Posted in: No Huddle Reviews by Dan Holland on May 22nd, 2015
La cena delle beffe, or The Jester’s Supper (1942), is an Italian period drama that was produced in Cinecittà (Cinema City). Before WWII and its aftermath, Italy’s film industry was more like what you would see in Hollywood during the same time. Spanning from the 1930’s to the early 1940’s, this movement was characterized by light comedies and historical films. The Jester’s Supper is no exception, telling a tale of a love triangle, vengeance, and madness. Directed by Alessandro Blasetti, The Jester’s Supper follows the drama between Neri (Amedeo Nazzari), Giannetto (Osvaldo Valenti), Ginevra (Clara Calamai), and their love affair. Gianetto and Neri are rivals who compete for the love of the beautiful Ginevra, but when Neri succeeds in taking Ginevra for his own, Gianetto finds a new love in vengeance. Swearing to win Ginevra back, Gianetto develops a plot to frame Neri as a madman so he will be incarcerated, leaving Ginevra to himself. Ridden with guilt, Gianetto releases Neri, prompting Neri to seek his own revenge.
If you watch this movie for nothing else, it has to be for Amedeo Nazzari’s acting. Known to Italy primarily as a hero, Nazzari is cast in a role of a villainous, arrogant playboy with many friends and thugs. While this casting may be against his typical roles, he stops at nothing to deliver his best performance. Though falsely accused of being mad at first, slowly throughout the film you watch him sink into an actual madness. The range of emotion that Nazzari is able to portray is incredible: Arrogance, anger, sadness, defeat, and madness. Nazzari’s presence took me by surprise, much like Toshiro Mifune’s did when I first watched Rashomon years ago. I’d go as far as to say that Mifune watched The Jester’s Supper in addition to the behavior of lions to prepare for his iconic role in 1950’s Rashomon.
Posted in: Disc Reviews by J C on May 21st, 2015
At this point, it’s pretty difficult to find a play by William Shakespeare that hasn’t been produced for the stage or adapted for the screen many times over. So imagine my surprise when I came across Cymbeline, a Shakespearean play I’d never even heard of. (Though maybe that says more about me than it does about the play’s popularity.) Filmmaker Michael Almereyda transplants the action to the present day, but the tablets, cell phones, and other anachronistic touches aren’t enough to inject life into a languid, lurching film that largely squanders a pretty impressive cast.
“For years, Cymbeline — King of the Briton Motorcycle Club — has maintained an uneasy peace with the Roman Police Force.”
Posted in: Disc Reviews by Gino Sassani on May 19th, 2015
"The thing that haunts me are all the guys that I couldn't save."
I have to admit I was a little skeptical that Clint Eastwood followed up his directing stint on Jersey Boys as quickly as he did to shoot American Sniper. The former was far from one of his better efforts, and he looked increasingly out of his element by the time it was said and done. He jumped into his preparation for American Sniper almost immediately, and the results could have been...underwhelming. Instead Eastwood hit his target with the kind of profound impact I don't think I've seen from him since Unforgiven. Unforgiven won a Best Picture award, and deservedly so. American Sniper was nominated, although Eastwood himself was snubbed in the director category. It didn't win, of course, but this is one that most certainly deserves your attention.
Posted in: No Huddle Reviews by Archive Authors on May 19th, 2015
"Meet the Robertson clan. They turned duck calls into a multi-million dollar empire. But running a family business is tough when the family just wants to run wild."
The Robertson family is quickly becoming the most recognizable family on TV, considering they are flooding the stores with their books, DVD’s, and many other products you can find at Wal-Mart. I can’t help but think this is a family that is doing everything right, and good for them for the success they’ve managed. Seeing a positive reality show is refreshing, and the fact that it’s not filled with backstabbing and manipulation just allows it to stand out from everything else. Every episode continues to try to deliver some life lesson or attempt to show the value of a wholesome family environment. Is it hard to relate because we’re following a multi-million dollar family? Surprisingly, this might be the most relatable family to hit the TV screen.
Posted in: Disc Reviews by J C on May 19th, 2015
If nothing else, The Pyramid has an intriguing premise. A father-daughter archaeologist team discovers an unusual, three-sided pyramid buried 600 feet underground that might even predate the ancient Egyptians. Essentially, this is Ancient Aliens as a found-footage horror film. Yes…unfortunately, I said “found footage,” a cinematic device that now feels even more decrepit than your garden variety mummy. So while the film’s opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.
