Disc Type

"You're not failing. You just haven't succeeded yet."

If you are at all familiar with the NCIS franchise, you know that the show tends to follow a bit of a formula. Each spinoff has some unique style aspects, but the episodes tend to be relatively self-contained. That means you can start with Season 6 of NCIS: New Orleans and still be able to appreciate most of what's going on. You'll get to know and understand the characters pretty quickly. That's more true of this particular member of the NCIS family than the others. It has had the most cast turnover. By the end of this season there will only be three characters who have been there since the beginning. Compare that to the L.A. version where you'll find over a decade of no lost cast members, and you'll find this one is the easiest to drop in and out of. Unfortunately, that also contributes to the fact it is my least favorite entry in the franchise. And all of that is in spite of the fact that I'm a rather big Scott Bakula fan, having been impressed by both Quantum Leap and his tenure as a Star Trek captain in Enterprise. So while you could certainly enjoy this release on its own, I still recommend you go back and catch up on the first five seasons just to get caught up and maximize your enjoyment. The good news is that we can help you with that. You don't have to wade through 10 years of JAG, 18 years of NCIS, and 11 years of NCIS: L.A., although that might be one heck of a fun binge. Just catch up on the first five seasons of this show and you'll be ready to go. You can check out those reviews here.

I remember this was the one show that I didn’t want to watch growing up. Ironies of ironies, I was not big on scary things when I was younger. Now it is one of my favorite genres. In reference to the original series, there was just something that really scared me about the show growing up. Of course, all it took was a dare from my family to force me to try to overcome that fear. Not sure I ever really overcame the obstacle, as once this revival miniseries came across my docket, I was hit with some of the old feelings that I experienced while watching the original show. It only took the opening sequence to send my daughter out of the room, so I was forced to overcome my childhood fears on my own, while opting to not scar my child. To that end, I must say that age has definitely made me braver, but it may also have more to do with the revitalization of the series, which I found to be more in-depth and intriguing than its original incarnation. This three-part miniseries may have been limited in how far it could go as far as goriness (given that it is a Nickelodeon production), but the storyline more than makes up for that, managing to weave a creative and entertaining web that also includes slight comedy and unique characters.

Part I, Submitted For Approval, of the series sets the stage for the next two episodes as we are introduced to Rachel, a new girl in the town of Sargento. Off the bat, it is clear that she is a bit of a social outcast and has difficulty making friends. She does possess an excellent imagination that catches the attention of the Midnight Society, a group of kids from her school who eventually engage her with the invitation to join their ranks. This comes with a caveat; she must compose an original scary story to share with the group. This task appears to be more grueling than she initially anticipated until she dredges up a being from her nightmares: Mr. Tophat.

I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials that I wasn’t all that thrilled.  I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I may have had in different circumstances.  To be fair, when presented the offer to review the series, the odds were stacked against it, though I do attempt to always give a show or film an unbiased chance when I sit down with it.  I feel it’s important I say all this because I want to express just how blindsided I was by this show and its story. Although its target audience with its books may be young adult, by the time the credits of the last episode rolled for its first season I found myself not just engaged with the story, but I had quickly grown attached to these characters and their story in a way I haven’t experienced since perhaps the first season of Stranger Things.

The first episode is a bit of a whirlwind as we are thrown into this world and we meet Lyra (Dafne Keen), a rebellious young girl who was left at Jordan College in Oxford as a baby. In this world everyone has what is called a daemon; it’s an animal/companion that is linked to the individual from birth to death that can take on a variety of forms and will constantly change up to the point the person reaches puberty, and then the daemon will settle on its final form.  Lyra’s daemon is Pan (voiced by Kit Conner), who for the most part switches between a white ferret and a fox. These two are inseparable; the daemon basically represents a person’s soul, but in physical form, and as he show progresses we see this can be a complicated and perilous union.  Tom Hooper (famously or perhaps infamously connected to the recent adaptation of Cats) helms the first episode and does a decent enough job of creating a world that feels similar to our own but with a flair of Harry Potter. There’s even a dining hall sequence that feels largely inspired from the films.

"Life just got complicated."

