Disc Type

"It's opening up all kinds of doors."

Alcatraz Prison was one of the country's most secure facilities for over 60 years. It was built on a rocky island off San Francisco. You couldn't dig through the rock, and the surrounding ocean was cold and heavily populated by sharks big enough to feed off the plentiful seal population. For 60 years no one had successfully escaped the prison. That record was broken in June of 1962 when three inmates, brothers Clarence and John Anglin, escaped with Frank Morris, who was believed to have masterminded the plot. Sixty years later the case remains officially open, and no one knows what happened to the three men. In 1963 J. Campbell Bruce wrote a non-fiction book called Escape From Alcatraz. The book attempted to document all of the serious attempts to escape the prison, which of course included the 1962 escape. The book also called attention to some of the conditions of the prison and was a part of the reason it shut down completely just a year after publication of the book.

"It's what people know about themselves inside that makes 'em afraid."

Clint Eastwood might have gotten his film career started with bit roles in the sci-fi classics Tarantula and Return Of The Creature, but he made his mark in Europe with Sergio Leone and his famous spaghetti westerns. He became The Man With No Name in a trilogy of films, and it would create the character of Clint as much as it would any film character. Eastwood was smart, and he used the time on those films to learn. He was observant and took in all of the technical aspects of the business of making movies, and it continues to serve him 60 years later, as Eastwood has become as much of an icon behind the camera as he ever did in front of it. His first directing job was Play Misty For Me, but he returned to those still fresh spaghetti-western roots for his second time in the director's chair and his first time directing a western. High Plains Drifter would fit nicely into the trilogy of Leone films. The character called The Stranger could very much be the same Man With No Name, and it's clear enough that he took away more than a paycheck from his time spent in Italy and Spain with Leone. High Plains Drifter would be Clint Eastwood's exclamation point on his earlier career and would take him to places I'm sure even The Stranger could have imagined. Let's just say he's earned more than a fistful of dollars. Now thanks to Kino-Lorber it's out in UHD/4K, and it's never looked better.

The 1972 film The Valachi Papers is the mostly true story of Joe Valachi, who was made famous/infamous for his testimony to the US Senate about the activities of the Cosa Nostra, or what we more commonly call the mafia. I have to be honest; I don’t’ know how this film has escaped me for so long, I hadn’t even heard of it till Kino pulled this one from the vaults to release on Blu-ray. For film lovers, and especially those who love a good old fashioned gangster film, I’d say this is a must-watch, mostly because the first thing that came to mind while watching this film is how much this film must have influenced Martin Scorsese and his approach to making Goodfellas, If that’s not enough to get you to want to check out the film, well, let me tell you a little more about it.

Charles Bronson plays the role of Joe Valachi, and this film does span his entire criminal career from the early 1920’s to his testimony in the 1960’s. What’s a little surprising is that Bronson plays the role throughout. Of course back then the filmmakers couldn’t pull the CGI tricks we see in The Irishman, and instead all they use for the aging effects in this film are simple makeup and hair styling products. Is it believable seeing Bronson playing a character in their 20s when at the time the actor was well into their 50s? No, but I still appreciate it more than the de-aging technology we’re seeing nowadays.

I was surprised to read that actor Henry Silva passed away back in September; he’s one of the great tough-guy actors who thrived in the 60’s and 70’s that we just don’t have any more. Personally I was a fan of his Euro Crime films, The Boss and The Italian Connection. Silva just had a way of exuding cool and badass that in  my eyes made him a rock star on the screen. He was like a rougher Charles Bronson. He was in two movies that made a big impression on me as a kid. Granted they are both glorified B movies, but Allan Quaterman and the Lost City of Gold and Alligator (1980) were movies that were in a high rotation for me as a kid, and it’s Henry Silva’s mean-guy mug that has stuck with me for so long. My point is, I look at Henry Silva as a cinematic treasure, and when I had the chance to check out the new Kino release of Assassination, a Henry Silva film I had never seen or even heard of, well, I was excited. Sadly, this one is a bit of a mess.

Assassination is a film that fits into the sub-genre of the Euro-Spy wave that came along after the success of the James Bond films. There were a lot of knockoffs; some were even pretty good, The Cold War supplied so much material for the spy genre that we are still getting a plentiful amount of films about the topic. This film opens up with John Chandler (Henry Silva) awaiting execution for crimes we only find out later that he is responsible for. We see the whole song and dance of them prepping for his execution and his farewell to his wife, only to discover that this is all an elaborate hoax the CIA is pulling off to fake Chandler’s death, then to give him plastic surgery just so they can use him to play his long-lost brother Philip so he can help the government take down a crime boss. It’s an elaborate plot that gets so overly complicated with double crosses that the film just seems silly.

