Posted in: Disc Reviews by Michael Durr on February 23rd, 2012
Looking over my sports dvd library, one might notice a lot of contact type titles. From Wrestling to MMA to high intensity action films, I have my fill of male testosterone fueled viewing. The question remained what would I think of some bare knuckled fist fighting in the documentary that took over ten years to make: Knuckle. Would it be simply too barbaric or would I crave more?
We see a man punching a bag held by another man with his bare fists and then the same guy sparring later on the beach. This soon prompts a scene with a police cruiser where they have to explain themselves that not only are they shooting a documentary that has lasted the last ten years but this Irish man is preparing for an upcoming fight in London. This man is simply known by the name of James Quinn McDonagh. And the credits roll.
Posted in: No Huddle Reviews by Archive Authors on February 22nd, 2012
By Natasha Samreny
“I started doing comedy in the comedy clubs in 1977. I couldn't wait till I got my face on that doggone wall. I couldn't wait till they called my name and I walked through a smoke-filled room, the little small tables and pulled that mike out that hole.”
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2012
"The darker picture is always the correct one. When you read the history of the world you are reading a saga of bloodshed and greed and folly the import of which is impossible to ignore. And yet we imagine that the future will somehow be different."
One thing that is absolutely different is HBO's The Sunset Limited. I can assure you that this film is unlike any movie you've ever seen before, or are likely to see again. There are a lot of reasons for this, of course. The most glaring difference is that the film is staged and performed very much like a live stage performance. You will get the feeling almost immediately that you are watching a play rather than a movie. It's a natural enough sensation when you consider the film has been written by Cormac McCarthy from his own stage play. The entire film takes place in a rather depressing and claustrophobic tenement apartment. The furniture is sparse and worn. The smell of poverty prevails in every inch of the small space. All of this brings us into more intimate contact with the players and enhances that feeling of watching a play.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2012
There were a ton of changes in the 5th season. There would be a rather large cast shake-up. Lee Cobb and Roberta Shore were now completely gone. It was only a matter of time for Cobb, who was never really happy doing the show but never let it get in the way of his performance or attitude toward the rest of the cast and crew. Enter Charles Bickford in his only season as the Granger family head, John. He brings his grandchildren Elizabeth, played by Sara Lane, and Stacy, played by Don Quine.
The Virginian set itself apart from the others in two ways. The first was found in the source material. The series was based on a 1902 novel by Owen Winsler, a man who actually lived in the Wyoming badlands during the time the series was set. The source material helps to add a sense of authenticity that might well have been a slight step ahead of the rest. It wasn't as violent as the others, again reflecting a more realistic sense of direction.
Posted in: Disc Reviews by J C on February 21st, 2012
I completely understand if you bailed out on Weeds a long time ago. The fact is the current show bears little resemblance to the subversive, suburban sitcom that became one of Showtime's first comedy smashes. That's partly because the tone of the show took a dark turn into Mexican cartels and human trafficking after the end of season 3. Even worse, the once-fresh characters had become, at best, reliably annoying — think Kevin Nealon's Doug Wilson — or, at worst, completely unlikable (like Mary Louise Parker's Nancy Botwin, the leader in the clubhouse for the title of TV's Worst Mom.)
But here's why I'm actually ok with the way Weeds has played out (besides my immense crush on Mary Louise Parker): what else were creator Jenji Kohan and her team supposed to do? If season 7 rolled around, and Nancy was still dealing pot in Agrestic, the show would get crushed for never evolving. In fact, given Nancy's relentless ambition and reckless behavior, I think the show has progressed in a semi-realistic way. Well, except for the part where she always gets out of impossible jams.
Posted in: Disc Reviews by William O'Donnell on February 19th, 2012
Jimmy is a clinically overweight teen who is starting high school. He is immediately the target for relentless bullying but tries ignoring his classmates' tormenting by focusing his attention on losing weight and trying to win over a girl he fancies in his classroom.
