is nothing like what the box art teases, and the original title Killbots is a far more accurate title, but from a promotional standpoint, in the vein of the old Roger Corman films, I get why they did this.  So what’s it all about?  Well, grab your keys, grab your wallet, because we’re about to take a trip to Park Plaza Mall and see what it’s all about.

A creature that gestates inside a living human host…and has concentrated acid for blood.”

If you're a fan of sci-fi, horror, or action films, chances are you're also intimately familiar with the creature at the center of the Alien franchise. Ridley Scott's 1979 original is a masterpiece of space horror, so it would've been foolish for any follow-up to try and replicate the same formula. Instead, James Cameron's classic sequel succeeds by transplanting an entirely new genre into the series (Aliens is basically a war movie) while maintaining the sense of terror that made its predecessor a classic. You can get a fresh look for yourself now that Fox has released a 30th Anniversary Edition.

When it comes to titles from Blizzard Entertainment, I was always more into the Starcraft and Diablo franchises. I played World of Warcraft (WoW) for a small period of time when it became a popular MMORPG (Massive Multiplayer Online Role Playing Game), but my interest in the game quickly died. The aesthetics were a little too cartoony for my liking, plus, you paid for a subscription. Regardless, I am just one fan of Blizzard: WoW caught on like wildfire. I still know people who are playing the game to this day. The question, however, is whether or not this franchise would make a great cinematic adaptation. I will admit that I am not an expert on the Warcraft lore, by any means, but I know enough about popular culture and its many fandoms to look at this film objectively.

Sitting in a theater, you are always treated to interesting pre-screening conversations. More often than not, they are being led by fans of the source material. Here are samples of some of the conversations I overheard:

Growing up I was obsessed with the Teenage Mutant Ninja Turtles animated series; it was the Saturday morning cartoon I just couldn’t get enough of.  When I couldn’t watch the cartoon, I’d be playing with the toys and eventually the video game back in the original Nintendo console days.  So when the movies came out, my parents had no choice but to take me to see them.  Back in those days we had the turtles in rubber suits; as a kid the experience was fun but still just not as good as the cartoon.  As I got older, well, those original films seem to hold up less and less, and when the news came that an updated version of the film would be coming out I got a little excited, that is till I saw the trailer for the 2014 film.  Sure, it had elements from the cartoon, but it just didn’t look inspired; it just looked like a generic kids’ film with passable CGI. The result was simply a blunder, and I would have thought the days of seeing a Teenage Mutant Ninja Turtle movie were numbered.  But here we are in 2016 with the new film Out of the Shadows ready to hit the big screen, and, folks, it’s been nearly 30 years in the making, but FINALLY we get the Teenage Mutant Ninja Turtles movie we’ve been waiting for.

Stepping in to fill the shoes as director is Dave Green. He’s relatively a newcomer in Hollywood, but it’s his vision I believe is responsible for the success of the film.  His previous film Earth to Echo is simply a wonderful kids’ adventure film that captures the energy of the 80’s Spielberg films, most notably ET.  Well, he carries that love for the 80’s into this new installment of the Teenage Mutant Ninja Turtles franchise and injects so much life into it, my inner ten-year-old was cheering with glee over this film.  This is just about the closest I’ve seen an animated series come to life on the big screen and manage to retain what made the animated series so much fun.  This isn’t a film for grownups; instead this is a film that targets the ten-year-old in all of us, the one who doesn’t question the logistics of flying manhole covers, talking brains, or humans transforming into hulking beasts.

Does doing things the legal way really make it better?”

Since movies are at their core a form of escapism, they have a way of glamorizing anyone who violently slashes through the red tape of the criminal justice system. It helps explain the enduring appeal of vigilante/revenge movies and it's probably why we're meant to root for the charitable bank robbers in Marauders. While the movie contains some cool flashes of style and occasionally bumps up against some interesting ideas about justice, it ultimately gets way too bogged down in red herrings and pointless subplots.

Victor Garber appears to me a man of extremes, at least in his climate preferences. Of course, the actor was aboard James Cameron's ill-fated Titanic when it struck an iceberg before Leonardo DiCaprio dies because he was too stupid to climb aboard a huge floating door. On television recently, Garber jumps to nuclear fire as one half of the superhero Firestorm in the DC television universe. For this release, actually filmed a few years ago he heads back to the ice, and not just any ice. This time Victor Garber narrates an IMAX documentary called Wonders Of The Arctic. Shout Factory has released the documentary as part of their impressive IMAX titles in 4K on UHD Blu-ray. This one is no less impressive and takes us on a journey to the top of the world, a place we refer to as the Arctic Circle.

The documentary isn't so much about the Arctic as a region but really is the story of the ice itself and how it impacts on both human and animal populations. It does sound the warnings of climate change, but I give it a lot of credit for not attributing such change to anything in particular. Instead the documentary does what all good documentaries should do. Present us with some facts. Show us some interesting stories. Leave us educated, thrilled and entertained. Wonders of the Arctic actually accomplishes all three of these goals.

Scuba diving is the closest thing I've ever experienced to being on an alien world. Everything around you looks and feels totally different from what we see on land. Even our relationship to gravity changes. There's nothing like it on this Earth. The ocean is a diverse place and quite resilient. The Last Reef makes this point rather dramatically in the opening minutes of the documentary. It begins with a newsreel that takes us to the nuclear explosion experiments that were conducted off the Bikini Islands in 1946. Yes, that's where the swimsuit got its name. The Islands were making the newsreels because of the tests. Of course, the entire landmass and surrounding sea were saturated with radiation. The Islands reef was destroyed. It was pretty much left to its own devices for over 50 years. And now it is once again a flourishing reef teeming with incredible life.

From the tests the film shifts gears and becomes more of a standard journey into the waters of several reefs around the world. The film begins to make the connection between a reef and a thriving metropolis like New York City. We're treated to time-lapse video of various aspects of New York City, particularly the traffic throughways and outside cafes. Of course, these moments are frantic, particularly in time-lapse form. We're then exposed to the slower, more tranquil versions of some of the same ideas: schools of fish all moving in one direction compared to those highways and feeding stations where rays and sharks can have parasites cleaned from their bodies by waiting fish. The connections are a stretch, yes, but it's a nice effective way to compare and contrast these two distinctly different "cities".

"This is encouraging."

For the first time in a long while, the Winchester Brothers end and begin a season together. Dean's just had the Sign of Cain removed, and the cost is the approaching darkness. I'm not talking a little storm blowing through. Here in Florida we know all about that kind of darkness. No. This is The Darkness, and it's the big bad for season 11 of Supernatural. You heard that correctly. We're talking 11 years with number 12 arriving any day now. Once again it's "end of days" kind of stakes, and we have another season to save the universe.