"Like a river flows, Surely to the sea, Darling, so it goes, Some things are meant to be ..." 

Elvis Presley is often referred to as the King Of Rock and Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him.

Many times when we watch films for the first time, we get distracted.  Maybe it's a pretty girl, money issues, or perhaps you had something else on your mind that's hurting your focus.  Whatever it is, it can really change your interpretation of a movie in a positive or negative way.  One such movie for me is Mystery Men when I saw it in early 2000.  Back when rentals were a thing, I remember renting this film and being distracted completely by someone who shall remain nameless.  I barely liked the movie and didn't really watch it again until many years later only to realize I liked the film far more than originally thought.  Four or five times later, I revisit the film again, this time in glorious 4K.  Let's see how it does.

Thunder is rumbling, and we have arrived in the futuristic Champion City.  A place of superheroes and supervillains.  The scene is a private party with some rich senior citizens.  All of a sudden, Big Red (played by Artie Lange) runs in with his gang of bad guys to rob the place.  They steal everything in sight; nothing is safe, not even a prosthetic arm.  But just when you think nothing can save these wealthy elderly members of society, we have a few heroes who might save the day.

"Good evening. Let me welcome you to this parlor of paintings. We offer them to you for your enjoyment and edification. Feel free to dwell on them at your leisure and in your own good fashion, but kindly don't touch, because here they frequently touch back."

When I mention the name Rod Serling, I'll bet that The Twilight Zone is the first thing that pops into your head. And why not? It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind. When Rod Serling brought his landmark series to CBS in October of 1959, television was still very new. No one was quite sure what the future held for that magical box. For five years Rod Serling would enter our living rooms with the most bizarre tales we'd ever seen. But no matter how exotic and strange the stories might appear on the surface, Serling always brought our own humanity into vividly sharp focus before it was over. When the series had run its course, we didn't hear much from Serling for over a decade. He continued writing, of course. His screenplay for the 1968 Planet Of The Apes would lead to record breaking at the box office, but Serling's home was always that magical box, and it didn't take long for him to find his way back.

"It's uncensored, so language and sexual material is off the charts. So if that's not your style, you have been warned. No political correctness..."

It was the early 1990's, and record producer Russell Simmons got an idea and brought it to the folks at HBO. In a very short period of time, the half-hour show he created would become the highest-rated show in cable television history. He brought both the big names in black comedy as well as so many newcomers who have gone on to become big stars themselves. This was the days before streaming, and it came on Friday nights just as the folks who usually watch these things were out getting their entertainment live and in person. It was quite an accomplishment to get those folks to stay home and watch a half-hour television show instead. But that's exactly what happened, and while the series ended in 1997, in five short years it made both television and comedy history.

Favorite movies are usually easy to come back to.  It's a familiar song, stars you feel at home with, and even if you recite all the lines by heart, you can find something new to come back to.  In the case of Planes, Trains, and Automobiles, even though I had seen the movie probably around a dozen times or more, I was lured by the promise of new deleted and extended scenes but also a 4K-quality picture.  But as with life, you don't always get everything you want.  Let's take a look.

Please note that portions of this review came from my 2011 article on the Blu-ray, and I have improved on it where possible (and it makes sense to).  

When the MCU announced their intention to move forward with this sequel despite the tragic demise of Chadwick Boseman, I voiced my displeasure loudly. As far as I was concern, there could be no Black Panther without Chadwick Boseman. Additionally, it just seemed unnecessary. The first film was masterful and complete. It didn’t require a sequel. We could have just preserved the integrity of the first film by letting it stay untouched. However, that is not how the business works. If there is a dollar to be made, there isn’t anything that won’t be diluted down for that sake. I realize that sounds harsh, but if I’m being honest, that is what Wakanda Forever felt like to me. This not to say that there weren’t some good, genuine moments that brought me back to my feelings that I had while watching the first one. It is also worth mentioning that I found the film to have paid Boseman the proper respect that I believe he deserved, both with a powerful moment of silence at the beginning of the film, as well as a funeral processional for his character that was fit for a king that he was in film and in real life. It just still wasn’t enough. The elements to make it great were there, but the story leaves a lot of things incomplete and unresolved despite having a runtime of nearly three hours.

I will caveat this review by acknowledging my clear bias. I am a big Chadwick Boseman fan. I believe that we lost an all-time great. While his career may not have been long, it certainly was illustrious. He was without question the go-to actor for autographical films featuring historical black figures, having played Jackie Robinson, James Brown, and Thurgood Marshall. I also believe that he was deserving of that Academy Award he was nominated for Ma Rainey’s Black Bottom. I’m not bashing Anthony Hopkins, just saying that Boseman was deserving as well. I won’t go on and on; I am merely trying to say how sad I am for the loss of a true talent and an even better gentleman.