Disc Type

I don't enjoy writing negative reviews. It's a struggle when the film experience was joyless and then to have to go back and relive that. I also don't enjoy reading reviews by other critics that get everything completely wrong. It's even worse when almost all the critics get it wrong. Even worse than that is when I see critics dumping on a film that's actually good, but that's a story for a different day. How can I say Spy is so bad? Because I had to sit through the movie. I can get some enjoyment out of even the worst movies, and that's true here, but I would not recommend it to unsuspecting viewers.

“My name is Clay Marshall, and I am one of the many survivors of the zombie apocalypse.”

Yes, you read that right. The word “many” in the above quote is not a misprint. A Plague So Pleasant seeks to explore the crushingly mundane aftermath of a worldwide plague. Unfortunately, the movie appears to be of two minds in terms of presenting its skewed view of the zombie apocalypse. The result is an intriguing, uneven film that doesn't fully come together.

Remember when you were a kid and one of your friends would come over and ask if you could come out and play? You would head for the door with a grin from ear to ear, because you knew you were about to have a blast. You might not have had any idea what it was you were going to do. Often you made it up as you went along. It didn't matter. You just knew fun times were on the other side of your front door. That's exactly how I felt going to catch The Avengers: Age Of Ultron. It was as if Joss Whedon had come to my house and asked me to come out and play.

"Life's short and then you die. And then... then you have make some decisions. You can skulk around, lamenting all that you've lost, trying to keep yourself numb and isolated. Or you can embrace who you are."

For years I've been hearing about how "hot" vampires were on television and in the movies. It all appeared to start with Buffy the Vampire Slayer, but it actually goes back a lot longer ago. Zombies, on the other hand were the sole property of feature films, usually extreme low-budget affairs. AMC's The Walking Dead has changed all of that.

by Dustin P. Anderson

Charlie Brown and his gang of friends are at it again; this time the crew must go to France for a foreign exchange program. Before his journey begins, Charlie Brown receives a strange letter from France telling him to come and stay at a Chateau. Little does Charlie Brown know, he is going to an infamous Chateau in this small French community, which is notorious for not allowing visitors. Charlie Brown and Linus sleep outside in a stable with no sign of anyone actually living at this place, but they are still provided food each morning by some unknown entity. It is up to Charlie Brown to find out who this person is, and why he has been forced into sleeping under such conditions.

by Dustin P. Anderson

Our series follows Mikey and his friends as they thrown into the digital world while trying to save a strange creature from certain death. This creature is a Digimon that leads him to encountering a strange, intangible voice which gives him the choice of saving the hurt Digimon or walking away. Mikey chooses to save him and in turn receives something known as a Fusion Loader, and is transported into the digital world. Once there, it is revealed to Mikey that the hurt Digimon is seeking to become the ruler of the Digiverse so he can protect all of his fellow Digimon from the evil overlord, Lord Bagra, conquering lands one by one. Facing insurmountable odds, it is revealed that Mikey has one thing the evil conqueror doesn’t: his Fusion Loader. This Fusion Loader is capable of fusing together all types of Digimon to create one new, more powerful being. With the Fusion Loader in hand, and his friends by his side, Mikey sets off to right the wrongs caused by the overlord.

"My name is Ichabod Crane. In 1781 I died on the battlefield, but I was saved by a mysterious spell cast upon me by my wife Katrina. Now I've been reawakened 250 years later in a land I no longer recognize. And fate has led me to Miss Abigail Mills., a young police lieutenant. Investigating baffling mysteries, our real mission is in danger, and the apocalypse may be upon us, our destinies entwined."

Fans of the tale The Legend Of Sleepy Hollow will recall that Ichabod came to encounter the headless horseman in one of the first American horror tales ever written.

Yet another film from the Sundance Film Festival has been distributed to Upcomingdiscs headquarters. Noaz Deshe’s White Shadow was nominated for the World Cinema Grand Jury Prize in the “Dramatic” category, and while it didn’t win, it is very easy to see why this film is a strong contender. The film is beautifully shot and edited, paying a lot of attention to lighting and color. White Shadow tells the story of Alias, a young albino boy living in Tanzania, who must flee his home after the murder of his father. There is a danger to all albinos in the area as a local witch doctor harvests their organs for his various potions.

“Jane’s life was now the stuff of telenovelas.”

As someone who grew up in a Spanish-speaking household, I have a love-hate relationship with telenovelas. Most of the time, I can appreciate — and heartily laugh at — their inspired, over-the-top campiness. But sometimes I honestly feel a little embarrassed that this broad, ridiculous junk easily represents the most visible outlet for stories featuring Hispanic actors/characters. I’m also insulted by the implication that Hispanic audiences don’t want more nuanced TV options. The great thing about The CW’s Jane the Virgin is that it works both as an outrageous nighttime soap and a sharp, good-hearted satire.

Dennis Hopper was probably a friend of James Dean, since he appeared in two of Dean's three films, Giant and Rebel Without a Cause. It's hard to tell about Hopper, because he went through so many changes over the years. In the fifties and early sixties, he was clean-cut and quiet. After Dean's death he started to acquire a rebellious streak, famously confronting director Henry Hathaway on the interpretation of a scene requiring 80 takes. It nearly destroyed Hopper's career early on, but John Wayne got Hopper on two other Hathaway westerns, and fences were mended in the Old West.