Disc Type

I don’t find House of Lies funny. In fairness, I don’t think it’s supposed to be funny, or it’s trying to be funny in the most cynical and unpalatable way possible. It’s a half-hour format airing on Showtime, which would normally suggest a sitcom. It’s not a sitcom, but a brash dramedy. Our main characters all have MBA’s but frequently act like teenagers on drugs. They are smart enough to analyze things brilliantly but are so corrupt that they will do the absolutely worst thing possible if it satisfies their personal interests. House of Lies should not be confused with House of Cards, which also features high-level leaders with horrendous morals. It seems to promote undiluted self-interest at all costs.

The show is based on a tell-all book (House of Lies: How Management Consultants Steal Your Watch and then Tell You the Time) by Martin Kihn. The main character on the show is Marty Kaan, played by Don Cheadle. It’s safe to say that the Showtime series is heavily fictionalized and is not about Kihn.

"From the chaos of the New York City streets rises a legion of visionary gangsters. Vicious killers and criminal geniuses determined to create their own version of the American Dream."

If you are looking for an actual documentary on the evolution of the mafia and famous Five Families of New York, this is absolutely a bad place to start. I'm a bit uneasy with AMC's use of the word documentary next to drama on this series. It pretty much follows the book The Last Testament Of Lucky Luciano by Martin A. Gosch and Richard Hammer. While neither author is listed in the show's credits as writers, I have found the material pretty much supports that narrative of the story. That's fine, except the book itself has been the subject of controversy since it was first published in 1975. At first there was a rumor the material was based on recordings that Lucky made while in exile in Italy. The authors never made that claim but did claim the material came from various sit-downs between Gosch and Lucky in the early 1960's just before his death. I'm very sure it's the story he might have told. But we're talking about a huge ego here, and much of it is embellished, just as much of Making Of The Mob: New York is quite embellished. This is no history lesson. But is it entertaining.

For over 15 years the CSI franchise has been a solid stable of programming for the Eye Network. The original show blasted through all initial expectations and lasted for 15 years. CSI: Miami went on for a decade, and CSI: New York for a little over five years. Now the original has bowed out of the game, and after 30 years of seasons, the franchise's future hangs with newcomer CSI: Cyber. All dynasties eventually come to an end. Some pass quietly in the night. Others do so quite horribly. After watching the short 13 episode run of CSI: Cyber, I'm afraid it's the latter path for a once-brilliant franchise. Catch it while you can, if you're interested. While it will be back this fall, I do not anticipate a long life for a show that is CSI in name only. Now is your chance to decide for yourself.

It all starts with Patricia Arquette as Avery Ryan. The character was first introduced in a back-door pilot the previous season on CSI. She is a psychologist who had her files hacked and made public. The resulting cybercrime caused one of her patients to die. So she joined the FBI and somehow became the nation's leading authority on cybercrime and now heads that team for the FBI. Forget that this is a weak character back story. It's too much been there, seen that. Characters who change the course of their lives over a death are cheap shortcuts trying to gain sympathy from the audience. But let's overlook that for now. The fact that she became such a knowledgeable techie in whatever time there was is completely unbelievable. It's hard to believe she was even much of a psychologist. Human empathy is something I find in neither the character nor the actor.

"A long time ago in a galaxy far far away..."

It sure does seem like it was a long time ago since Star Wars was actually very good. It doesn't matter if you thought Empire or Jedi was the last good film; few people that I've encountered mentioned the more recent trilogy in the same sacred breath as those original films. Star Wars gave us swashbuckler adventure in the spirit of the early serials. Then it was about a mythical epic story that swept a generation into its colorful universe. What George Lucas created in the late 1970's will never die. But before long it became more about the creator and less about engaging the fans. The attitude turned into "this is my franchise and I'll do whatever the heck I want to do with it." First he changed elements of the first films, most notably the "who shot first" controversy over Han Solo and Greedo. It was as if Lucas was truly feeling like God now. Lucas giveth, and Lucas taketh away. The prequel trilogy was all about getting theaters to change to digital and presenting films that shouted wildly, "Look at me". Many scenes were so crowded with visuals that it wasn't even possible to take it all in. The technology began to overshadow the story. And it was always made worse that Lucas didn't seem to care at all what we thought. Star Wars no longer belonged to us.

"Did you ever run away from a scream? You can't. It will follow you through the woods. It will follow you all of your life... courage is never enough."

