Disc Type

Tinto Brass is a dirty old man, but I'll get to that later. Tinto Brass directed the film Black Angel in 2002 (when it was called Senso 45), and it is now getting a DVD release. It is an adaptation of the novella Senso, written by Camillo Boito, which was previously filmed by Luchino Visconti. This version takes place in Fascist Italy in 1945. Fascism had been growing in Italy under Benito Mussolini since the early part of the 20th century. It influenced and eventually became intertwined with German Nazism until their mutual destruction in 1945 with the deaths of Hitler and Mussolini within days of each other at the end of April of 1945. Whatever their goals were at the start, they both devolved into depravity and insanity.

Whit (Whitby) Hertford is short, around 5 foot 1. He is the writer and star of Dreamworld. I mention this because he is the little dynamo that drives dreams of greatness. He also plays the depressed and scared little mouse because it is a part he understands. Whitby Hertford was a child actor (Nightmare on Elm Street 5: Dream Child), and he has retained the giant puppy-dog eyes even though now he has five o'clock shadow and a puffy face. He has worked regularly through the years, because clearly he is bitten with the bug. He wants to be a star. If he is going to be a star, he will be an unlikely one. At least he hasn't  gone the way of many child actors. He's not a drug addict, prostitute or convicted felon. He has the look of someone who is dying, though. He has a sad and longing look.

British badass Craig Fairbrass looks more like the henchman in an action movie than the hero. (To be fair, Fairbrass looks like the lead henchman who always gives the hero a little more trouble than you’d expect, but he looks like a henchman nonetheless.) The actor has worked steadily in England and Hollywood, including a role in Cliffhanger where he played one of John Lithgow’s (you guessed it) henchmen. With The Outsider, Fairbrass earns a story credit and the right to play the hero in this junky, bruising, low-budget cross between Taken and The Limey.

It started 300 million years ago... OK, it really started in August of 2008 when the British television series Primeval arrived on the scene. It was a combination Stargate and Jurassic Park. Professor Nick Carter (Henshall) became obsessed with a natural phenomenon he coined anomalies. These sparkling electro-magnetic disturbances were doorways to eras of the past, and later discovered, the future. His wife had disappeared into one several years earlier, and he ended up heading a government team called A.R.C. (Anomaly Research Center) to deal with the beasts that get through to our side.

When you are first getting into a relationship those first few weeks can be pretty awkward at times as the two of you get to know one another.  The decision to go on a road trip early on in a relationship is simply one of those gambles that can go either way, but if the trip goes well, then of course the future of this budding romance is all the more promising.  In Fear follows a couple that bravely decides to take a road trip together so they can see a concert; unfortunately for them, it’s the road trip from hell.

Joel and Ethan Coen have been churning out hits for decades.  From Raising Arizona to Fargo and No Country For Old Men as well as many cult hits in between, the Coen brothers have a unique voice that has led to their long success in the Hollywood system.  With their new release, the Coens delve into the Greenwich Village Folk scene in the winter of 1961.  It’s a time that most audiences (myself included) may not be very knowledgeable about. The Coens take on this niche genre of music and present an engaging tale about a struggling musician and his journey to find success in an industry that at the time had a deaf ear to Folk.

Gone With The Wind is the most popular film of all time still to this day if you talk about adjusted dollars. The Birth of a Nation was the most popular film of all time for a considerable time prior to that. Both films could be said to have a benign view of slavery and white supremacy, although it would be easy to use much stronger language than that. In most circles, both films have been considerably discredited due to this myopic view. Both films almost completely ignore or disregard the incredible cruelty of using human beings as a commodity for commerce.

Instead of featuring episodes from this season in consecutive order this DVD set takes episodes of a similar theme from each of its three seasons and bundles them together. As the title ever so subtly suggests, these episodes all feature animals. Along with sharing a theme, these episodes all follow the same formula that Bubble Guppies has had all along.

Paul Walker built his career on playing tarnished golden boys (Varsity Blues, The Skulls) before breaking out with the Fast & Furious franchise. He wasn’t as decorated as fellow recently-departed colleagues like Philip Seymour Hoffman, Peter O’Toole, James Gandolfini and Harold Ramis, but Walker was unequivocally a Hollywood success. Hours is one of the last films the actor completed before his November death in a single-car accident. The film quickly loses its way after a promising start, but Walker is easily the best thing in it. His work here is a bittersweet glimpse at the sort of roles he might’ve taken on as he progressed through his 40’s.

Long before Clint Eastwood was making our day as Dirty Harry or even roaming the badlands without a name for Sergio Leone, he was working the cattle drive on Rawhide. Rawhide was created to take advantage of the huge Western film and television wave that Hollywood had been riding for nearly a decade. With huge ratings for Gunsmoke and Bonanza among others, Rawhide was a bit of an unlikely success. Here the show explored the West on an endless cattle drive to get a few thousand steer to market.