It sure has. With the world still in the throes of pandemic, it's nice to spend some time catching up on familiar characters and compelling stories. Very few television franchises are as familiar by now as NCIS. CBS brings us the 11th season of the NCIS spin-off: NCIS; Los Angeles to DVD. The series has become one of the most successful spin-off shows in the history of television. Only CSI and the Law & Order franchises have brought more episodes to our television screens, and next season the NCIS franchise will have passed CSI. The truth is, if you go all the way back to the original JAG series, this is hands down the most prolific one-hour series in television history. What is even more amazing is that the NCIS shows continue to be the most-watched franchise in the entire world, a position they have held for over a decade. No one has come close to this kind of television domination. If this collection of episodes is any indication, the ride isn't anywhere near reaching the end. All three shows have been renewed, with NCIS getting a new two-year commitment at CBS. If you haven't already caught up on all of those earlier episodes, you don't necessarily need to do that, but why wouldn't you? You might want to get acquainted with the cast and other aspects of the series. You can at least catch up with the first 10 seasons of NCIS: L.A. Here.

"At least attempt to hide the bias."

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits and wearing the faces of a few good performers. It's a tall order for the series and perhaps an even taller order for actor John Krasinski, who has created a nice little horror franchise with wife Emily Blunt on the side. I don't really have the time or energy to watch streaming shows and films. There's always a backlog here of discs that need to be watched and reviewed, and I've created a rather comfortable viewing experience with my home theatre I call The Reel World. Our motto: Here there be monsters. So last year I had my first experience with this series when Paramount sent the first season on Blu-ray. It was far more of a captivating and compelling series than I expected. Now the second season has reached the Blu-ray home platform format, and while I certainly detect a sophomore slump here, there's still enough interesting drama to keep a fan engaged for another year.

"You like when I do the whole cryptic thing."

The 17th season of NCIS certainly ended with just that kind of vibe. The showrunners did a great job of keeping secret that Ziva would show up in the very last frame of the season. Everyone was sure she was dead, and while that's often no reason not to bring back a character in the fantasy genre, it doesn't often work in something like this. It brings up a lot of questions that were not going to be answered for several months. How is she still alive? Why is she here? Is she now a good guy or a bad guy? I'm sure you spent the summer with plenty of questions that didn't get answered for a long time. But it's finally aired, and now the whole story is out for home video as CBS releases the 17th season of NCIS. The team has changed faces over the years. Few of the original members remain, but as long as Mark Harmon remains in the starring role of Gibbs, there's life in this show yet. This season sees no real change in the characters of the show, but it does allow for even more growth for those still on the train. NCIS is about to enter into its 18th season in just a short time. That in itself is a remarkable accomplishment in the days of short attention spans and hundreds of shows to keep that attention. What is more remarkable is that it continues to be the number one drama in the world. What could a series possibly have left to say after 15 years? Apparently, the answer to that question is: a lot. One of the reasons the series has stayed so strong for so long is the cast. And while it has changed considerably over that time, new members are brought in who always seem to fit into that comfortable family that makes up the appeal of the series. This show has become like that ragged, threadbare shirt that you can't quite part with. That sentiment completely comes alive with that long-anticipated arrival of Ziva, played once again by Cote de Pablo. We got that surprising entrance just as last season ended and Ziva shows up in Gibbs' basement. Her new story kicks into high gear as she explains that Gibbs is in danger, and before we really get that reunion we longed for, they are under fire and running for their lives. The three episodes that feature Ziva are pretty much there to give the character a more proper send-off, and it attempts to close her story off with Tony without us seeing Tony in anything but flashbacks. Of course Michael Weatherly is busy with his own show, and if you were hoping for a cameo, that wasn't going to happen. The episodes were some of the highest-rated episodes of any television last year and helped considerably to keep the original NCIS on top all over the world. They are touching episodes, and I think they demonstrated this point of the new characters always being so perfectly chosen to retain the family atmosphere. This episode gives you plenty of moments to reflect on those changes and actually see the past meet the present, and it combines so well. I think you could bring back any of the previous cast and the show would be pretty much the same at its core. That's the secret of the show's longevity.

"It's crazy the things that happen at work."