How many films are lost and forgotten over the years? It would be interesting to know how many films have been made since the advent of the movie industry. It is probably in the millions, and yet most of us would probably have trouble thinking of a thousand.

Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases.

While the name on the collection and each of the television movies might be Perry Mason, Raymond Burr and his iconic character only appear in two of these six films. Burr died in September of 1993, and CBS attempted to continue the series after his death. They never killed off Mason. He was away somewhere as a guest attorney filled in for him. The rest of the cast remained, and the name of the series was given an "A" before Perry Mason Movie. The style would more or less remain the same, but it just didn't have the legs everyone was hoping for after the loss of Burr. Obviously, this is the last of these film collections. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this. You get six films on three discs. The discs appear in a plastic case, and the cases are held by a cardboard slipcase.

When Vikings Season 1 first arrived a couple of years ago, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our shepherd/chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over the History Channel's drama series Vikings. Now season 3 is out on Blu-ray, and it's certainly a season to remember.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

Who would have believed that one of the world's most enduring if not exactly endearing comedians actually got his start in a serious drama? The film was Run Silent Run Deep, and the actor was Don Rickles. For a couple of years the former nightclub funny man would pursue the world of serious acting. That was until his friend Dean Martin made him a staple of his famous television roasts. Rickles became a standout, and his unusual brand of humor took off like a rocket to the stars. It's those very stars that helped make the man a household name that would bear the brunt of his fast and furious barrage of insults and put-downs. Most of them laughed in return, and soon it became a badge of honor to endure an attack from Rickles. The only thing worse than being insulted by Don Rickles was being ignored by Don Rickles. He earned such names as Mr. Warmth and the Merchant of Venom. What he really earned was the respect of several generations of fans. Today kids and adults alike know him as the voice of Mr. Potato Head from the Toy Story films and shorts. At nearly 90 years of age the funnyman has quite a legacy to look back upon. Now Time Life has given us the opportunity to do a little looking back ourselves with the 8-DVD set The Ultimate Don Rickles.

The set begins with the 6-disc complete CPO Sharkey series. The comedy series only ran two years from 1976-1978. In fact Don was never afraid to rib himself about how short his television run was. He blamed it on the fact that there were other shows on at the same time.

It’s the one that fans have been waiting for. The conclusion of the only adaptation series to rival the star power of Twilight in my opinion (Divergent comes close, but the popularity is clearly with this Jennifer Lawrence-led series). Hunger Games Mockingjay Part 2 is the culmination of all the action set up in the first film. It’s time to finally take the fight to President Snow, and this film delivers in every aspect. Action sequences are tier-one as well as being character-driven, all the while staying faithful to the source material. Accomplishing all these tasks is always difficult; however, this film appears to do it with ease. 

I think the number one thing loyal fans of the book were looking for was for the film to maintain the faithfulness to the original material. The series has always done a very good job of this, but I think it was best done here. As someone who has read the trilogy, I was very happy with how closely the two mirrored one another. The setting of certain scenes changed naturally (which was to be expected), but much of the dialog was the original text. I love to see a film maintain that level of commitment, because much of the fan base is made of people who fell in love with the books and wanted to see that same story illuminated on the silver screen. I don’t imagine that anyone will be disappointed in that regard.

Between their stints on Saturday Night Live and their subsequent sitcom hits, Tina Fey and Amy Poehler are two of the most successful comedic voices of the new millennium. (I happen to think Fey’s 30 Rock and Poehler’s Parks and Recreation are both among the five best comedies to debut in the last 10 years.) The longtime friends — dating back to their Chicago improv days in the early ‘90s — have also proven to be funny together, most notably during their well-received gigs hosting the Golden Globes. I'm telling you all of that to tell you this...I can’t believe how bad their new movie is.

Poehler is Maura Ellis, the goody two-shoes daughter of Bucky and Deana (James Brolin, Dianne Wiest). Fey is Kate Ellis, Maura’s older sister and the family’s bawdy black sheep who has just been kicked out of her apartment. Bucky and Deana have sold the girls’ beloved family home — dubbed “Ellis Island” — and they need their daughters to come down to Orlando to pack up their rooms. (They force Maura to tell Kate the news, since the latter doesn’t take bad news well.) Before having turn the house over to the snobbish new owners, the Ellis sisters decide to have one final mega-bash in their childhood home.