Posted in: No Huddle Reviews by Gino Sassani on May 13th, 2015
If you were around in 1972, television was a very different place. By midnight most stations were shutting down to the tune of the national anthem. After that there was a test pattern and a high-pitched ring that would fill your screen until dawn when programming would resume. Of course, there were also only three networks, and, if you were lucky enough to live in a large market, a handful of local stations. All good people were expected to be safely tucked into their beds long before 1:00 AM. It was a very different world from today when we get 24-hour programming on over 200 stations or more. Oh, and there was no home video, in case you thought you could just pop in a movie for your late-night viewing pleasure. Video games? Forget it. In just a couple of years, you were going to get Pong.
The music business was also very different in 1972. It was the age of the singer-songwriter and rock bands who actually played instruments. Music was sold on vinyl record albums, and there was no MTV or VH1. If you wanted to see your favorite band perform, you went to a concert. There were dance shows that went all the way back to the 50's with Dick Clark's American Bandstand or Soul Train. But these shows featured performances that were lip-synched to the familiar recordings. These were almost never live performances. If you were lucky, your favorite band might show up on Johnny Carson or Ed Sullivan before that. Downloading music meant you worked at a record store, and you were unloading boxes of albums from the back of a delivery truck. Even the Walkman was a decade in the future. Bands just didn't have access to the fans the way they do today. All of that started to change on August 19, 1972. That was the day The Midnight Special arrived, and things would never be the same again.
Posted in: Disc Reviews by J C on May 13th, 2015
Lost River is the showy, laborious, mystifying feature filmmaking debut of actor/meme machine Ryan Gosling. Unfortunately, you’re more likely to have heard about the intensely negative reaction the movie received when it premiered at Cannes last year, than you are to have actually seen the film. Lost River now arrives on a bare bones Blu-ray that does little to clear up — or enhance — Gosling’s first foray into directing. So we’re left to assume he simply decided to make a movie out of his dream journal.
The plot of Lost River is ostensibly simple. It’s the story of Billy (Christina Hendricks), a single mother who lives in a particularly run-down part of Detroit with her two sons, teenaged Bones (Iain De Caestecker) and toddler Franky (Landyn Stewart). Bones likes to get into abandoned houses and collect interesting scraps. Meanwhile, Billy learns she is in danger of losing her family’s home after meeting with eccentric bank manager Dave (Ben Mendelsohn), who suggests she get a job in town. So far, so normal…except the operative word here is definitely Lost, which is how you’ll likely feel as the story unfolds.
Posted in: No Huddle Reviews by Gino Sassani on May 12th, 2015
"If you can dream it, we can build it."
That's the motto of Wayde King and Brett Raymer of Acrylic Tank Manufacturing (ATM). They are two guys from Brooklyn who moved to Vegas where they started ATM. Why they couldn't do it in Brooklyn isn't ever mentioned. Must be the high taxes. The duo claim that they are the number one tank aquarium manufacturers in the United States. That likely doesn't include the mass-produce guys like All-Glass. Still, from what I've seen here, there's no question these guys are good.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2015
"It's the guy next door, guy who sits too close in the theater, maybe even at church. Plain, ordinary, the everyday man. That's the guy they should be afraid of. 'Cause they never see him coming."
Or maybe the friendly neighborhood barber. Max Enscoe's screenplay for The Barber appears to touch on those fears. We've all seen those interviews with neighbors and friends after a particularly heinous killer is finally caught. He was quiet. Always went to church.
Posted in: Disc Reviews by Archive Authors on May 12th, 2015
There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama. The movie navigates through very murky and unexplored waters and comes out the other side triumphantly. There is no reason that these waters are unexplored except for the fact that everyone thinks everyone else is racist but never looks at themselves. There is lots of very ugly and violent racism, and then there is subconscious racism. The subconscious racism is harder to deal with.
Most people are guilty of this, because we all tend to put ourselves in smaller and smaller categories.
Posted in: Disc Reviews by J C on May 11th, 2015
“It’s like being kids again. The streets are our playground.”
The above quote refers to parkour, the art and discipline of moving through urban spaces that was popularized in France. French practitioners of parkour are called “traceurs,” which gives this totally clichéd, consistently ridiculous, but occasionally breathtaking action flick its title. You’ve seen the plot before (many times), but Tracers still vaults itself above the straight-to-DVD pack thanks to its freewheeling free-running sequences.
Posted in: No Huddle Reviews by Dan Holland on May 10th, 2015
“Have we heard from the devil yet?”
Perhaps we have, given the cunning deception of the DVD’s front cover. I take joy in walking into films relatively blind, only having seen the attention-grabbing image that prompted me to pick it up. Let it be known that the cover of the DVD I received differs greatly from the one that is advertised on Amazon; however, both covers are severely misleading as to what the film actually entails. That being said, knowing absolutely nothing about this film may not be the best way to approach it.
Posted in: No Huddle Reviews by Archive Authors on May 10th, 2015
"When you have a formula, you work it. You work it to death."
Cue obnoxious New York bar expert who reminds me of a Mafia hit man, insert a cute mixologist, an experienced chef, and four different sets of confrontational failing bar owners being gifted with five days with Jon Taffer and his longevity in the industry, experience with over 800 bars, and you have Bar Rescue – Toughest Rescues.
Posted in: No Huddle Reviews by Jeremy Butler on May 8th, 2015
I will be the first to admit that I never watched a horse race prior this film. Just never interested me; however, it did not take long to see that 50 to 1 is more of a story about unwavering friendship; friendship between two men who had a chance encounter years before becoming a team and a friendship between a trainer and a horse that everyone has all but given up on. As cheesy as that may sound in theory, it was actually a very warm concept, and the production team manages to unfold the story in a way that makes it easy to watch.
Ten years ago, Chip Woolley (Skeet Ulrich) saved Mark Allen (Christian Kane) during a barroom altercation. Despite not knowing each other, Woolley made a spur of the minute decision to aid Allen in the fight. After the fight, the two bond briefly over their shared life in the horse race circuit before departing with Allen proclaiming that he owed Woolley one.
Posted in: No Huddle Reviews by J C on May 8th, 2015
“Too much time alone, you get stuck up in your head. Your brain becomes a maze.”
The most important thing you need to know about Apparition is that it’s not a horror movie. (The second most important thing you should know is that this is a different film from The Apparition, which is one of the worst movies I’ve seen during my three-year stint writing for this site.) Yes, there’s a haunted house, cranky spirits, and an abnormally high number of jump scares. But at its heart, this low-budget thriller is a drama about dealing with the grief of losing a loved one.