Miles Holden (Denis O’Hare) is a patient, old-school archaeologist, while his daughter Nora (Ashley Hinshaw) is more excitable and has been quicker to embrace new tools like satellite technology in her work. Together, they have made what is potentially the find of the century: an ancient pyramid buried deep beneath the desert in Egypt. A documentary film crew — journalist Sunni (Crista Nicola) and camera guy Fitzie (James Buckley) — arrives to capture the Holdens’ discovery.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2015
"As you know, in less than two hours liquor will be declared illegal by decree of the distinguished gentlemen of our nation's Congress. To those beautiful, ignorant bastards. Rest assured that, dry though the country may be, I am in the midst of concluding arrangements that will keep Atlantic City wet..."
HBO has finally released a full series set of Boardwalk Empire on Blu-ray. This is an HBO trend that has gone full tilt in the last year, seeing such hits as The Sopranos, True Blood and soon The Wire all coming in wonderful full-series releases. They look great on your video shelf. Together they create a tremendous number of hours of quality television. I love having it all in one place. If you're new to the show, what better time to climb on board? Here's a primer on what you're going to see. I almost envy you folks who will watch it all for the first time in one sweep.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2015
"A man of your age has no excuse for looking or behaving like a fugitive from a home for alcoholic music hall artistes."
Sound like anyone you know? Johnny Depp is one hell of a talented actor. There are few in the industry than can so completely inhabit a character. He has an uncanny ability to make you forget Johnny Depp the actor and lose yourself in his performance. He is a chameleon physically and expressively. Unfortunately, Johnny has had trouble finding box office gold lately. You see, he's having a lot of fun at our expense. But it's not just we who are footing the bill for his tomfoolery. The studios are handing out hundreds of millions of dollars for box office misses like The Lone Ranger, Transcendence, Dark Shadows, The Rum Diaries and the animated Rango. Depp appears interested only in making films where he can have a blast on screen and doesn't appear all that concerned if the film makes any money or if the audience feels like they've been invited into the party. You can now add Mortdecai to that list. There's absolutely no question that Depp is having a blast, but if you paid anything at all to see it, it was at your expense.
Posted in: No Huddle Reviews by J C on May 18th, 2015
“Nobody’s innocent. Everyone’s hiding things.”
The citizens of Broadchurch — the fictional seaside town that was rocked by the murder of a young boy in this superlative British crime drama — learned the above lesson the hard way. In fact, I felt pretty strongly that every compelling secret the series had to offer had surfaced during the show’s outstanding first season. So I was pretty dubious when I heard creator/head writer Chris Chibnall had gotten the band back together for an encore. Having now finished season 2, I’m thoroughly delighted to be proven wrong.
Posted in: No Huddle Reviews by Dan Holland on May 14th, 2015
Once more I dive into the deep chasm that is filled with contemporary, independent exorcism films. Reading the title, An Irish Exorcism, what can be expected of this film? I was hoping for the film to bring focus to what it means for an exorcism to be “Irish.” Do Irish Catholics perform exorcisms differently than other Catholics? Is there a world-famous exorcist who travels to Ireland in order to succeed in saving a child’s life, where countless priests have failed? Wherever your imagination takes you after reading the title is a step toward a more creative film. The only thing that sets An Irish Exorcism apart from other cookie-cutter exorcism films is that it is set in Ireland.
An Irish Exorcism tells the story of Lisa (Anna Davis), a college student researching exorcisms, as she pieces together video interviews and other evidence for her final class project. Father Quinn (Paddy C. Courtney), a more progressive priest, helps Lisa get in touch with the more traditional Father Byrne (Brian Fortune) for her project. Father Byrne is reluctant to help, but allows Lisa to document the possession and subsequent exorcism of a local girl in order to finish her project. As you may have guessed, the film is presented to us as “found footage,” complete with an introductory disclaimer stating the “credibility” of the images that follow.
Posted in: Disc Reviews by J C on May 14th, 2015
“To truly know a man, you must walk in his shoes.”
On the lone special feature of any substance included on this Blu-ray, director/co-writer Thomas McCarthy admits The Cobbler was inspired by the well-known idiom listed above. I’m all for getting as many original ideas on the big screen as possible. But even if you don’t think basing a feature film on a popular saying is a shaky proposition, The Cobbler severely underwhelms because it totally fails to capitalize on its high-concept premise in an intriguing way.