The beginning of 2020 certainly created some crazy things everywhere in the world. A pandemic arrived and shut down productions all over the globe. Films are missing long-anticipated release dates, and most network television shows were forced to close down early to protect their casts and crews. Seasons have been called with whatever episodes were already finished. Most of those shows will continue to shoot those episodes as part of their next season when they are finally able to get back to work. That won't be the case for Hawaii Five-O. Late in this 10th season it was decided the show would wrap it up for good.  We got 22 episodes, and they even managed to get out a series finale. If it all feels a little rushed, that's because it was. This wasn't the best year to have to say goodbye, and it certainly adds to the sadness for the show’s participants and fans. Now CBS is offering those final episodes before we all say aloha.

James Cameron is easily one of the most recognizable names in the Hollywood industry. Every time he makes a movie, it manages to break box office records.  As many of us have been waiting patiently for his sequel to Avatar, it seems he was busy working on a small project that takes an intimate look into science fiction.  This isn’t a boring history lesson, though; instead he’s gathered some of the biggest actors and directors of the genre and has a discussion about the various ideas that science fiction presents its viewers and readers. Whether you’re a science fiction novice or a self-proclaimed expert in the field, there’s at least something for everyone in this six-part, four-hour-plus series. The series is broken up into six episodes. Each episode covers a specific theme in the science fiction genre, so it allows you to watch it in any order you’d like. For me, I have to be honest; it’s hard to be impartial and not let my inner geek get excited over this series.  When you have James Cameron and Steven Spielberg discussing how Close Encounters of the Third Kind came to be or see Cameron and Christopher Nolan discuss time travel, this is some engaging material.  The closest thing I’ve seen recently where we get to see talented filmmakers sit down and talk is The Director’s Chair that Robert Rodriguez hosts, but what makes Story of Science Fiction stand out is seeing these filmmakers express their appreciation of the genre and what inspired them.

The series as I mentioned is broken up into six episodes on two discs:

Despite my dad being away a lot on business as I grew up, he would often make the most of his time spent with me and leave lasting impressions on my mannerisms and character to this very day.  We would play baseball (even though I wasn't very good); he would teach me about money and how to be financially sound (which for the most part I think I do OK).  He would also introduce me to the things he enjoyed, like root beer floats and Abbott & Costello.  Even though these days I can't have many root beers, I can enjoy an Abbott and Costello movie almost any time I like.  One of those movies I remember watching with my dad was Africa Screams.  It was my distinct pleasure to watch that movie again and bring my review to you today.

Stanley Livington (played by Lou Costello) stares down a menacing creature with a gun and a whip.  Except when we pan to the fearsome creature, it's actually a small kitten.  But the tiny cat does have a snarl, and it's enough to send Stanley back into the department store from which he came.  Buzz Johnson (played by Bud Abbott) comes around to tell Stanley that the cat is not that scary, but Stanley is still a little concerned.

After enjoying Shudder’s revival of Creepshow, I’ve been looking forward to seeing what else they’d be bringing to their streaming service.  When Belzebuth came along, I’ll admit I wasn’t exactly excited about the title. At first glance it seems like yet another possession/exorcism movie.  Maybe it’s because I went into this with lowered expectations that this film managed to make an impact on me, but one thing is for certain, nothing about this film is “typical”.  Recently I has reviewed Season 1 of Evil, and I’m glad that show is still simmering in the back of my mind, because Belzebuth is a nice companion to the show with one big exception. Belzebuth doesn’t pull its punches, and I’ll say this right now: it’s not for everyone, and it’s a film that will get under your skin. Grab your crucifix and keep a bottle of holy water nearby, because this little film out of Mexico isn’t afraid to show us what evil may really look like.

When I say this film isn’t afraid, the opening sequence is a brutal glimpse at just what I’m saying. When we first meet Emanuel (Joaquin Cosio), we see him in one of his happier moments in the hospital with his wife and their newborn son.  Just as Emanuel is being called away to return to the police station, one of the nurses has seemed to have lost her mind and kills all the babies in the hospital’s nursery, including Emanuel’s son.  This is literally in the opening minutes of the film, and is a huge risk taken by the filmmakers, because in most audiences even intense horror fans will be easily be put off by this kind of violence, especially so early in the film.  I’ll be upfront; if violence towards children bothers you in any way, this film is not for you. Run as far and as fast as you can away from this one.  For me I took this sequence as a sign that this movie is definitely going to keep me on my toes, and I had to see how this was all going to end.