Based on a novel by Diane Lang and Michael Buchanan, this is a serviceable lesson about how children can attempt to keep a positive attitude despite facing all sorts of adversities. Said adversities Jimmy faces start as typical bullying, which is portrayed in this film in a realistic fashion, and escalates to extremely serious issues regarding his best friend, whom is facing even greater challenges living in a broken home with an alcoholic father.
Posted in: Disc Reviews by Michael Durr on February 19th, 2012
Make no bones about it, Storage Wars is one of my favorite television shows of all time. Most people would refer to it as a modern day treasure hunt, but when it comes down to it, the cast of characters is what keeps me watching. Of course, the "what is behind Storage Locker #1?" is going to lure me to the dance though. Needless to say I was pretty excited to see a second volume of Storage Wars hit my door. Let us see what the boys (and girl) find this time around.
Since Storage Wars has not received a review on this site as of yet (Season One is readily available), I thought I would take some time and share the basics. Ever rent a storage locker? Sure, most of us have. We tend to throw just about everything in there, from absolute crap we can not bear to get rid of to perhaps something valuable that we are saving for a rainy day. Well, just like anything else that costs money, some people decide not to pay it. Well, unfortunately the owners have to do something about it to recoup their losses. Auction it off to the highest bidder.
Posted in: Disc Reviews by Archive Authors on February 18th, 2012
The yesteryears of Disney were full of classic movies from Aladdin to 101 Dalmations. Each of those films holds a special place in my heart due to its warmth and very colorful, cute story. Having never seen Lady and the Tramp before picking up this early copy, I didn’t know what to expect of the film. Many declare it to be one of Disney’s best, which is certainly a remark that is quite distinguished. Would Lady and the Tramp capture my emotions and heart like so many old, classic Disney films did years ago? Read on to find out.
The basic story to Lady and the Tramp is as follows. A man named Jim Dear gives his wife Darling a mysterious box for Christmas. Inside that box is the ever-so-cute little cocker spaniel puppy, which Darling decides to name Lady. Lady spends most of her period growing up with two neighborhood dogs, Trusty and Jock. One day a dog named Tramp walks over the railroad tracks. When Darling has a child, we are introduced to two super ugly and vicious cats, Si and Am, courtesy of Aunt Sarah. Due to these evil cats and the new baby, Lady winds up in the doghouse. What happens next is cinematic history: the spaghetti scene and the start of a romance between Lady and Tramp.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2012
"I don't have to worry about how it all happened. It is what it is. We're genetically engineered to stop aging at 25. The trouble is, we live only one more year unless we can get more time. Time is now currency. We earn it. We spend it. The rich can live forever and the rest of us?"
Well...the rest of us lose a couple of hours by watching films with tremendous potential that end up leaving us disappointed and more than a little bit cheated. Hopefully, you haven't yet taken the plunge and I've gotten to you In Time.
Posted in: Disc Reviews by J C on February 16th, 2012
Despite their pop culture ubiquity these days, zombies are getting somewhat of a raw deal. To be clear, I'm talking about the old-school, George Romero-style creatures that slowly lumbered toward their victims and whose only ambition in life was to snack on human flesh. Nowadays, a lot of filmmakers seem to be more interested in making zombie movies that don't technically have "zombies" in them ("infected" is a popular alternative term) and who are almost fast enough to earn a spot on their country's track and field squad for this summer's Olympic games. Even The Walking Dead — fresh off setting a new ratings record for basic cable viewership earlier this week — has conspicuously avoided having any of its characters refer to the living dead as "zombies" over its two seasons. (Instead, they're "walkers" or, most recently, "lame-brains.")
The Dead strives to be a return to Romero-esque horror. Billing itself as “the first zombie road movie set against the spectacular scenery of Africa,” the film follows American Air Force Engineer Brian Murphy (Rob Freeman), who survives a plane crash in war-torn, zombie-infested West Africa only to find himself in a brutal, unforgiving landscape that is completely barren...except for the undead shuffling in his direction. Murphy eventually crosses path with Sgt. Daniel Dembele (Prince David Osei, a poor man's Djimon Hounsou), whose village has been ravaged by the reanimated dead and who is determined to find his missing son.
